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Em Família (1971)
Character: Roberto
Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.
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A Possuída dos Mil Demônios (1975)
Character: Marido
"The possessed is a very poor woman, ravaged by delusions and ghosts, until, driven by mysterious voices, she suddenly becomes another person, young, beautiful, insinuating. Her exploits make her the subject of a police chronicle. She seduces teenagers, attacks men, she becomes an insatiable wolf who arouses the wrath of the whole community against her. Revenge is not slow and a group intends to stone her. But she manages to lure her pursuers to a strange place where she faces them in struggle. unequal and wins ". (Extracted from Guide to Movies, 55)
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Brasil Verdade (1968)
Character: N/A
In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.
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Padre Cícero (1971)
Character: Narrator
A short documentary that presents the legacy of Padre Cícero, an important priest for the Juazeiro do Norte community, who managed to bring progress and new developments to the town after a miracle to brought plenty of attention to the region.
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Paulicéia Fantástica (1970)
Character: N/A
Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.
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Tempo de Violência (1969)
Character: N/A
Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.
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A Noiva da Cidade (1978)
Character: Zulmiro
When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
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Cara a Cara (1967)
Character: Raul
The story of a civil servant who lives with his elderly mother. Falling in love with a corrupt politician's young and rich daughter, he abandons himself to crazy and violent situations.
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Matou a Família e Foi ao Cinema (1969)
Character: Assassino
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
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A Longa Viagem do Ônibus Amarelo (2023)
Character: N/A
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
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Subterrâneos do Futebol (1965)
Character: Narrador
The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.
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