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Dangerous Days (1920)
Character: Natalie Spencer
Patriotism, love and treason in the United States during the First World War. Barker manages to give every scene the right climate through inventive use of color. From semi-documentary to cruel melodrama.
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The Man Called Back (1932)
Character: Mrs. Cartright
Fresh from his success with the moody melodrama Murders in the Rue Morgue, director Robert Florey dashed off The Man Called Back at bargain-basement Tiffany Studios. The film is set in the tropics; Conrad Nagel tops the cast as a dissipated, derelict doctor, hopelessly in love with married socialite Doris Kenyon. Doris' insane husband John Halliday commits suicide, but arranges the evidence so that his wife will be charged with murder.
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The Bride's Awakening (1918)
Character: N/A
A husband orders his wife to keep their marriage a secret, in order to better continue his affair with a married woman.
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Gloriana (1916)
Character: N/A
A newly adopted girl is doted on by her adopted father but faces indifference from her adopted mother.
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Mother, I Need You (1918)
Character: N/A
A young woman who became pregnant from an assault faces legal trouble and scandal after having an abortion.
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The Double Standard (1917)
Character: Grace Fairbrother (as Clarissa Selwyn)
Newly elected police court judge John Fairbrother is impassioned when it comes to the laws affecting the dives and cabarets of the city, and promises equal justice for all.
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Home (1919)
Character: Mrs. Deering
A young woman of humble origins hides her family's lack of wealth and prestige from her boarding school friends.
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The White Man's Law (1918)
Character: Lady Falkland
Japanese leading man Sessue Hayakawa stars as John A. Ghengle, the Oxford-educated son of an Arab chieftain. Entering into a business partnership with Sir Harry Falkland (Jack Holt), a notorious roue, Ghengle relocates to Sierra Leone, where he falls in love with French-Sudanese girl Maida Verne (Florence Vidor.) Upon proposing marriage, Ghengle is turned down and hotly demands to know why.
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The Cup of Fury (1920)
Character: Lady Clifton-Wyatt
Sir Joseph and Lady Webbing are the foster parents of Marie-Louise. The couple are also in league with Verrinder, a German spy. When their work against England is discovered, they commit suicide. Marie-Louise, who has been an unwitting part of their schemes, is allowed to go to the U.S. if she promises to keep everything a secret.
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The Woman He Feared (1916)
Character: Claire
Henry Clive, a wealthy widower, placed his small daughter, May, in a convent when she was a mere child, and now that her education is completed takes her home. Clive, alone, has amused himself according to his fancy, but now that his daughter has come to live with him he decides to reform.
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The Curse of Eve (1917)
Character: Marie
When young Eva Stanley comes home from college, she finds that her mother is deeply involved in the movement to rescue "wayward" girls. Eva's boyfriend John Gilbert is sent west on a government job, and Eva finds herself lonely and neglected. She is lured onto the yacht of lecherous Leo Spencer, the dissolute brother of the district attorney.
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The Running Fight (1915)
Character: Madeline Braine
Crooked banker Peter V. Wilkinson intentionally drives his own company into bankruptcy and puts the bank's deposits into a secret account he has set up using his daughter Leslie's name. A series of events occurs in which Leslie finds out what her father has done and sets out to get him to return all the money he has stolen.
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The Master Hand (1915)
Character: Dr. Lane
James Rallston, facing financial hardship, marries a wealthy invalid widow with a daughter, Jean, and plots to control her fortune. He orchestrates her confinement in a sanitarium by drugging her and falsely claiming she is insane, with the help of a conniving doctor and sanitarium keeper. Fifteen years later, Rallston has lost Jean's fortune through speculation and seeks help from John Bigelow to recover it, offering Jean as a reward. Bigelow, suspicious of Rallston, discovers the truth about the widow and Jean's father, and rescues the widow from the sanitarium.
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The Come-Back (1916)
Character: Donna Estelle
Randall Ridgeway. a lumber king, learns that one of his contracting companies in northern Maine is carrying on crooked transactions. His son, Burt, overhears his father discussing the matter and asks if he might go and investigate. His father refuses, thinking his son too young and not strong enough physically to deal with the woodsmen. Mac Heberton, who controls the camp in Maine, hears of Ridgeway's suspicions. He compels his bookkeeper to arrange a double set of books, under penalty of exposing him for a murder he saw him commit. Burt Ridgeway falls in with a fast crowd and meets a professional dancer named Lotus de Valois.
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The Masked Rider (1916)
Character: Mrs. Hart
Bruce Edmunds takes a place in the revenue service to help rout the moonshiners in the hills of North Carolina and to avenge the murder of his brother, George Edmunds. George, who was a landscape painter, had selected the picturesque locale in the south for his work, and while there became infatuated with Jill Jamison, a mountain girl, and daughter of Jimmy Jamison, owner of the Bat Cave Hotel. The friendship between the girl and George aroused the enmity of Squid Archer, boss of the moonshining gang.
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The Baby Cyclone (1928)
Character: Mrs. Webster
A woman thinks a small dog is an angel pet in this silent comedy. This film is presumed to be lost.
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We Moderns (1925)
Character: Lady Kitty Sundale
Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her. A lost film.
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One Good Turn (1936)
Character: Ma Pearson
In this comedy a pair of aspiring music hall entertainers attempt to live their dream while saving their landlady's daughter from ruin.
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Broadway Daddies (1928)
Character: Mrs. Winthrop Forrest
Eve, a beautiful young nightclub dancer, turns down a string of wealthy and powerful suitors for Robert, a poor but ambitious young man. What Eve doesn't know is that Robert is the son of a wealthy businessman and is just pretending to be poor to see if she really loves him. However, an item in the society pages gives away Robert's true identity. Complications ensue.
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The Scarlet Shadow (1919)
Character: Edith Presby
Elena Evans is raised by her puritanical Aunt Elvira, who believes that because of Elena's mother, Elena possesses "the scarlet strain."
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Bonnie, Bonnie Lassie (1919)
Character: N/A
Alisa Graeme journeys from Scotland to the U.S. to visit Jeremiah Wishart, an old wealthy friend of her grandfather. The invalid Jeremiah is charmed by Alisa and decides she would make a good wife for his favorite nephew, David. Without meeting Alisa, David refuses the arrangement and runs away. Later, Alisa also runs away rather than wed another of Jeremiah's nephews and meets a young billboard painter in the country.
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Society Secrets (1921)
Character: Aunt
Amos Kerran and his wife live a traditional, old-fashioned life on a Connecticut farm, while their son and daughter, Arthur and Maybelle, are successes in New York society. The children want to invite their parents to the city at Christmastime but are ashamed of their unrefined appearance.
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The Heart of a Follies Girl (1928)
Character: Caroline Winthrop
A clerk falls in love with a beautiful dancer with the Ziegfeld Follies. Not being able to support the girl in the manner to which she is accustomed, he commits forgery in order to get the money to buy her an engagement ring. Complications ensue.
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Queenie (1921)
Character: Mrs. Torrence
Simon Pepper lives as a miserly recluse since the death of his young wife thirty years earlier. He is attended by his secretary and lookalike Abner Quigley, and housekeeper Pansy Pooley, who hires her niece, Queenie, as her assistant. Believing she would be living with a wealthy aunt, Queenie is disillusioned with her new job, although she is befriended by Vivian Van Winkle, the heir to a noodle fortune and an amateur poet known as "Cocobola."
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The Dangerous Flirt (1924)
Character: Aunt Prissy
The naïve Sheila Fairfax (Brent) plays with men’s emotions without fully comprehending the risks leading to several dangerous situations from which she and the man she loves to barely escape with their lives.
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Straight from Paris (1921)
Character: Mrs. Van Austen
A young man takes a trip to Europe, and when he returns home he brings along the woman he fell in love with and became engaged to. However, his snooty mother finds out that she doesn't come from a "good" family and is, in fact, a clerk in a shoe store, and refuses to sanction the engagement. The young man's uncle disagrees and tries to convince the mother to accept the young girl--but then begins to realize he is developing feelings for her himself.
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The Calendar Girl (1917)
Character: Madame Lizette
Mildred Manning, known as Middy, is an apprentice in Madame Lizette's fashionable shop. Her beauty is discovered by Madame's brother, George Martin, and she is made a model. One afternoon, she tries on a rejected bathing suit and by adding a touch here and there, makes it into a beautiful creation. Madame then sends her to the beach to carry out a clever advertising scheme. At the shore, Middy is pursued by a reporter and photographer, who have been commissioned by Madame to photograph the girl for calendar advertising. In her flight from the publicity men, Mildred takes refuge in a car owned by lawyer Philip Gordon, who gets into the vehicle and drives off with Middy. Middy has him drop her off where she doesn't live, and he ends up having to try to track her down.
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The Fate of a Flirt (1925)
Character: Aunt Louise Burgess
Sir James Gilbert, a British peer, wagers that he can win the love of a particular young American woman for whom he has his heart set. Disguised as a chauffeur, James shows his love to Mary Burgess, niece of his wealthy employer, John Burgess. To obtain the consent of Mary's aunt, the couple involves her in a harmless trick. A villain threatens blackmail and attempts to pass himself off as the Sir James Gilbert. After a variety of adventures, the blackmailer's schemes are defeated. The young woman's hitherto hostile relatives are surprised and pleased when, instead of a chauffeur, Mary becomes the bride of Sir Gilbert.
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Quarantined Rivals (1927)
Character: Mrs. Peyton
Elsie Peyton’s parents favor two different men for her. Dad likes Bruce Farney, as does Elsie while Mom prefers Bob Howard. The domineering Mrs. Peyton sees to it that football player Bruce is discouraged from taking Elsie to the game. Bruce stops in a barbershop where Minette, the manicurist flirts with him to make barber Ed jealous. Disappointed when he sees Elsie with Bob at the game Bruce follows them in his car. Meanwhile, Mrs. Peyton calls Minette to the house for a manicure. When the trio arrive from the game the house is suddenly placed under a 2-week quarantine for smallpox. Hilarious complications ensue as Bruce is obliged to room with his rival, but by a clever trick Bruce marries Elsie despite the quarantine.
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Girls (1919)
Character: Mrs. Dennett
Man-haters Pamela Gordon, Violet and Kate West, each disappointed in love, vow never to marry, and room together with a sign above their door reading "No man shall cross this threshold." When Edgar Holt enters their room to escape an irate husband whose jealousy he mistakenly aroused, he falls in love with Pamela, but she makes him leave through a window across an ironing board over a courtyard. Edgar woos Pamela but he is unsuccessful in breaking down her resolve, even though she privately softens and develops a love for him. To help her, Edgar secretly gets her a position as a confidential secretary with his firm.
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Smashing Through (1918)
Character: Mrs. Brandon
Claim jumper Dave Marco and his boss Earl Foster, a crooked investment broker, hire chemist Ralph Brandon to falsify papers that a certain worthless mine is valuable then convince Ralph's mother to invest all her money in the mine. Ralph’s sister Holly meets Jack Mason, whose mine is actually valuable though not yet profitable, and they fall for each other. Once Mrs. Brandon finds out she has been duped, though forced into silence by the threat of having Ralph’s malfeasance exposed, and Marco attempts to jump Jack’s claim events come to a head until the happy conclusion.
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Out of the Storm (1920)
Character: Lady Rosamond
Impressed with Margaret Hill's singing ability, Al Levering takes her from the notorious dive in which she is performing and pays for her musical education. Just as she is about to join an opera company, Levering is arrested for embezzlement and Margaret, out of gratitude, promises to marry him when he is released. Later, Margaret meets and falls in love with nobleman John Ordham. Separated during a shipwreck, the two lose track of each other and five years pass, during which time Margaret has become a famous opera star.
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Everything in Life (1936)
Character: Matilda Tewkes
An opera singer pretends to be poor in order to romantically win over a composer.
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Come Across (1929)
Character: Harriet Houston
Mary, a high society girl, wants to see how the other half lives, so she becomes a cabaret dancer in a New York nightclub. The owner of the nightclub, Pop Hanson, and his criminal friends, Harry and Cassie, scheme to rip off a Montana millionaire. Finding herself interested in Harry, Mary goes along with their plan and decides to pose as his wife. The gang moves into Mary's aunt's deserted mansion as their base of operations. A silent film with sound sequences.
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Lilies of the Field (1930)
Character: Second Maid
Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.
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The Love Trap (1929)
Character: Mrs. Harrington
A chorus girl loses her job and thus the room she owes back rent on, and ends up being rescued from the street by a dashing rich man. But his family isn't over-accepting of chorus girls joining their family.
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The Isle of Lost Ships (1929)
Character: Aunt Emma / Mrs. Renwick
The Isle of Lost Ships is a 1929 talking film released in an alternative silent version with a Vitaphone track of effects and music. It was produced by Richard A. Rowland and distributed by Warner Bros..
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The Parisian Tigress (1919)
Character: Mlle. de Suchet
The invalid Count de Suchet, nearing death, tells his friend, artist Henri Dutray, about the tragic events of his early life. He secretly married a dancer, and after she gave birth to a daughter, his father convinced her that she was ruining her husband's life. She gave the baby to an old couple, and then killed herself. The grieving count now worries about his daughter. Meanwhile, Jeanne, an Apache dancer in Montmartre, refuses to be sold by her brother Jacques to an old rogue. After she escapes and hides in Henri's studio, Henri, because he needs money, plots with Jacques to make the count believe that Jeanne is his daughter.
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The Flash of an Emerald (1915)
Character: Marie
The picture starts with Robert Warwick walking into the office of director Albert Capellani (the film's actual director). Capellani offers him the role of a heavy and hands him the script. The next four reels show Warwick playing a Raffles-like character, an ingenious crook who moves through society, committing robberies and even murder.
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Infatuation (1925)
Character: Lady Ethridge
Infatuation is based on Caesar's Wife, a story by Somerset Maugham. Dazzlingly British socialite Viola Morgan falls madly in love with professional soldier Sir Arthur Little at a dinner party. The two marry, and before long Viola has relocated to Egypt with her husband. Soon bored by her hothouse existence, Viola succumbs to the attentions of young British attache Ronald Perry.
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Jazz Mad (1928)
Character: Mrs. Ostberg
A composer and his daughter emigrate to America in the hope that he can sell his symphony. But he meets with little success and begins to give up hope. His daughter and her friends, however, never give up hope.
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The Last Man on Earth (1924)
Character: Dr. Prodwell
An epidemic has killed off all of the fertile men on earth, except for Elmer Smith, a hillbilly who lives out in a cabin in the Ozarks, when he is discovered, every woman on the planet begins fighting over him.
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Naughty But Nice (1927)
Character: Miss Perkins
Naughty But Nice was based on The Bigamists, a story by Lewis Alen Brown. Gawky country girl Berenice Summers (Colleen Moore) is catapulted head-first into High Society when her Uncle Seth (Burr McIntosh) strikes oil. Shipped off to a fancy boarding school, Berenice suffers at the hands of her snooty classmates, but the last straw comes when she's publicly humiliated by local wise-guy Paul Carroll (Donald Reed).
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Resurrection (1927)
Character: Princess Olga Ivanovitch Nekhludof
Katusha, a country girl, is seduced and abandoned by Prince Nekludov. Nekludov finds himself, years later, on a jury trying the same Katusha for a crime he now realizes his actions drove her to. He follows her to imprisonment in Siberia, intent on redeeming her and himself as well.
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My Man (1928)
Character: Landlady
Fannie Brand, an industrious girl who supports her brother and sister by working in a theatrical costume house, falls in love with Joe Halsey, a young fellow who earns a precarious living demonstrating an elastic exerciser in a drugstore window. Fannie and Joe set a date to be married, but the wedding is called off when Fannie finds Joe making love to her unprincipled sister, Edna. Fannie auditions for Landau, a theatrical producer, and goes on the Broadway stage. Fannie is a great success, and she and Joe soon find their way back into each other's arms.
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A Weaver of Dreams (1918)
Character: Cynthia Bancroft
Unrequited love rules the day as both wealthy Judith Sylvester and her invalid aunt pine for men who got away, but happiness lays ahead for one while hopeful dreams sustain the other.
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Everything Is Rhythm (1936)
Character: Miss Mimms
Based on the spectacular rise of bandleader and vaudevillian Harry Roy, this is the comic tale of a Ruritanian princess who elopes with a dance-band leader.
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Glorious Betsy (1928)
Character: Aunt Mary
Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.
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The Fast Worker (1924)
Character: Mrs. O'Dell Carney
Roxbury asks his friend Terry to assume his identity and go on vacation with his wife, Edith, and their daughter. When Terry falls in love with Edith's sister, a scandal erupts at the resort.
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The Big Little Person (1919)
Character: Mrs. Manning
After Arathea Manning loses her hearing during an epidemic of scarlet fever among the children she teaches, her fiancé Arthur Endicott, who is involved with another woman, complains of always having to shout to make himself heard. An inventor, Gerald Staples, gives Arathea an auriphone, a device to restore her hearing, but one of her problem pupils, in a fit of rage, breaks it. Gerald asks Arathea, whom he calls "The Big Little Person -- small in size, but big in ideas," to be the secretary of his new company marketing the invention. He falls in love with her and plays the piano for her even though she hears only rumblings.
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Princess Virtue (1917)
Character: Countess Oudoff
The daughter of a disowned upper class Bostonian finds acceptance in Parisian society.
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Mademoiselle Midnight (1924)
Character: Empress Eugénie - Prologue
Renée (Mae Murray) is the heiress of a Mexican ranch, granddaughter of a woman known for her recklessness and frivolity at night. This first "Mademoiselle Midnight" is banished in the opening scene by Napoleon III at Empress Eugenie's insistence to Mexico. Renee is kept locked at the hacienda at night by her father to prevent her following in her grandmother's wayward footsteps. She falls in love with a visiting American (Monte Blue) but is also pursued by the craven outlaw Manuel Corrales. Miss Murray gets to do some of her trademark dancing, but this one isn't a comedy, despite comic relief provided by Johnny Arthur.
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Her Great Match (1915)
Character: Mrs. Sheldon
While vacationing in America, Prince Adolph of Syravia meets Jo Sheldon and they fall in love. Wealthy Mr. Bote, a friend of Jo's family whose ambition is to become a baron, gives Jo's stepmother money to pay her creditors, in return for a forged note in Jo's name which promises that Jo will marry the prince and have him bestow the title on Bote.
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Sinners' Parade (1928)
Character: Mrs. Adams
In order to support her sister and her sister's small child, Mary Tracy leads a double life: by day, she works as a schoolteacher; nights, she dances in a cabaret show. Mary becomes interested in Bill Adams, whose mother is prominent in an anti-vice crusade, and therefore attempts to quit her job in the cabaret. Al Morton, the club's owner, holds her to her contract, however, and Mary is caught up in a police raid on the cabaret. The club is shut down, and Mary is fired from her teaching post. Morton threatens to expose Bill (who is running a crime syndicate with money embezzled from his father's bank), and Bill sets out to take Morton for a ride. Finally realizing that she has fallen in love with Morton, Mary calls the cops and saves him from certain death. Bill is arrested, and Mary and Morton decide to get married.
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Slightly Married (1932)
Character: Mrs. Martin
Mary Smith is picked up by the police and is about to be sentenced, in night court, to jail for prostitution. But a stranger, Jimmie Martin, stands up and tells the judge that Mary was waiting for him and they were going to be married.
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A Broadway Lady (1925)
Character: Mrs. Westbrook
Chorus girl Rosalie Ryan catches the eye of Bob Westbrook, a wealthy playboy. He proposes to her but she refuses, mainly because of his heavy drinking. However, after being brazenly insulted by his family, she accepts his proposal, just to get under their skin. She finds out that Bob's sister Phyllis is planning to run off with Martyn Edwards, a cad who once betrayed a close friend of Rosalie's. Rosalie goes to Phyllis' apartment to talk her out of it, but soon finds herself involved in, and arrested for, a murder.
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The Crystal Cup (1927)
Character: Mrs. Pleyden
A beautiful young girl has been raised by her bitter mother to hate all men, but her beauty means that men are constantly after her. She rejects them all, leading some to believe that she may be a lesbian. To stop those rumors, she begins a platonic relationship with a young writer, but things don't work out exactly as planned.
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High Steppers (1926)
Character: Mrs. Perryam (as Clarissa Selwyn)
Perryam is going through a round of bad luck; he is thrown out of school and loses at love. In search of a change, he heads for London, where he meets Audrey Nye, a former jazz baby who has gotten a responsible job on a newspaper. She helps Perryam get hired as a reporter.
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Call It a Day (1937)
Character: Annoyed Woman in Theater (uncredited)
The various members of the middle-class Hilton family have a series of romantic misadventures during one eventful spring day.
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Beau Brummel (1924)
Character: Mrs. Wertham
George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry.
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The Talk of the Town (1918)
Character: Aunt Harriet
Her strict upbringing is driving Genevra French (Dorothy Phillips) crazy, so when she gets her hand on a book called "How to Attract the Opposite Sex," she takes its advice to heart. She uses her newly found wiles on Lawrence Tabor (William Stowell) and gets him to marry her. Only after the wedding does she tell him she married him just to get away from her family, and that she intends to do exactly as she pleases.
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The Brass Bottle (1923)
Character: Mrs. Hamilton (as Clarissa Selwyn)
Horace Ventimore, a young London architect, stumbles across an old brass bottle. When he picks it up a genie suddenly appears and promises Horace that he will grant every wish Horace wants in exchange for his freedom. Horace accepts the genie's offer but finds out that things aren't working out quite as well as he thought they would.
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Black Oxen (1923)
Character: Gora Dwight
A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.
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Sacred and Profane Love (1921)
Character: Mrs. Sardis
Carlotta Peel, who though sheltered from the facts of life by her Victorian aunt has acquired some knowledge from indiscriminate reading, meets Diaz, a celebrated pianist, at a concert and spends the evening with him. Later, in London, she acquires fame as a novelist and is followed to France by married publisher Frank Ispenlove, who commits suicide when she spurns him. In Paris, Carlotta finds Diaz a physical wreck from drinking absinthe and devotes herself to his regeneration.
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The Woman Conquers (1922)
Character: Jeanette Duval
Tired of her friends and life as a society leader, Ninon Le Compte goes north to the Hudson Bay area to inspect trapping holdings inherited from her uncle.
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Cynara (1932)
Character: Onslow
A London barrister's marriage is under strain after his affair with a shopgirl who is out to have him. The story is told in flashback.
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Face Value (1918)
Character: Mrs. Van Twiller (as Clarissa Selwyn)
A runaway becomes a thief and is sentenced to a reformatory.
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Creaking Stairs (1919)
Character: The Buyer (as Clarissa Selwyn)
Dearie Lane refuses to marry Fred Millard, whom she loves, because of her previous affair with roué Mark Winfield. When she confesses, Fred forgives her, and they marry and live happily in a modest home until the owner, who turns out to be Winfield, comes to collect a delinquent payment and suddenly dies. Dearie, afraid that the absent Fred will misunderstand, hides the body with the help of a boarder and a cook until midnight when they carry it down the stairs to the countryside, but the creaking of the steps is heard by Fred.
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My Pal, the King (1932)
Character: Dowager Queen
The king of a European country, who is a child, meets the cowboy star of a traveling circus.
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