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Cuando los hijos se pierden (1963)
Character: Doña Genoveva, madre de Silvia
Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.
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He matado a un hombre (1964)
Character: N/A
A mature woman looks for a judge to hand over after having murdered a man and recounts everything that happened. Sequel to "Historia de un canalla".
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Fallaste corazón (1970)
Character: N/A
Ugly-duckling older guy falls in love with a beautiful young woman. Offering her a marriage of convenience, to give her baby a father, might be a way to win her affection... Ya think?
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Simitrio (1960)
Character: Victoria Cortés
A blind teacher is the victim of endless pranks and pranks from his students.
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El diario de mi madre (1957)
Character: Alicia (as Ma. Teresa Rivas)
Scheming secretary sabotages her boss's wedding plans and snags him for herself. She, him, his brother and the abandoned pregnant fiance all suffer as a result.
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Los días del amor (1972)
Character: N/A
In the 1920s, Mexico was still in a state of near-chaos. Rebellions and revolutions had followed one after the other for decades. Though things were beginning to settle down some, it was still a time when one had the feeling that anything could happen.
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Una leyenda de amor (1982)
Character: Doña Carmen de Cabrera
The romance between two young people intensifies the bitter feud between their rival families, which has been going on for three generations.
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Tierra de hombres (1958)
Character: Doña Mercedes
On his family's farm, Gilberto keeps weapons to support the revolutionaries. When his father find out, he runs out from the hacienda to join them.
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El Esperado Amor Desesperado (1976)
Character: Albertina
A thirty-something woman fears that life is passing her by and that she's going to end up as the family's 'maiden aunt'. She imagines that somebody in her circle is courting her, and he's too polite to disillusion her. And then...
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Remolino de pasiones (1970)
Character: Sra. Laura Landa
A gigolo devises schemes to infiltrate the lives of a terminally ill wealthy man's wife and daughter.
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Ven a cantar conmigo (1967)
Character: Directora
Tween girl in an orphanage does little-ray-of-sunshine stuff all over the place and puts particular energy into creating a romance between her facility's twentyish nurse and some rando guy from USA that they see in the market.
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Las señoritas Vivanco (1959)
Character: Adelaida Covarrubias
Two women of lesser descent are dedicated to stealing to support their brother's daughter.
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El maleficio 2: Los enviados del infierno (1986)
Character: Aunt
Raul Araiza's chilling Spanish-language supernatural thriller tells the tale of two powerful beings, one good and one evil incarnate, fighting for control of Earth--and of a beautiful woman.
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La Viuda Blanca (1970)
Character: Victoria
The story of a woman who, when forced to marry a man she does not love, remains a virgin. Her husbands die until she knows the true love of her life.
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Cri-Cri el Grillito Cantor (1963)
Character: Señorita Garza
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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El analfabeto (1961)
Character: Refugio González
Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.
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Los Dos Rivales (1966)
Character: N/A
Ranchera comedy -- the hero thinks his girlfriend has another suitor... but the suitor is really she herself in man-drag.
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Fando y Lis (1972)
Character: Fando's Mother
Fando and his partially paralysed lover Lis search for the mythical city of Tar.
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Miércoles de ceniza (1958)
Character: Elvira
1913: A young woman is raped by a priest and turns away from the Church as a result of the experience. 1924: She now is the owner of an expensive brothel, and she plays a small role on both sides of the Cristero Uprising, when foreign-born clergy were deported from Mexico.
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