|
|
|
Der weiße Teufel (1930)
Character: Woronzoff
Ivan Mozzhukhin is a "...hot-headed Caucasian mountaineer leader whose irrational behavior comes to the attention of the Czar . Hoping to use Hajji Murad as a go-between in his plans to conquer the Caucasus mountaineers, the Russian ruler finds that the hero is not so easily manipulated. Rescuing the beautiful Saira from the Czar's clutches, Hajji Murad leads the mountain people's revolt against the despotic regent." Needless to say, the film ends in tragedy.
|
|
|
Parisiskor (1928)
Character: Napoleon Gambetta Duval
A house in Paris happens to have two families living there with the same last name. In one apartment lives opera singer Gambetta Duval with his two daughters, Jeanne and Nita. In the second apartment lives old lady Duval with her grandchild Philippa and an her lodger, the physician Leon Monnier. Jeanne is secretly in love with Dr. Monnier who is secretly in love with Nita, who is secretly having an affair with the great playwright Armand de Marny.
|
|
|
Cyankali (1930)
Character: N/A
Drama based on a play by Friedrich Wolf. Hete is pregnant, hoping to have a family with her fiancé Paul. When the factory where she and Paul work sacks all striking workers, she tries to find a legal abortion. But there is only the illegal option - the eponymous cyanide.
|
|
|
Im Geheimdienst (1931)
Character: Ewreinoff
During WWI a German agent receives an order to find out when the Russian army will carry out its expected attack against the German lines.
|
|
|
|
|
Mata Hari, die rote Tänzerin (1927)
Character: Großfürst Boris
Mata Hari, die rote Tänzerin (English: Mata Hari: The Red Dancer), often shortened on release to Mata Hari, is a 1927 German silent drama film directed by Friedrich Feher and starring Magda Sonja, Wolfgang Zilzer and Fritz Kortner. It depicts the life and death of the German World War I spy Mata Hari. It was the first feature-length portrayal of Hari.
|
|
|
Gehetzte Frauen (1927)
Character: Herr Korvin
The aging singer Clarina receives a new engagement from a cabaret called the Maison Mouche and must evade the advances of several overbearing men.
|
|
|
Dagfin (1926)
Character: Oberst von Gain
In a Swiss winter resort, Lydia Boysen, who has just divorced from her husband, meets the young ski instructor Dagfin Holberg. It doesn't take long before they both fall in love with each other. One day her ex-husband Axel shows up, not long after he had tried to set Lydia up with the much older, rich Turkish man Sabi Bey. A little later, Alex Boysen is found lying dead in the snow. Dagfin and Lydia suspect each other of killing Boysen. To protect Lydia, Dagfin takes all the blame. Not entirely unselfish, he receives full support in his actions from Sabi Bey, who also promises to help Dagfin escape. The Turkish general hopes to get closer to his goal in this way and finally win Lydia over. Lydia, in turn, is ready to sacrifice herself for Dagfin. In order to be sure of Sabi Bey's support for the fugitive Dagfin, she follows the Muslim despot, who was once responsible for a massacre of Armenians and only narrowly escaped an assassination attempt, to his castle in southern Germany.
|
|
|
Manege (1928)
Character: Der Direktor
Brothers Ralph and Gaston are performing in a circus tightrope act, in a fight over a woman. Ralph escalates the tension even further when he tries to rescue a young tightrope walker from the cruelty of her stepfather, the circus ringmaster.
|
|
|
Der Fall des Generalstabs-Oberst Redl (1931)
Character: Daragaieff, russischer Spion
Based on the short story "Der Fall des Generalstabschefs Redl" by Egon Erwin Kisch. Alfred Redl, a colonel on the Austrian General Staff, leads an extravagant private life. No one suspects that in reality he is passing information to Russian spies. Alternate-language version of "Aféra plukovníka Rédla" (1931).
|
|
|
Die Kleine vom Varieté (1926)
Character: N/A
Peter Verdy falls in love with Lola (Ossi Oswalda) who is mistaken for a boy when she appears in stage regalia before a rich uncle who has other marriage plans for his nephew. The tangle ensuing is finally sorted out with excellent results all round.
|
|
|
|
|
Der Mann mit dem Laubfrosch (1929)
Character: Henris Vater
An unknown guest checks into an obscure hotel. He is a burly but well-dressed gentleman carrying an umbrella and a tree frog in a glass. This man spends most of his time wandering the hallways and staircases of the inn, ostensibly to hunt for flies to feed his pet. But quite obviously, there is more to it than that: the man also listens at doors and peeks through their keyholes.
|
|
|
Rasputins Liebesabenteuer (1928)
Character: Postmeister Globitscheff
Portrays the deep intrigue and mystical fanaticism of the last days of the Romanoffs, when Rasputin, the mad monk had such a hold over them.
|
|
|
|
|
Fräulein Else (1929)
Character: N/A
While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.
|
|
|
|
|
Die freudlose Gasse (1925)
Character: N/A
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
|
|
|
|
|
Michael (1924)
Character: Mr. Adelsskjold
A mature and visually elegant period romance that remains one of the earliest and most compassionate overtly gay-themed films in movie history. Based upon Herman Bang's 1902 novel, Dreyer's Michael refashions the classical Greek myth of Jupiter and Ganymede into a love triangle between an aging artist, Zoret, his protagonist Michael, and Princess Zamikoff, an aristocratic femme fatale as entranced by Michael’s youthful beauty as Zoret is.
|
|
