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Il Giglio Nero (1913)
Character: N/A
“Essentially this is a dramatic story, in two reels, combining a delightful tale of adventure with those wonderful stage settings for which Kleine-Cines are famous.” (MPW, 30.08.1913)
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In pasto ai leoni (1912)
Character: Il pagliaccio - The Clown
The relationship between Herman, a lion tamer and star of a circus show, and his assistant Cleo, develops around themes of love and jealousy.
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Christus (1916)
Character: Giuda
Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.
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Il veleno delle parole (1913)
Character: N/A
Charles Raleigh is a cousin of Miss Clara Burton, and is secretly in love with her. She returns his affection in secret also. Time parses and George Conway makes love to Clara. She considers his proposal of marriage long and seriously and makes entry of it in her diary. About this time Charles is called to America to look after his mining interests. He arrives in time to find himself a pauper as the result of a terrific conflagration that has swept his property. He decides to make a new start, but finds the battle difficult.
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Le mannequin (1912)
Character: Marcella's father
The struggles of Marcella, a modest model harassed by the owner of the fashion house where she works.
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Fabiola (1918)
Character: N/A
In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.
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L'amorino (1910)
Character: The doctor
A lovely lady of the castle, annoyed with a small statue of Cupid which she believed to be an effective love talisman, throws it out from the balcony. The small statue falls onto the head of a passerby and wounds him. He is a noble gentleman and an officer, who is taken in and cared for by the lord of the castle. Between the young girl and the wounded man, a tender romance is born and unfolds, which leads them to their longed-for wedding.
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Cajus Julius Caesar (1914)
Character: N/A
A colossal epic film like this that tries to depict the life and glory of Julius Caesar, must have a variety of scenery appropriate to the film's hero. This includes the Senate and its conspirators..or .. strange places beyond Rome full of barbarians that must fall under the Rome yoke. Let's not forget the sequences depicting the masses mentioned before.. or.. the human side of Caesar and his troublesome relationship with his son Brutus.
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Messalina (1924)
Character: Claudio
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
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Avatar (1916)
Character: N/A
Based on Théophile Gautier's novel of the same name, the film tells of the tragic love affair of Ottavio de Saville. He falls madly in love with Madame Prascovie Labinska, a woman very faithful to her husband, the Polish count Olaf Labinski. Alarmed by the growing physical and mental weariness of the desperate young man, his relatives and friends decide to turn to Doctor Balthazar, who has just returned from a trip to the Indies where he was initiated into the secrets of Brahman.
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Quo Vadis? (1913)
Character: Chino
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
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Malombra (1917)
Character: Cesare d'Ormegno
Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.
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Il gioiello di Khama (1918)
Character: N/A
A silent precursor to the Indiana Jones adventures. Sydney played a double role as an American billionaire who has robbed a precious jewel from an Eastern temple and as a penniless painter who substitutes the other, not knowing that the Khama devotees are plotting a merciless revenge. Two kind souls, however, are watching over the menaced painter and help him out of many dangers; one is his girlfriend (Dolly Morgan).
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Pinocchio (1911)
Character: Geppetto
Carpenter Geppetto carves a block of wood into a puppet and names him Pinocchio. As soon as his feet have been made, Pinocchio runs out the door and a series of adventures begins.
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