Colette Marchand

Personal Info

Known For

Acting

Known Credits

0.3826

Gender

Female

Birthday

29-Apr-1925

Age

(101 years old)

Place of Birth

Paris, France

Also Known As
  • NO INFO PROVIDED

Colette Marchand

Biography

Colette Janine Marchand (29 April 1925 – 5 June 2015) was a French prima ballerina and actress. She was nominated for the Academy Award for Best Supporting Actress in 1952 for her performance as Marie Charlet in Moulin Rouge, directed by John Huston. During the height of her dance career she was considered one of the greatest dancers in Europe, known as Les jambes (The Legs), along with Violetta Elvin, Zizi Jeanmaire, Yvette Chauviré, Janine Charrat, and Margot Fonteyn. Marchand traveled around the world as a dancer and danced with many of the greatest ballet dancers of the 1940s and 1950s. Marchand was born in Paris, France, the daughter of Alice (née Lioret) and Roger Marchand. She began her career at the Paris Opera Ballet. She married Jacques Bazire, the musical director for the Roland Petit Ballet. She died on 5 June 2015, aged 90, and was survived by her sister, Yvonne (Marchand) Le Bras. She performed as a première ballerina on Broadway in Roland Petit's Les Ballets de Paris (1949 & 1950). In the 1950 show, Marchand performed a ballet piece titled The Boiled Egg, for which she received rave reviews. In 1951 she had a featured role in the Broadway musical Two on the Aisle which ran for 276 performances. In the early 1950s while performing on Broadway, Marchand was featured in several magazines, including Life, and would make appearances on New York City television shows, including the Ford Star Revue, the Colgate Comedy Hour, and the Ed Sullivan Show. In 1951 she lent her voice to Isidore Isou's Venom and Eternity. In 1952, she received a Golden Globe Award as Most Promising Newcomer - Female for her performance in Moulin Rouge, as well as a nomination for the BAFTA for Most Promising Newcomer. In 1953 she was directed by Orson Welles in The Lady in the Ice. Her other film appearances were rare: Hungarian Rhapsody, Par Ordre du Tsar and the musical short Romantic Youth (also as choreographer) (all 1954). Source: Article "Colette Marchand" from Wikipedia in english, licensed under CC-BY-SA 3.0.


Credits

Par ordre du tsar Par ordre du tsar (1954) Character: Princess Caroline
Carolyn de Sayn was married at the age of sixteen, against her will, to the Prince of Wittgenstein, much older than herself. A few years later, she met Franz Liszt, whose fame had already conquered the whole of Europe. Taking advantage of her husband's absence, the young woman invites the musician to her estate in Woronince. When Franz confesses his love for her, she finds it easier to fight her own feelings.
Les Cloches n'ont pas sonnées Les Cloches n'ont pas sonnées (1954) Character: Caroline von Say-Wittgenstein
1847. Franz Liszt meets the beautiful princess Caroline von Sayn-Wittgenstein in Kiev. The two fall in love, but the princess is forced to marry an elderly general. When the revolution breaks out in Hungary, she flees with Franz Liszt to Weimar. They also ask the Pope to annul Caroline's unhappy marriage, a question that remains unanswered for the time being. Can Liszt and his princess stay together for long?
Christmas Blues Christmas Blues (1960) Character: Self
The whole spirit of New Orleans is captured and brought to life by Jean-Christophe Averty. Eight paintings which retrace the history of jazz and blues in this American city, known for the richness of its artistic heritage. The music evolves throughout the different scenes, with dazzling accuracy and harmony.
Moulin Rouge Moulin Rouge (1952) Character: Marie Charlet
In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.
Traité de bave et d'éternité Traité de bave et d'éternité (1952) Character: (voice)
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.



Our Work is

Designed, crafted, and built with ❤️ for fans of all kinds.



Anime | Movie
2024 Animeperson . All Rights Reserved