|
|
La balandra Isabel llegó esta tarde (1950)
Character: Esperanza
The captain of a small vessel, regularly sailing between his home island of Margarita Island in the Caribbean and the Venezuelan mainland, has two separate and very different relationships. At home, he is happily married, having named his boat Isabel after his wife. Yet on his visits to the port of La Guaira, he has a passionate affair with Esperanza, a woman working in a seedy cabaret who tries to retain him with hexes and spells. A classic of Latin American cinema, which won Best Cinematography at 1951 Cannes Film Festival.
|
|
|
Allá en el setenta y tantos (1945)
Character: N/A
The life of Élida Passo, pioneer of medicine of the Buenos Aires of the XIX century. By 1870, the first women tried to practice medicine in an area reserved for men; and through sacrifice and struggle, they begin the path towards a more egalitarian society.
|
|
|
Se rematan ilusiones (1944)
Character: N/A
A young man tries to follow a path different from that of his retired public employee father and associates with a friend to make bags.
|
|
|
El tercer huésped (1946)
Character: Amalia
A threatened financier is impersonated during a train ride by an identical-looking salesman.
|
|
|
Cómo se hace una película argentina (1948)
Character: N/A
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
|
|
|
El patio de la morocha (1951)
Character: N/A
The granddaughter of the watchman of a theater that is going to be demolished has the dream of being a successful female singer like her mother and the son of the theater owner makes it possible.
|
|
|
|
Café de los maestros (2008)
Character: N/A
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
|
|
|
Mi novia es un fantasma (1944)
Character: Cameo
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
|
|
|
La guerra la gano yo (1943)
Character: Rosarito
A grocer gets rich speculating on the shortages generated by World War II until he suffers the consequences firsthand.
|
|
|
Buenas noches, Buenos Aires (1964)
Character: N/A
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
|
|
|
La historia del tango (1949)
Character: La Morocha
The director of a tango set is in love with the singer but she marries another man who eventually abandons her. In their old age, their children will fulfill their dreams.
|
|
|
Don Juan Tenorio (1949)
Character: Doña Inés
A retired actor decides to donate his savings to his nephew and move to an old house, there he meets an old love.
|
|
|
Sangre y acero (1956)
Character: Mercedes/Mecha
In a train repair shop, a passion involves a woman and, years later, her daughter.
|
|
|
Vivir es formidable (1966)
Character: N/A
A married couple rents a room in their house to a newly married couple with sexual problems.
|
|