|
|
|
|
|
|
|
|
|
花嫁は十五才 (1964)
Character: N/A
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
|
|
|
人間狩り (1962)
Character: N/A
A detective sets out on a manhunt to catch a murderer before the crime's statue of limitations runs out.
|
|
|
新・男の紋章 度胸一番 (1964)
Character: N/A
A war veteran clashes with a mob boss in this crime saga. When Ryuji returns from the war, he finds himself torn by the death of an old friend - the son of crime kingpin Kiyomiya. A death Ryuji feels responsible for.
|
|
|
地図のない町 (1960)
Character: N/A
A young doctor falls into a despair of developments. He plans to revenge the disgrace inflicted upon his sister, whose engagement was broken as a result.
|
|
|
非行少女 (1963)
Character: N/A
Wakae is a 15 year old girl who lived under the same roof with her alcoholic father and stepmom. Her mother had died years ago. She spends her nights at a rundown bar, sharing drinks and cigarettes with the lowlife drunks. She has nowhere to turn and no one to talk to, until she is reunited with her childhood friend, Saburo, who brings warmth to her heart.
|
|
|
|
|
東京午前三時 (1958)
Character: N/A
Japanese "kayo" film centered around the song "Tokyo gozen sanji" by Frank Nagai.
|
|
|
百万弗を叩き出せ (1961)
Character: N/A
A boxing melodrama. Two friends become boxers and begin training for the championship. These two boys eventually face each other in the ring.
|
|
|
骨まで愛して (1966)
Character: N/A
A deep mist envelops the port city of Yokohama. The scent of crime is everywhere. As an executive member of a drug trafficking syndicate, Kano is pretty high up in the food chain, but "status" bears no value to him. All he cares for is Ayako, the boss' mistress. After one last job, they intend to run off together to Hong Kong, but their plans are hindered when an uninvited yakuza stirs up a vicious shootout. In the midst of it all, Ayako is kidnapped.
|
|
|
帰らざる波止場 (1966)
Character: N/A
A jazz pianist named Shiro Tsuda returns from an overseas tour unwittingly carrying drugs that have been sewn into his jacket. When he stops by to see his girlfriend Kyoko, he walks in to find an unknown man attacking her. While struggling with the man, who is armed, Shiro accidentally shoots and kills her. The intruder knocks Shiro down and takes the drugs from Shiro's jacket. Shiro realizes that he was being used as a drag smuggler. He is sent to prison for three years for killing his girlfriiend. When he is released, he is determined to find out who set him up.
|
|
|
無頼 黒匕首 (1968)
Character: N/A
A street war breaks loose between two rival gangs in the Kansai region of Japan. Goro is in the middle of action. Through a knife fight against Sueo, a high profile gangster from Busou-kai, Goro notices a familiar face approaching him from amidst the chaos - his girlfriend, Yuri. Goro had sent her to safety, but she had returned, aching to see him. Caught between Goro and his enemy knife, she reunites with her love - the price was her life.
|
|
|
無頼・殺せ (1969)
Character: N/A
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
|
|
|
続・飢える魂 (1956)
Character: Tozai Publishing employee
A continuation of Hungry Soul, from the same year. Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.
|
|
|
殺しの烙印 (1967)
Character: N/A
After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.
|
|
|
|
|
拳銃は俺のパスポート (1967)
Character: N/A
A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.
|
|
|
ビルマの竪琴 (1956)
Character: Nagai
In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.
|
|
|
密航０ライン (1960)
Character: Checkpoint watchman
Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?
|
|
|
春婦伝 (1965)
Character: N/A
Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.
|
|
|
潮騒 (1964)
Character: N/A
On a small island, inhabited by only fourteen hundred people, a young fisherman's son, Shinji falls in love with Hatsue, the daughter of the richest and most difficult man on the island. Despite their differences in class, they begin to meet and rumors spread of them having an illicit affair. Soon after, Shinji jumps into a stormy sea to help a ship in distress. The vessel turns out to be owned by Hatsue's arrogant father, who now becomes an understanding and sympathetic parent and allows the two lovers to marry.
|
|
