|
Pas d'amour sans amour! (1993)
Character: N/A
After her gynecologist tells her that her current involuntary celibacy could result in her being unable to enjoy sex in the future, Eva begins to consider ways that she could take active steps to get some action going in that area. Unfortunately, none of the men she currently knows are interested in going to bed with her, including her business partner, who just might be sexually attracted to trees but certainly isn't to her. That being the case, it is particularly galling that he gets jealous at the very notion of her having sex with business clients. Eva discusses these issues (and a great deal more) with her similarly forty-ish gal-pals.
|
|
|
Dormez, je le veux! (1998)
Character: Jean-Charles
Cora is a teenager and has a lot of problems (mostly because of the relationship with her parents). One day she meets Katz, a hypnotizer who makes shows in the whole country, and his assistant Pedro. Then she manages to convince Katz to bring her with him in order to teach her his job. Thus Cora leaves her home without saying any word to her parents and begins a long trip through France with a very tumultuous relationship with Katz and Pedro.
|
|
|
Le Voleur de feuilles (1984)
Character: Poker player
An old vagrant accidentally meets a man who has just killed his wife. They are both housed with an old woman who lives in the nostalgia of a youthful love.
|
|
|
On efface tout (1979)
Character: N/A
Anne, who has just had an argument with her boyfriend Vassili, is put up for the night by Jacques and Odile, a couple of friends. But when Jacques takes her home the next day, he is arrested by the police, who mistake him for Vassili. In reality, Vassili is a terrorist.
|
|
|
Les Aventures d'Yvon Dikkebusch (1980)
Character: Cailleux
Yvon Dikkebush is a café owner in northern France. His clientele consists mainly of workers from the factory located opposite his establishment. Following the announcement of layoffs, a strike breaks out and the factory is occupied.
|
|
|
Taxi Boy (1986)
Character: Henri
The meeting of Manuel, a lady's dancer, Petrus, an unfortunate gambler, and Corinne, a fast-food waitress. The drifting of three drop-outs, three solitary dreamers, adventurous waverers.
|
|
|
Prunelle Blues (1986)
Character: Bénito
A man finds himself pursued by police and thugs because of a woman he has fallen in love with.
|
|
|
Robespierre 1789-1989 (2019)
Character: Jacques-René Hébert
Robespierre, a child of the Enlightenment, passionate about justice and concerned with order, is thrust into the storms of the Revolution. He becomes one of its most tragic figures. The guiding thread of this dramatic development is Robespierre’s own speech. Excerpts from his major addresses are thus staged, emphasizing the contradictions of a man who advocates for the abolition of the death penalty yet justifies the Reign of Terror, who tirelessly fights for universal suffrage but helps establish an exceptional regime.
His life and exercise of power are confronted, thirty years apart, with the analyses and judgments of historians and political figures from the Bicentennial and the early 21st century: Michel Vovelle, Michel Biard, Hervé Leuwers, Patrice Gueniffey, Jacques Chaban-Delmas, Michel Debré, Lionel Jospin, Jean-Louis Bourlanges, and Alexis Corbière.
|
|
|
L'ordre du temple solaire (2005)
Character: Jo Di Mambro
The Order of the Solar Temple was particularly twisted, apocalyptic, sinister and lethal cult. It had the particularity of recruiting rich people, in France, Switzerland and Quebec. It became famous through a controversial collective suicide in 1994. The cult was led by Jo Di Mambro and Luc Jouret.
|
|
|
Le Fabuleux Destin d'Amélie Poulain (2001)
Character: Concierge's Husband (voice)
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
|
|
|
Le Cœur fantôme (1996)
Character: N/A
Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..
|
|
|
Ah ! Si j'étais riche (2002)
Character: Monsieur Louis
Between Alice, a hospital nurse and Aldo, a shampoo sales representative, things have turned sour of late. Alice blames her husband for lacking ambition and contemplates divorce.One day Aldo wins the ten million euro lotto prize. But, unwilling to share the bonanza, he keeps mum about it, all the more as he finds out Alice has an affair with Gérard, Aldo's former friend and ... new boss. However, Aldo, leading a double life, starts spending his money ...
|
|
|
Céleste (1970)
Character: N/A
Georges Cazenave, a " politically committed" French TV reporter leads a good life. Besides having a regular mistress in the person of Hélène, he is a ladies man with "a girl in every port". But this comfortable situation is challenged the day he hires Céleste as his housemaid. A Portuguese immigrant, she soon appears to be a Marxist-Leninist activist, engaged in political groups working against the regime of Salazar, the dictator of Portugal. Geoges and Céleste fall in love with each other, which brings adventure in the reporter's hitherto superficial life, upset by a breakup with Hélène, the interference of the French Secret Service and a touch of terrorism.
|
|
|
L'Honneur d'un capitaine (1982)
Character: L'animateur du débat TV
During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.
|
|
|
Il était une fois Jean-Sébastien Bach (2003)
Character: Monsieur Buxtehüde
A dramatic exploration of the life and struggles of the great composer, J.S. Bach, from his orphaning at the age of nine, through his struggles for the freedom to compose music in a restrictive society, to his eventual recognition after death.
|
|