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O Mistério do Dominó Preto (1931)
Character: Renato
"The Mystery of the Black Domino" was the first film directed in Brazil by a woman, the pioneer Cleo de Verberena. Marcos and Virgílio are medical students and share the same room. At the end of the first night of carnaval, Marcos finds the corpse of a woman, dressed as a black domino, inside the closet and accuses Virgílio of murder. Virgílio defends himself by saying that that was Cleo, wife of Commander Fernando Almeida, and that he found her in the corso asking for help, but Marcos questions Virgílio about the veracity of the story. Lost Film.
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Está Tudo Aí! (1939)
Character: N/A
An elderly head of the family, unlike his family—wife, daughters, future son-in-law, and servants—horrifies Carnaval, forming a humorous contrast. But, in need of money, he finds himself forced to accept the demands of an old Luzitano, who will only lend him money if he joins his group and joins the revelry.
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Tererê Não Resolve (1938)
Character: Rodolfo
Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.
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Leonora dos Sete Mares (1955)
Character: Dr. Ricardo
A great mystery surrounds Leonora, and it becomes even more mysterious when a stranger arrives from Buenos Aires looking for her, saying he knows her. In love with her, he is desperate when they say she is dead. Not believing what they say, he continues his search. But upon finding her, he is faced with a cruel and unexpected enigma.
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O Signo de Escorpião (1974)
Character: Professor Alex
For the launch of his new giant horoscope computer, famous astrologer Alex invites to his private island friends representing each of the 12 zodiac signs. During the welcome party, one of the guests is mysteriously murdered. Unable to leave the island, the others witness new deaths, always announced in advance by the computer.
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O Samba da Vida (1937)
Character: Rodolfo
An ordinary thief and two accomplices invade a mansion whose owners traveled to Buenos Aires. They settle there with the whole family, until the real owners return. The owner's natural son saves the thief's situation when he threatens to reveal some compromising documents.
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Inconfidência Mineira (1948)
Character: Tiradentes
Reconstruction of the historical episode of the Inconfidência Mineira (Minas Conspiracy).
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Favela dos Meus Amores (1935)
Character: Roberto
Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.
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Maridinho de Luxo (1938)
Character: Amigo de Marcos
A pampered girl decides to marry in a different way: buying a husband.
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A Marcha (1972)
Character: Xisto Bahia
A large protest march of escaped slaves is an episode in the history of Chico Bondade and Boaventura, who had already become legendary for their difficult and daring missions.
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Onde Estás, Felicidade? (1939)
Character: Paulo
Badly advised by a high-class friend (who covets her husband) and by her scatterbrained father (always preoccupied with making cocktails), singer Noêmia forces her husband to abandon suburban life for the noisy 'big life' of Copacabana.
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