Barbara La Marr

Personal Info

Known For

Acting

Known Credits

0.1194

Gender

Female

Birthday

28-Jul-1896

Age

(129 years old)

Place of Birth

Yakima, Washington, USA

Also Known As
  • Reatha Dale Watson
  • Barbara La Marr Deely
  • Barbara Deely
  • Barbara LaMarr Deely
  • Barbara Lamarr Deely
  • The Girl Who Is Too Beautiful
  • The Girl Who Was Too Beautiful
  • Beth Watson
  • Beth Lytelle
  • Folly Lytelle
  • Folly Lytell
  • Polly Lytelle
  • Polly Lytell

Barbara La Marr

Biography

From Wikipedia, the free encyclopedia Barbara La Marr (born Reatha Dale Watson; July 28, 1896 – January 30, 1926) was an American film actress and screenwriter who appeared in 27 films during her career between 1920 and 1926. La Marr was also noted by the media for her beauty, dubbed as "The Girl Who Is Too Beautiful," as well as her tumultuous personal life. During her career, La Marr became known as the pre-eminent vamp of the 1920s; she partied and drank heavily, once remarking to the press that she only slept two hours a night. In 1924, her health began to falter after a series of crash diets for comeback roles further affected her lifestyle, leading to her death from pulmonary tuberculosis and nephritis at age 29. She was posthumously honored on the Hollywood Walk of Fame for her contributions to the film industry.


Credits

Cinderella of the Hills Cinderella of the Hills (1921) Character: Kate Gradley
Hoping to reconcile her divorced parents, Norris Gradley remains with her father, Giles, after he marries another woman. The new Mrs. Gradley snubs and mistreats Norris, who earns money by disguising herself as a boy and playing the violin at dances. Claude Wolcott, employed by Giles to drill oil wells, falls in love with Norris.
Hello, 'Frisco Hello, 'Frisco (1924) Character: Barbara La Marr
A comedy short directed by character Slim Summerville.
The Shooting of Dan McGrew The Shooting of Dan McGrew (1924) Character: Lady Known as Lou
Although the dance troupe of which she is leading lady is successful in South America, Lou urges her husband, Jim, to seek another environment for the sake of their 2-year-old son. When Dan McGrew offers to put Lou on the New York stage and beats Jim in a fight, she runs away with him to Alaska, where she becomes a decoy in the Malamute saloon. Learning that Lou has been duped by her abductor, Jim follows them to the Klondike and kills McGrew. Husband, wife, and child are then reunited.
Screen Snapshots (Series 22, No. 10) Screen Snapshots (Series 22, No. 10) (1942) Character: Self (archive footage)
The edition of Screen Snapshots celebrates 25 years of production. It looks at the content of edition #1, then a tribute to movie people who have died in those 25 years. Finally there are tributes to the Screen Snapshots series by Cecil De Mille, Walt Disney, Louella Parsons and Rosalind Russell.
Strangers of the Night Strangers of the Night (1923) Character: Anna Valeska
A rousing fusion of satire, mystery and action. Aristrocrat Ambrose Applejohn is aching for excitement. He gets more than he bargained for when two Russian thieves, Anna Valeska and her partner Borolsky, arrive at the mansion one dark night.
The Girl from Montmartre The Girl from Montmartre (1926) Character: Emilia Faneaux
A Parisian cabaret dancer Emilia finds herself under the scrutiny of aristocratic British military officer Jerome Hautrix, who catches her act while on furlough during WWI. Convinced that Emilia is of noble birth, Hautrix tracks her down after the war, determined to trace her family tree. In the process, the two mismatched souls fall in love.
The White Monkey The White Monkey (1925) Character: Fleur Forsyte
Two hundred fifty thousand have read this startling novel with its revelations on married life-its intimate story of the times and follies of new conventions that hurl their challenge to the old!
Poor Men's Wives Poor Men's Wives (1923) Character: Laura Bedford / Laura Maberne
Drama of two girls who married into different layers of society.
The Eternal City The Eternal City (1923) Character: Donna Roma
War drama - Fitzmaurice was able to film King Victor Emmanuel III and Benito Mussolini reviewing Italian troops.
Sandra Sandra (1924) Character: Sandra Waring
BY DAY a beautiful wife-accepting a husband's humble love, his humble home, his humble pleasures. BY NIGHT a glittering butterfly yearning for the wine of life and tossing all to the winds when the glamour of romance calls.
Desperate Trails Desperate Trails (1921) Character: Lady Lou
Bart Carson is in love with Lou and even goes to jail to save Walter A. Walker, a man she says is her brother but who is really a husband who has deserted his wife and two children.
The White Moth The White Moth (1924) Character: The White Moth
When a girl tries to drown herself in the Seine, she is rescued by dancer Gonzalo Montrez. She then becomes a famous dancer known as the White Moth.
The Prisoner of Zenda The Prisoner of Zenda (1922) Character: Antoinette de Mauban
A kingdom's ascending heir, marked for assassination, switches identities with a lookalike, who takes his place at the coronation. When the real king is kidnapped, his followers try to find him, while the stand-in falls in love with the king's intended bride, the beautiful Princess Flavia.
The Eternal Struggle The Eternal Struggle (1923) Character: Camille Lenoir
Believing she's responsible for the death of her would-be seducer, a young woman flees to North Vancouver.
Thy Name Is Woman Thy Name Is Woman (1924) Character: Guerita
A Spanish soldier seduces and falls in love with the young wife of a smuggler.
Quincy Adams Sawyer Quincy Adams Sawyer (1922) Character: Lindy Putnam
Quincy Adams Sawyer is a young attorney who one day meets a girl in the park and is immediately smitten with her.
The Three Musketeers The Three Musketeers (1921) Character: Milady de Winter
The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, Aramis, and Athos. Together they fight to save France and the honor of a lady from the machinations of the powerful Cardinal Richelieu.
The Heart of a Siren The Heart of a Siren (1925) Character: Isabella Echevaria
This silent drama's story is based on the Broadway play Hail and Farewell by William Hurlbut.
The Nut The Nut (1921) Character: Claudine Dupree
Eccentric inventor Charlie Jackson tries to interest wealthy investors in his girlfriend's plan to help children from poor neighbourhoods.
Mary of the Movies Mary of the Movies (1923) Character: Barbara La Marr (uncredited)
Mary's kid brother needs an operation and, in order to pay for it, Mary goes to a Hollywood studio and applies for a job as an actress. Mary is given a job as a waitress in the commissary, and gets to meet 40 actors, actresses and directors, none of whom tip big enough to enable Mary to earn enough money to pay for an operation. Will Mary become an actress and make some big money?
Trifling Women Trifling Women (1922) Character: Jacqueline de Séverac / Zareda
Leon de Severac is fed up with his daughter Jacqueline, who is constantly seducing men. Hoping to discourage her from her flirtatious behavior, he tells her the story of Zareda, an attractive fortune teller who is having an affair with Ivan de Maupin.
St. Elmo St. Elmo (1923) Character: Agnes Hunt
St. Elmo is a man who killed his romantic rival in a brawl. Traveling the world as a confirmed misogynist, St. Elmo returns to home and hearth only to fall in love with the daughter of the local blacksmith. The film is based on the 1867 novel of the same name written by Augusta Jane Evans. Today, St. Elmo is a lost film.
Souls for Sale Souls for Sale (1923) Character: Leva Lemaire
A young woman hits Hollywood, determined to become a star.
The Brass Bottle The Brass Bottle (1923) Character: The Queen
Horace Ventimore, a young London architect, stumbles across an old brass bottle. When he picks it up a genie suddenly appears and promises Horace that he will grant every wish Horace wants in exchange for his freedom. Horace accepts the genie's offer but finds out that things aren't working out quite as well as he thought they would.



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