|
Con el odio en la piel (1988)
Character: N/A
After group of racist cops from Texas kill his brother, a young Mexican man stands up to the corrupt bunch in this action-drama.
|
|
|
|
|
El rayo del sur (1943)
Character: N/A
Latter part of the career of Padre Morelos, the 18th/19th century military leader. Sequel to... um... El Padre Morelos.
|
|
|
Bodas trágicas (1946)
Character: Laura
Jalisco, 19th century. Diego, a wealthy landowner, secretly marries Amparo, defying her father Juan Manuel, who fiercely opposes the union. Juan Manuel still holds a grudge against Diego, having once been his employer when Diego was just a laborer. Their secret marriage stirs jealousy and resentment, particularly in Octavio, Diego’s servant, and his wife Laura, who harbors unspoken feelings for him. As Diego departs for a military mission in Guadalajara, Juan Manuel, unaware of the marriage, attempts to arrange a match between Amparo and the Spaniard José Luis.
|
|
|
|
|
Näskara (1953)
Character: María
Maria, an indigenous woman, seeks justice for her sister Rosa after she is raped.
|
|
|
Fe, esperanza y caridad (1974)
Character: Cuca (segment "Caridad")
Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.
|
|
|
|
|
Santa (1943)
Character: Raquel
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito
|
|
|
Mala yerba (1940)
Character: Mariana Bermúdez
Plantation owner is way too much into his peasant girls. It causes problems.
|
|
|
|
|
|
|
|
|
La Fuga (1944)
Character: Condesa de la Cadena
A stagecoach full of conflictive passengers makes its dangerours way from Mexico to Veracruz during the days of the French Intervention.
|
|
|
Arriba Michoacán (1987)
Character: N/A
The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.
|
|
|
|
|
Captain from Castile (1947)
Character: Doña Marina (uncredited)
Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez' first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest...with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy...
|
|
|
Lo mejor de Teresa (1977)
Character: Madre de Teresa
Ambitious young woman decides to leave her backwards hometown and move to Mexico City to study for a scientific degree.
|
|
|
Los olvidados (1950)
Character: Mother
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
|
|
|
Bugambilia (1945)
Character: Zarca
In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.
|
|
|
La Momia Azteca (1957)
Character: Aztec Chanteuse
A scientist discovers through hypnosis a mummy who watches over the jewels of an Aztec god for all eternity.
|
|
|
La mancha de sangre (1937)
Character: N/A
Camelia, a prostitute who works in a low-class cabaret in Mexico City (called "The Blood Stain') meets Guillermo, a young man from the country who just arrived in the city looking for a better life. She offers to take care of him until he gets set up, and the initial friendship soon turns romantic. This inevitably causes problems with Gastón, Camelia's pimp.
|
|
|
La mujer del puerto (1934)
Character: Mujer de cabaret
Her father dies... her fiance dumps her... and she can't find a job... so she covers the waterfront. And then one night...
|
|
|
Emiliano Zapata (1970)
Character: N/A
This is the story of a man, Emiliano Zapata, and of a revolution, the Mexican Revolution.
|
|
|
El rebozo de Soledad (1952)
Character: Soledad
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.
|
|
|
Amok (1944)
Character: Tara
After being caught embezzling from his clinic to impress his high society lover and support his gambling habit, a doctor flees to a remote Indian village to volunteer as a humanitarian aid worker. There he tries to mitigate the onslaught of a strange disease called "Amok," while his past continues to haunt him.
|
|
|
Attack of the Mayan Mummy (1964)
Character: The High Priestess
A scientist hypnotically regresses a woman to a previous life, a Mayan princess, who leads him to a secret tomb where the princess was buried - and the mummy of an ancient warrior, cursed to live after death and guard the treasure buried with her. Edited by Jerry Warren from the Mexican horror film LA MOMIA AZTECA, and following its general plot but with 36 minutes of new, American-made footage added and English narration in lieu of dubbed dialogue for the Mexican footage.
|
|
|
La maldición de la momia azteca (1957)
Character: Aztec Chanteuse
The evil Dr. Krupp, once again trying to get possession of the Aztec princess Xochitl's jewels, hypnotizes her current reincarnation, Flor, to get her to reveal the jewels' location - Xochitl's tomb. Confusion reigns as Krupp and his thugs are opposed by Flor's lover, Dr. Almada, his assistant, and wrestling superhero, El Angel. Krupp finally meets his match, however, when he comes up against Popoca, the warrior mummy who guards Xochitl's tomb.
|
|
