Haridhan Mukhopadhyay

Personal Info

Known For

Acting

Known Credits

0.106

Gender

Male

Birthday

09-Nov-1907

Age

(119 years old)

Place of Birth

Gobardanga, West Bengal, India

Also Known As
  • Dinobandhu Mukhopadhyay
  • Haridhan Mukherjee

Haridhan Mukhopadhyay

Biography

Haridhan Mukhopadhyay was an Indian Actor. Some of his work includes The Kingdom of Diamonds, The Adventures of Goopy and Bagha, The Holy Man, Sare Chuattar and Fuleswari.


Credits

Fuleswari Fuleswari (1974) Character: N/A
Fuleshwari, a beautiful young woman, falls in love with Brindaban, a simpleton who arrives in her village. She plans to marry him but is hesitant when she learns that he is involved in a crime.
আলোয় ফেরা আলোয় ফেরা (1985) Character: N/A
Mr. Mukherjee, along with his family, is caught in a storm. His son Chandranath AKA Lattoo is the only survivor. While growing up, he faces many hardships and meets a lonely cabbie, Bhola, who decides to unite him with his family.
অগ্নীশ্বর অগ্নীশ্বর (1975) Character: Store Babu
A patriotic doctor lends moral backbone to the broken society of Bengal.
মাটির স্বর্গ মাটির স্বর্গ (1982) Character: N/A
A 1982 Indian Bengali Drama Film directed by Bijoy Bose.
অনন্যা অনন্যা (1949) Character: N/A
A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).
না না (1954) Character: N/A
A film by Tarashankar Banerjee.
মর্য্যাদা মর্য্যাদা (1950) Character: N/A
Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 under the banner of Bhabani Kalamandir Limited. This is the third and first movie in which legendary Bengali actors Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie, Uttam Kumar leaps on a song for the first time in his career.
Ratrir Tapasya Ratrir Tapasya (1952) Character: N/A
Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.
অজানা শপথ অজানা শপথ (1967) Character: N/A
It's a story based on friendship and love. In this movie, there are three friends Satya, Shankar, and Manimohan. Satya is in love with a girl named Srimoti. After a few years, Srimoti gets pregnant. Satya shoots himself after an argument with her. Manimohan reaches the spot and takes Srimoti away to a distant place and settles down with her. Shankar thinks that Manimohan killed Satya. But the police arrested Shankar for the crime. Srimoti gives birth to a girl named Niyoti. After Shankar is released from jail, he learns about Manimohan's whereabouts. He goes there to take revenge. But after he finds out the truth, he forgives them. (Source: Angel Digital)
সহযাত্রী সহযাত্রী (1951) Character: N/A
The first-ever collaboration of Uttam Kumar and Agradoot.
ভোলা ময়রা ভোলা ময়রা (1977) Character: N/A
Bhola Moira, a singer from rural Bengal, wins a musical contest. However, when a special person from his past resurfaces, he is left disturbed.
যমালয়ে জীবন্ত মানুষ যমালয়ে জীবন্ত মানুষ (1958) Character: Mitra
A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.
ঘটকালি ঘটকালি (1979) Character: Old Man
Pravanjan Haldar was a professional matchmaker. He and his uncle Bhombal did this business together. One day Niladri's grandfather called Bhombal and asked him to find a perfect match for his grandson. Prabhanjan and Bhombal started to find the suitable girl. Unfortunately, a single misunderstanding totally changes the scenario. Subhra a modern, young girl who had the ability to become the perfect match with Niladri suddenly faced such a situation where she had to marry an old man. Her all friends and other associates protested against such a decision but Subhra stuck to her words. Oneday she met Niladri and they started to like each other from that very moment. Within few days there, relation became deeper and they wanted to start their life together. After a funny drama, everything solved and Niladri married to Subhra and led a happy life.
মিস প্রিয়ংবদা মিস প্রিয়ংবদা (1967) Character: N/A
Biltu and Dolly are in love with each other, but Dolly's orthodox uncle disapproves of their relationship. However, when her uncle decides to get her married to his friend's son, she pretends to be ill. After listening to this news, Biltu seeks for help from his friends. One of them eventually enters the house as a nurse (with false name Priyangbada, played by Bhanu Bandyopadhyay) to take care of Dolly and another friend is appointed as the house guard. Meanwhile, Dolly's uncle proposes Miss Priyangbada. After have some hilarious incidents, Biltu weds Dolly and lives happily together.
বিবাহ বিভ্রাট বিবাহ বিভ্রাট (1969) Character: N/A
Ashoke and Mala get married under unavoidable circumstances, but his conservative father does not accept her as his daughter-in-law. When Mala finds no help coming from sheepish Ashoke, she vows to set things right herself.
মণি কাঞ্চন মণি কাঞ্চন (1992) Character: N/A
Mani Kanchan is a film about a brother-sister duo name Kanchan and Mani. They face hardships after their sexually aroused father remarries. Unable to pay a huge amount of debt, the incompetent father fixes his well-educated daughter’s marriage to the mentally unstable son of the money lender.
পদি পিসীর বর্মি বাক্স পদি পিসীর বর্মি বাক্স (1972) Character: N/A
Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.
Bhanu Goenda Jahar Assistant Bhanu Goenda Jahar Assistant (1971) Character: N/A
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.
এক যে ছিল দেশ এক যে ছিল দেশ (1977) Character: N/A
A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.
পাকা দেখা পাকা দেখা (1980) Character: N/A
Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.
ধন্যি মেয়ে ধন্যি মেয়ে (1971) Character: N/A
Bogola, the captain of a football team, travels to a village to play in a tournament. There, he meets and falls in love with Monosha. The president of the local football club tries to force Monosha and Bogola to marry to keep the tournament trophy in the family. However, their love prevails, and they can marry despite the opposition.
চন্দ্রনাথ চন্দ্রনাথ (1957) Character: N/A
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
ত্রিযামা ত্রিযামা (1956) Character: N/A
Swarupa, an introvert, fails to express her love to Kushal, who falls for Nabola, a rich and beautiful woman. However, things take a sharp turn when greedy Nabola leaves him for a wealthier man.
শ্যামলী শ্যামলী (1956) Character: N/A
Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.
সংসার সংসার (1971) Character: N/A
Sansar is a social drama that shows the story of a happy family. Though Shanti is the second daughter-in-law of the house, she is given the responsibility of the house. She helps her husband with money by selling her jewelry to make a machine. Subhas, Shanti’s brother-in-law helps her in this matter. One day in shortage Shanti with the help of Subhash kept her sister-in-law’s gold necklace in stake without informing her. Conspiring Subhas, Satyen, and Subodh were sent to jail by Ajit. Due to the shortage of money, Satyen had to sell the machine to evil Ajit. But in prime time, Ajit’s uncle came to know the matter and rescued Shanti’s family from danger. The film ends on a happy note where all the dangers are removed from the family and they live peacefully, clearing up all the misunderstandings against each other.
নিমন্ত্রণ নিমন্ত্রণ (1971) Character: Ghatak
Hiru Ganguly is unable to marry Kumudini, his lover, after her father rejects his marriage proposal. Years later, although married to another woman, he once again desires to win her back. As old feelings are rekindled, will they take any steps to go against the social customs?
শ্রীমান পৃথ্বীরাজ শ্রীমান পৃথ্বীরাজ (1973) Character: N/A
Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.
গুপী গাইন বাঘা বাইন গুপী গাইন বাঘা বাইন (1969) Character: Village elder
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
হীরক রাজার দেশে হীরক রাজার দেশে (1980) Character: Astrologer
When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.
একটুকু বাসা একটুকু বাসা (1965) Character: N/A
A 1965 Bengali Romantic Comedy Film directed by Tarun Majumdar, featuring Soumitra Chattopadhyay and Sandhya Ray.
পরশ পাথর পরশ পাথর (1958) Character: Police Inspector
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
পলাতক পলাতক (1963) Character: N/A
A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.
সাড়ে চুয়াত্তর সাড়ে চুয়াত্তর (1953) Character: Shib Babu
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
কাঞ্চনজঙ্ঘা কাঞ্চনজঙ্ঘা (1962) Character: Shiv Shankar Roy
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
মহাপুরুষ মহাপুরুষ (1965) Character: Ganesh
A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
ডাইনী ডাইনী (1961) Character: N/A
The story revolves around Nayantara, a woman who is perceived as a witch by the villagers. As the narrative unfolds, it gradually reveals whether she is indeed a witch or if her tragic life has led her to appear that way.



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