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Alias El rata (1966)
Character: Leonor
Laredo is a criminal, specialist in opening safes. Childhood friend of the police commander, he carries with him an uneasy relationship that is further complicated because both are in love with the same young singer. After an elaborate and audacious coup in which he steals a million dollars, Laredo is rejected by his beloved. In his flight he arrives to a small town where by a stroke of fate is mistaken for a teacher. Laredo finds there a young teacher who will take possession of his heart, and will get his life straight.
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El ángel y yo (1966)
Character: N/A
Ex-con breaks into a house and ends up bonding with a toddler instead of burgling the way he'd planned.
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Fallaste corazón (1970)
Character: N/A
Ugly-duckling older guy falls in love with a beautiful young woman. Offering her a marriage of convenience, to give her baby a father, might be a way to win her affection... Ya think?
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Lauro Puñales (1969)
Character: N/A
One of Zapata's field marshals runs afoul of dictator Huerta's stooges in his home town.
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El fugitivo (1966)
Character: N/A
Drifter returns to his home town for revenge, but he get caught up in the town's interpersonal dramas.
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La carne manda (1948)
Character: N/A
Childhood friends move up the economic ladder from slumrat to middle class comfort, but the marriage between two of them is threatened by a bad woman from a nightclub.
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Los murciélagos (1964)
Character: N/A
Cowboy-justice guy breaks up a criminal gang who are terrorizing a small town with the appearance of vampire activity.
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Guardián, el perro salvador (1950)
Character: N/A
Poor woman and her daughter hire on to rich family as servants. Husband/Daddy comes back from his foreign travels and crazy stuff happens! Death! Jail sentences! Inheritances!
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Martes 13 (1954)
Character: N/A
A guy threatens suicide when the woman he loves gets engaged to another man, then he enters into an arrangement with her whereby she will nurse him back to mental health during the six months until her fiancé comes back from Europe
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Para todas hay (1965)
Character: N/A
Two young charros have been playing the field, and each one has three potential fiancees lined up... Now that it's time to get serious and move toward marriage, the women start politicking among themselves to discredit each other.
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La loca (1952)
Character: Ana María
Mentally-ill woman went over the edge 15 years earlier, as a result of family traumas and the disappearance of her daughter. Now, present day, evil relatives are trying to take control of money she's inherited...
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Eterna agonía (1949)
Character: La chilindrina
Convicted on flimsy evidence of complicity in a jewel robbery, there's nothing he can do afterward to put his life in order. Downward spiral.
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Herencia maldita (1963)
Character: N/A
Itinerant cowboy impersonates the missing-presumed-dead owner of a hacienda to set matters straight and bring criminals to justice.
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Amor a la vida (1950)
Character: Esperanzita María Santos
During the times of Venezuelan dictator Juan Vicente Gómez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
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El indomable (1966)
Character: N/A
Wandering cowboy stops to help a widow out against the man who killed her husband.
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Pánico (1972)
Character: (segment "Angustia")
Three tales of horror, isolation and insanity set in Mexico.
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Lucio Vázquez (1968)
Character: N/A
Blending historical fact and adventure fiction, Emiliano Zapata's (fictional) right-hand man takes leadership of his regiment after he's killed.
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Los cuatro Juanes (1966)
Character: Soledad
Juan Sin Fiedo (Javier Solis), Juan Colorado (Antonio Aguilar), Juan Pistolas (Luis Aguilar) and Juan Charrasqueado join their destinies during the Mexican Revolution.
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Alerta, alta tension (1969)
Character: Rita
After a criminal gang kidnaps a scientist with valuable information about nuclear weapons, an undercover agent named Jorge Rubio tries to infiltrate this gang in order to deal with the situation. The gang, however, quickly unmasks Rubio and uses both brainwashing and torture techniques on him. They also create a clone of Rubio, thus setting up a show-down battle between the two look-alikes.
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Blue Demon destructor de espías (1968)
Character: Marcia
Blue Demon returns in one of his best adventures like Agent Zero, who this time is facing a criminal organization that attempts to poison the world with a deadly gas (whose formula is unknown). This time, Zero (Blue Demon) is the only one qualified to investigate and prevent Hans plans, the evil leader of the organization.
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Adios cuñado (1967)
Character: N/A
The classic family with more sisters and one brother who has to deal with all the naughty words about being the brother in law of many.
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El río de las ánimas (1964)
Character: N/A
Traveling lawman comes to town and schools the residents in collective farming practices. There's also a bad guy with a lot of money who's cut off the water supply to the area's farmers, and the soul of a murder victim that manifests as a flying fireball.
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Una familia de tantas (1949)
Character: Lupita Cataño
The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.
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Peligro...! Mujeres en acción (1969)
Character: Adriana
A new adventure of secret agent Alex Dynamo on land, in the air, and in the treacherous swamps. Alex Dynamo goes up against the S.O.S. organization, a sinister group of beautiful girls driven by a lust for blood.
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Los olvidados (1950)
Character: Meche
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
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Doctor Satán (1966)
Character: Nora
Dr. Satan, a mad scientist and sorceror, plans to take over the world. In order to do so, he wakes up three zombie slaves from the dead and attempts to make a deal with the devil. He sends his zombie servants to do harm to anyone who stands in his way. Will anyone be able to stop him?
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La isla de los dinosaurios (1967)
Character: Laura
A group of scientists in search of lost Atlantis are plane wrecked on an uncharted island full of stock footage monsters fresh from One Million BC. Occasionally we get an original papier mache monster peaking out from behind an alcove, but for the most part this is typical Mexican filmmaking for the period. With Armond Silvestre and Alma Delia Fuentes.
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A.T.M. ¡A toda máquina! (1951)
Character: Anita
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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El Extra (1962)
Character: Rosa Hernández
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.
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Las tres perfectas casadas (1953)
Character: Clara
Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.
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