|
Anfibio (2015)
Character: N/A
Jesús lives with his father on the shore of a large lake. José, his older brother, has returned home carrying with him a criminal past. This morning, Jesús accompanies him in search for a job that would help restore his reputation.
|
|
|
Los olvidados (1950)
Character: Father
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
|
|
|
El río y la muerte (1954)
Character: Tumbao (uncredited)
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
|
|
|
Dos tipos de cuidado (1953)
Character: Chucho (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
|
|
|
Susana (1951)
Character: Empleado de Guadalupe (uncredited)
The story of a girl of questionable mental stability who escapes from incarceration and ends up at a plantation where she disrupts a working family's daily routines and chemistry.
|
|
|
Camino del infierno (1951)
Character: Don Miguel (sin créditos)
When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way.
|
|
|
El Siete Machos (1951)
Character: Peón (uncredited)
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
|
|
|
Nosotros los pobres (1948)
Character: El Camello
Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.
|
|
|
Ustedes los ricos (1948)
Character: El Camellito
Pepe el Toro is married to Celia la Chorreada and they have two children.
|
|
|
La oveja negra (1949)
Character: (uncredited)
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
|
|
|
El bruto (1953)
Character: Empleado fábrica (uncredited)
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
|
|
|
The Return of the Musketeers (1989)
Character: Commedia player
It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort. Porthos, bored with riches and wanting a title, signs on, but Aramis, an abbé, and Athos, a brawler raising an intellectual son, assist Beaufort in secret. When they fail to halt Beaufort's escape from prison, the musketeers are expendable, and Mazarin sends them to London to rescue Charles I. They are also pursued by Justine, the avenging daughter of Milady de Winter, their enemy 20 years ago. They must escape England, avoid Justine, serve the Queen, and secure Beauford's political reforms.
|
|
|
La hija del engaño (1951)
Character: Espectadora accidente (uncredited)
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
|
|
