Alain Resnais

Personal Info

Known For

Directing

Known Credits

1.2635

Gender

Male

Birthday

03-Jun-1922

Age

(104 years old)

Place of Birth

Vannes, Morbihan, Bretagne, France

Also Known As
  • 알랭 레네
  • Ален Рене
  • 亞倫·雷奈
  • アラン・レネ
  • 알랭 르네

Alain Resnais

Biography

Alain Resnais (3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1955), an influential documentary about the Nazi concentration camps. Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg. In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song. His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. Throughout his career, he won many awards from international film festivals and academies. Description above from the Wikipedia article Alain Resnais, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

Hiroshima : le temps d'un retour Hiroshima : le temps d'un retour (2005) Character: (voice)
Luc Lagier puts Alain Resnais' film back in its historical context and in the filmmaker's biography. He tells the story, then the development of what was originally intended to be a short documentary film and which turned into an unusual allegory. Composed of fascinating archives, including notably the correspondence between Duras and Resnais, this analysis of 'Hiroshima mon amour' manages to put the film in perspective while detaching itself from it. A rare and captivating work.
Propos d'Alain Resnais Propos d'Alain Resnais (2007) Character: Self (voice)
Audio interview with Alain Resnais
Dans les oreilles d'Alain Resnais Dans les oreilles d'Alain Resnais (2019) Character: Self (archive footage)
A documentary on the filmmaker with a focus on music and voices in his work, featuring collaborators and critics including the filmmaker himself, actor Lambert Wilson, writer and actress Agnés Jaoui, critic Michel Ciment and others.
Morceaux de Cannes Morceaux de Cannes (2021) Character: N/A
We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.
Bacri, comme un air de famille Bacri, comme un air de famille (2022) Character: Self (archive footage)
Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work
Les Visiteurs du soir Les Visiteurs du soir (1942) Character: Extra (uncredited)
At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.
Belmondo l'incorrigible Belmondo l'incorrigible (2022) Character: N/A
Charismatic and resourceful, seducer and daredevil, Jean-Paul Belmondo has always played his roles as he lived, at a thousand miles an hour. He had only one passion: to entertain the public with his smile, his naturalness, his energy, his stunts. But contrary to appearances, his destiny was full of pitfalls. This film lifts the veil on a founding childhood that allowed him to overcome many obstacles throughout his life thanks to the tutelary figures of his father and mother. Told from the inside with the help of his autobiography, interviews and unpublished archives, this epic story traces the career of this turbulent young actor who launched the New Wave in Breathless before becoming the popular Bebel, an indestructible and provocative vigilante. From film to film, this documentary paints an intimate portrait of a man who built himself up to reach the top: his triumphs but also his trials, his doubts, his secrets, his angers, his clowning, his disappointments or his personal dramas.
Le Joli Mai Le Joli Mai (1963) Character: Self (uncredited)
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Le Signe du Lion Le Signe du Lion (1962) Character: Un Consommateur (uncredited)
An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.
Alain Resnais, l'audacieux Alain Resnais, l'audacieux (2022) Character: Self (archive footage)
A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.
Grands soirs et petits matins Grands soirs et petits matins (1978) Character: Self
Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.



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