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社長漫遊記 (1963)
Character: N/A
It is the 16th series of the call series with the highest masterpiece among the "President" series. The president of the U. s.solar paint, heitaro Domoto (Morishige), has become completely American, and plans to rationalize the company to the American style and prohibit the company's entertainment. Members of the Taiko Kyushu Branch Company (Ryohei Miki), who were living in the banquet, were hit by a big blow, and the company and the meeting club were very annoying. After that, the president who went to the business trip to Kyushu met with a sexy Geisha (Junko Ikeuchi) on the way to the tour, and he felt like a fool.
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密告者は誰か (1958)
Character: nurse
After killing a detective in a botched robbery, Keiichi (Natsuki) is on the run as police stake out the homes of his sisters, mother, and girlfriend.
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お國と五平 (1952)
Character: N/A
A high-born woman named Okuni travels around the country with Gohei, a samurai retainer who is in service to her. They are in search of Tomonojo, who has killed the man who was Okuni’s husband and Gohei’s master, and they cannot return to their lord’s home until they have fulfilled their duty of hunting down and killing Tomonojo.
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B・G物語 二十才の設計 (1961)
Character: N/A
Ayako Kurimura, a new B.G. at Nitto Electric, becomes the object of affection for both her brother's colleague Kazuo Fukami and the flirtatious executive’s son, Hiroshi Tsuzawa. As office romances and corporate ambitions collide, relationships shift: heartbreak leads to new connections, old flames reemerge, and Hiroshi is ultimately disowned. Ayako helps him reunite with former lover Yoko, sending them off to Osaka while those around her find new beginnings.
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狐と狸 (1959)
Character: Nakamura’s Wife
A group of hustling peddlers swindle rural towns with fake goods, facing betrayals, close calls, and constant setbacks as they chase survival and dream of a better future.
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社長外遊記 (1963)
Character: Older Geisha B
Executives from a Japanese department store travel to Hawaii to acquire land for expansion but become entangled in romantic distractions and miscommunication. By the time they act, the property is lost to a rival, forcing an abrupt return to Tokyo and uncertain outcomes.
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現代サラリーマン 恋愛武士道 (1960)
Character: Landlady
Three young employees navigate love, ambition, and meddling bosses as workplace crushes evolve into defiant relationships that challenge social expectations.
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サラリーマン御意見帖 出世無用 (1960)
Character: N/A
A beer salesman with a passion for fishmongering stumbles through mishaps, rivalries, and gangster trouble while chasing a big contract, winning the deal through quick thinking—then turns down a promotion to keep working his own way.
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大阪城物語 (1961)
Character: N/A
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
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大怪獣バラン (1958)
Character: N/A
When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, who decides to leave the valley and head straight for Tokyo.
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秋立ちぬ (1960)
Character: N/A
A single mother from the country raising a 6th grade boy comes to Tokyo, leaves the boy to live with his uncle's family, runs a struggling grocery store, and works a local inn. The boy befriends a girl, the daughter of the innkeeper.
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空の大怪獸 ラドン (1956)
Character: Kiyo's neighbor (uncredited)
Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.
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下町 (1957)
Character: N/A
A woman struggles to raise her young son on her own in postwar Japan, finding companionship with a kind laborer while still hoping for the return of her missing husband.
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浮雲 (1955)
Character: N/A
A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
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世界大戦争 (1961)
Character: Neighbor
A Japanese family is torn apart by the tensions of an avoidable nuclear world war between the superpowers.
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激動の昭和史 沖縄決戦 (1971)
Character: N/A
The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.
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七人の侍 (1954)
Character: Farmer's Wife
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
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美女と液体人間 (1958)
Character: Mrs. Okami
When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works.
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夫婦 (1953)
Character: N/A
A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.
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晩菊 (1954)
Character: N/A
With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
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