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Facerea lumii (1971)
Character: Manicatide
Around the nationalization in 1948, a worker's daughter, as a student, is attracted by the social life offered by a breed horse owner. The relationship will sour by the cruelty with which he kills the horses, rather then give them away.
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În sat la noi (1951)
Character: Dumitru
The film shows that Romanian peasants were divided between those opposing and those embracing collectivization. The heated debates between the pro and con camps would ultimately lead to murder.
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Decolarea (1971)
Character: Bărcan
Valedictorian in a flight class, he has to complete 2 years of utility aviation before going into military. He is unhappy about that and he clashes with the old commandant Bărcan.
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Cerul n-are gratii (1963)
Character: Professor Bercescu
Based on the novel "The Artist" by Francisca Munteanu. Romania in the 30s. A young talented artist Mihai Strihan, a student at the Academy of Painting, sees how fascism is poisoning the social life of the country. But Mihai does not want to get involved in politics and decides to engage only in painting. However, under the influence of friends fighting for the freedom of their homeland, Mihai realizes that he was wrong and becomes involved in a fierce political struggle against fascism.
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Alarmă în munți (1955)
Character: Spion
An spy film set in a mountainous border area. The grenadiers are confronted with spies parachuted into Romania to retrieve and carry abroad the secret documents of a forestry combine.
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Nepoţii gornistului (1953)
Character: Bulldogul
The story of three generations of the Dorobantsu peasant family, who fought bravely and selflessly against the oppressors of their homeland. The viewer sees the people who took an active part in the peasant uprisings of 1907 and their descendants who won the war against fascism.
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La France est un empire (1938)
Character: N/A
A documentary showing the pride France took in its position as an Empire, during the period after the Munich accords when it felt threatened by bullying from Italy and the possibility of war still with Germany.
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Soldați fără uniformă (1961)
Character: Bogdan
An engine driver is taken prisoner in 1944 and ends up in a camp behind enemy lines. He escapes together with a soviet prisoner and a professor and make their way back to Romania.
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Dragostea începe vineri (1972)
Character: Dobrescu
A high school graduate, disappointed by the failure to be accepted in college, finds balance amongst the coworkers at her new job in a factory.
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Mușchetarul român (1975)
Character: Leibniz
During the 18th century when Moldavian Prince Dimitrie Cantemir writes The History of the Rise and Fall of the Ottoman Empire the manuscript is stolen and offered to the highest bidder.
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Falansterul (1979)
Character: Dinicu Golescu
In the early 19th century the Romanian Theodor Diamant was inspired by the French utopian socialist Charles Fourier and established one of Fourier's "phalansteries" in Rumania. The film dramatizes the origins and demise of this effort, called the "Scaieni Phalanstery (the term is derived from "phalanx" and "monastery"). Among the socio-political commentary that is conveyed throughout, there is an important collusion between the army and the wealthy landowners of the time, and as the film points out in its own way, neither of these groups has ever been convicted of socialist/utopian tendencies.
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Pădurea spânzuraţilor (1965)
Character: Klapka
In 1916 as an officer in the Habsburg Army ethnic Romanian Apostol Bologa is torn between remaining loyal to the Habsburgs or deserting to the Romanian Army across enemy lines.
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Valurile Dunării (1960)
Character: Mihai
Ciulei’s second feature recalls the best of Fritz Lang and Michael Curtiz in its WWII-era espionage tale, set on a barge transporting Nazi munitions up the Danube. Ciulei himself givers a superb performance as Mihai, the barge captain forced to navigate the heavily mined waters along with his new bride, Ana (Irina Petrescu). As the journey wears on, Mihai becomes increasingly suspicious of one of his crew, ex-convict Toma (Lazar Vrabie), and his intentions towards Ana. But Toma has a far graver—and potentially deadly—secret to conceal.
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