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Ragazzo (1934)
Character: Pugile
The film follows Giovanni, a working-class orphan living in Rome, who realizes that his criminal lifestyle is wrong and becomes a devout fascist.
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Quei due (1935)
Character: N/A
Adventures of two provincial actors looking for anyway done with something to eat. They are joined by a girl, Lili. They represent a magic number, but all I get are miscues and boos.
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Giù il sipario (1940)
Character: Factotum del teatro
A playwright, a troop of actors, a director, and the playwright's uncle scheme against each other for their own interests regarding the success or failure of the play
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Vogliamoci bene! (1950)
Character: Bruno
The historic clock of a small town needs to be repaired but there is no money in the town coffers to pay for it. Don Paolo (Peppino Spadaro), the Priest, raises the money by lottery and thinks the surplus should go to the poor. The Communists and Socialists object because they are afraid the priest will get the credit and they claim it as "the people's money." The democratic mayor (Arturo Brogaglia) can think of no solution other than organizing committees and sub-committees. Finally, Rocchetti (Paola Stoppi), the town mechanic who has no answers for town problems and hates the clergy and politicians alike, comes forward and repairs the clock for the sheer joy of work.
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In cerca di felicità (1944)
Character: Il cliente nervoso
Two young people fall in love and run away from home. They soon run out of money and he, who has a decent voice, finds work in a low-class variety show, where he is captivated by the charms of a dancer.
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La Gerusalemme liberata (1918)
Character: Argante
The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.
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Pazza di gioia (1940)
Character: il proprietario della trattoria
A modest accountant wins a utility vehicle in a contest and publishes an ad looking for a companion to share expenses on a vacation trip. An attractive young lady answers the ad, but at the meeting place, the girl mistakes the accountant for a millionaire, who of course, leaves with her...
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Non ti pago! (1942)
Character: L'uomo derubato
The owner of a lottery store refuses to pay a large sum won by one of his workers that he hates, because that man received the winning numbers in a dream.
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4 passi fra le nuvole (1942)
Character: Giovanni - the gas station attendant
Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.
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Vecchia guardia (1934)
Character: L'uscere
There were very few commercial feature films made during the Italian fascist era that were as openly propagandistic as this famous (notorious?) dramatic paean to the Blackshirts. The story takes place in a small village in Italy in October of 1922, on the eve of the fascist "March on Rome", in which King Victor Emanuel III was persuaded to consign power to Benito Mussolini. Gianfranco Giachetti is Dr. Cardini, a doctor at the local psychiatric hospital, where a strike has been called by the local socialists. Cardini turns to the fascists to help avert the strike. His son Roberto (Mino Doro) rounds up fascist friends to fight those aligned with the strikers and the town's socialists.
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Messalina (1924)
Character: Narciso
In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.
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Il ratto delle Sabine (1945)
Character: Bartolomeo
Ernesto is the teacher of the village, he is married and he is dominated by his wife. He has the passion of the theatre and he has written a drama in verse named "Il ratto delle Sabine". Unfortunately he has only an admirer and she is their servant Rosina. When the touring company of Prof. Tromboni arrives in the village, Ernesto decides to let them perform his play, though anonymously. So the day arrives and the theatre is sadly empty. But when the news that the author is the teacher spreads far and wide...
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Giorno di nozze (1942)
Character: Altro creditore
A daughter discovers her parents are far from being the rich bourgeois she thought they were.
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Fiamma che non si spegne (1949)
Character: il medico
Inspired to the real story of the Carabiniere Salvo D'Acquisto. We see how, to save 22 hostages from dead sentence by Nazi, he decided to sacrifice himself.
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La città dolente (1949)
Character: Cesare
The city of Pola is being evacuated after the peace conference of 1947 decided to assign the sovereignty to Tito's Yugoslavia. However the main character decides to stay, thinking that Communism might bring him a better future. Life turns to be hard for him and his family until he changes his mind, but he is killed before he can leave the country.
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Casanova farebbe così! (1942)
Character: Il maresciallo
A country braggart bets that he can spend a night with a local beauty. When he is surprised by her husband, he is not only forced to pay his friends money but also challenged to come up with a new identity other than Casanova or Don Juan.
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I bambini ci guardano (1943)
Character: N/A
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
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Il re di denari (1936)
Character: don Romolo
A rich Sicilian farmer has to move from Sicily to Rome to help his grandson, University student, who has been put in jail.
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Cinque a zero (1932)
Character: Un componente del Football Club
Sports comedy film inspired by a 5–0 victory by A.S. Roma against their rivals Juventus in 1931.
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I nostri sogni (1943)
Character: Il signor Fiocchi
Leo is a young man trying to make a living without any success. Through fortuitous circumstances, he is assigned by the director of a big firm to accompany for one night the daughter of the firm's accountant, Titi. Leo pretends then to be the son of a tycoon and takes her to a luxurious restaurant.
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Io, suo padre (1939)
Character: Luigi
An ex-boxer has trained his own son and leads him on to win the middle-weight championship of Italy. But the boy falls easy prey to a woman of light morals and renounces the hard work of sport to follow her to a winter luxury resort and at a certain moment, offers to marry her but she, not wanting to give up an advantageous connection, turns him down, advising the youth to not change the nature of their relationship. Then, the boy feeling the entire baseness of his situation, returns home to his parents who welcome him back with joy and takes up again a commitment to sport.
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L'ultima carrozzella (1943)
Character: Pasquale, suo padre
Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.
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