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Hollywood Goes to Town (1938)
Character: Self
This short shows how Hollywood gets ready for the world premiere of an "important" movie. The film celebrated here is Marie Antoinette (1938), which had its premiere at the Carthay Circle Theatre. We see the street leading to the theatre transformed to suggest a garden that might be seen in a French palace. This includes the placement of trees and other foliage, as well as large statues along the route. Grandstands are set up so fans can see their favorite stars as they arrive for the premiere. Finally, the proverbial "galaxy of stars" arrives in their limousines. Fanny Brice and Pete Smith make remarks at the microphone set up on the carpet outside the theatre.
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Here's George (1932)
Character: Laura Wentworth
'Man borrows service flat to impress girl's parents.' (British Film Catalogue)
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Night Shadows (1931)
Character: Francine
Michel, a young sailor, returns home to Marseilles to find that his former lover, Francine, now works in the local brothel. In a jealous rage, he picks a fight with her and an aggressive client, Julot, leading to tragedy for all three.
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Lord Babs (1932)
Character: Helen Parker
A steward inherits the estate of an earl. To repel the advances of an unwanted fiancee, he pretends that he has regressed to childhood behaviors.
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The Great Gay Road (1931)
Character: Nancy
'Romance of the open road and the circus. A tramp poses as baronet's lost son but relinquishes his sweetheart to a younger man.' (British Film Institute)
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The Lottery Lover (1935)
Character: Patty
A crew of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right to woo the star of the Folies Bergere, Gaby Aimee, with her garter serving as proof of conquest. Meanwhile Frank has found the one girl-of-his-heart, Patty, and this serves to complicate matters.
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Bottoms Up (1934)
Character: Wanda Gale
Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.
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Idiot's Delight (1939)
Character: Mrs. Cherry
A group of disparate travelers are thrown together in a posh Alpine hotel when the borders are closed at the start of WWII.
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Call It Luck (1934)
Character: Pat Laurie
A London taxicab driver cashes in on a big sweepstakes ticket and becomes the prey of a confidence-gang that sells him a nag of a cavalry horse on the claim that it is a brother to a current Derby winner.
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Bitter Sweet (1933)
Character: Dolly
The first film adaptation, and most faithful, of Noel Coward's 1929 operetta Bitter Sweet. This tells the story of Sarah Linden's romance, the tale begins with Sarah, now older, reminiscing about her first love. As a young girl Sarah falls in love with Carl, a musician, and runs off with him to Vienna. They are happily wed and Carl earns a living conducting a small orchestra. Enter a certain Captain who sets his eye on Sarah and proceeds to shower her with his attentions, much to her dismay.
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Charlie Chan in Egypt (1935)
Character: Carol Arnold
While investigating the theft of antiquities from an ancient tomb excavation , Charlie discovers that the body of the expedition's leader concealed inside the mummy's wrappings.
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Spendthrift (1936)
Character: Valerie 'Boots' O'Connell
A profligate, polo-playing playboy (Henry Fonda) is married to a beautiful but superficial heiress (Mary Brian). They divorce, and the wife gets all the money. But the humbled (and impoverished) Fonda finds true love in the arms of Pat Paterson, who cares nothing for material things.
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52nd Street (1937)
Character: Margaret Rondell
The story of how 52nd Street became New York City's "Nightclub Row" in the 1930s.
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Love Time (1934)
Character: Valerie
Newly arrived in the nineteenth century court of Emperor Francis 1st of Austria Countess Valerie happens to overhear a young pianist and advises him to play with more feeling, for he is playing a piece by Franz Schubert, her favorite composer. Unknown to Valerie, the man is Schubert, and he playfully keeps his identity a secret. Valerie visits Franz the next day, and he teaches her to play the violin part of a new song he has written, and she hopes for romance though he still longs for his lost love Caroline. But as a week passes, he forgets Caroline and returns Valerie's affections. When Franz is evicted, there is much tumult, but he is finally called to court where his music is celebrated, and Valerie and he are reunited.
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