|
O Sexualista (1977)
Character: N/A
Fábio, a mediocre and broke writer, is evicted for unpaid rent and even ends up in jail after a police raid on a brothel. His life changes when he unexpectedly inherits the fortune of his wealthy uncle Casemiro — only for the old man to recover soon after. Suddenly wealthy, Fábio dives into high-society parties while trying to finish a “dictionary of sex” and turn his new lifestyle into personal and sexual success. He reconnects with his former lover Gina, who introduces him to Candy, a glamorous nightclub performer who becomes central to his fantasies and ambitions. As scandals unfold and secrets come to light — including Candy’s identity as a travesti — Fábio becomes trapped between desire, money, social appearances and his own insecurities, forcing him to confront what he really wants from life.
|
|
|
A Primeira Missa (1961)
Character: N/A
Meant principally for a sympathetic audience, whether Catholic or not, this routine story about a priest's receiving the call to the cloth may be a bit slow and theatrical for some viewers. Directed by Lima Barreto, the tale is told in a series of flashbacks as the priest remembers how he was transformed as a child into a person willing to give his life in service of the church and his God. Barreto also scripted the story, which in the end, may be too filled with religious platitudes and preachy overtones to effectively convey its message.
|
|
|
A Casa das Tentações (1977)
Character: N/A
Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício.
|
|
|
|
|
O Estripador de Mulheres (1978)
Character: N/A
Suspected of murdering his girlfriend, man is judged by public opinion and gets implicated in a serial killing case.
|
|
|
O Cangaceiro (1953)
Character: Woman in tears
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
|
|
|
Candinho (1954)
Character: Dona Eponina
Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.
|
|
|
O Noivo da Girafa (1957)
Character: Xantipa
The story of the confusion experienced by Aparicio Boamorte who works in the Zoo and has a giraffe as a confidante to vent the scolding he takes of all the people with whom he relates.
|
|
|
Nadando em Dinheiro (1952)
Character: Xantipa
Isidoro, a poor guy, suddenly becomes a millionaire, and gets into the most bizarre situations.
|
|
|
A Árvore dos Sexos (1977)
Character: Dona Constância
Bondomil, a quiet little town, becomes famous because in its main square there's a tree with strange fruits, with the format of the male sex organ, supposed to be an aphrodisiac for women. Soon the population grows wild, and tourists gather around it.
|
|
|
Sai da Frente (1952)
Character: Dona Gata
Isidoro Colepicula is a humble truck driver hired to transport some furniture from São Paulo to Santos, in his worn out truck he calls "Anastácio". Hiding among the pieces travels a bride who's trying to escape her own marriage. With his dog Coroné, he gets himself into many amusing situations, especially when the packed vehicle is left without brakes on a steep road, and he has to chase after it.
|
|
