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قناع توت عنخ آمون (1956)
Character: N/A
Exotic vehicle for the singer-dancer-model-actress Dalida, winner of the Miss Egypt beauty contest of 1954, who the French painter-director Gastyne discovered.
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الظلم حرام (1954)
Character: N/A
Samira and Huda are sincere best friends. Samira falls in love with Farid, who deceives her and impregnates her, he extorts and threatens to blackmail her after finding out that she is going to marry a rich young man, who is her friend, Huda, brother.
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Brigade des mœurs (1959)
Character: Dalida
A journalist and a police commissioner join forces to smash a white slavery network operating in the Middle East. The cabaret run by Clovis where Dalida sings is quickly spotted, as is a marriage agency run by Madame Irma, offering semblance of guarantees. Clues without proof. The journalist's fiancée agrees to play the game set up by the superintendent. The network is dismantled.
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Dalida, le grand voyage (1997)
Character: N/A
From her life in Cairo to being a discor star, from success to suicide, Dalida reigned over the hit parades throughout the world. Although the artist's career began at the same time as popular music emerged as an industry and was acclaimed everywhere as "la marchande de bonheur" (the merchant of happiness). She encountered unhappiness ; she experienced many deaths and rebirths. Her forced march towards fame resembles a frantic search ending in despair.
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Dalida : Passionnément (2004)
Character: Self
Presents Dalida including the best TV appearances of the artist, emotion, skits, great shows and exceptional archive footage. Nearly 40 titles restored and remastered.
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Dalida - Une vie (2008)
Character: Self
Documentary about the life of French singer Dalida, chronicling her career via television appearances, performances, and interviews.
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Che femmina!! E... che dollari! (1960)
Character: Maïka, la gitane / Laura Pisani
An American millionaire has just died. His sole legatee is a youthful indiscretion, a girl who is currently living in Italy. Two private eye detective agencies, in competition with each other, investigate. Combining business with pleasure, they search sunny Italy, but they only have one clue to find their heiress: she has three moles on the buttock. One of the private eyes falls in love with a gypsy who sings in nightclubs.
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اليوم السادس (1986)
Character: Saddika
Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.
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ارحم دموعي (1954)
Character: فتاة علي البلاج
When Amal's father falls on hard times, he sells his land to his neighbor, Mamdouh, who falls in love with Amal. But Amal is in a relationship with Mourad who starts avoiding her after he learns of her father's crisis, prompting Mamdouh to confess his love for Amal and ask for her hand in marriage.
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Ménage all'italiana (1965)
Character: Armida
In Italy in the 60's it is difficult to get a divorce. Carlo gets a visit from his Swedish wife, but he is already remarried. Every time he meets a new woman, he vanishes away from the last wife.
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غزل البنات (1949)
Character: كمبارس صامت
Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.
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Dalida pour toujours (1977)
Character: Self
French pop diva Dalida candidly discusses a number of the songs that made her a phenomenal success across Europe, the Middle East and Japan in this celluloid chronicle of the beguiling singer. Dalida -- who earned 45 gold records -- talks about "J'attendrai," "Besame Mucho," "Paroles Paroles" and other hits. The video also includes previously unreleased pictures shot in exotic locales and footage spanning the singer's 30-year career.
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L'inconnue de Hong Kong (1963)
Character: Georgia la chanteuse
Jean the piano player introduces Georgia, a new, promising singer, to a handsome young-man in a Paris' night-club. From contact to contract, Georgia is soon traveling to Hong Kong with Mitzi, another cabaret artist, the pianist and the man with whom she is flirting. In their first night out, the girls watch a man being attacked and abducted by a pair of local thugs. Next thing, they are reading about the man's death in the papers, and are being hunted by the criminals. Georgia and Mitzi will then learn that their companions are not exactly a typical piano player and businessman. Suspition leads the girls to fight each other, but they'll unite for survival in a seedy environment.
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Dalida et Orlando, les âmes sœurs (2023)
Character: Self (archive footage)
Dalida was an international star, selling over 140 million records in 10 languages. But behind her glittering career and dramatic and tragic personal life, was her ever supportive younger brother Orlando. The documentary sheds light on the professional and personal relationship between the music icon and her producer, between sister and brother.
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Rapt au deuxième bureau (1958)
Character: Bella Morena
The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.
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Io ti amo (1968)
Character: Judy
During an air trip, Prince Tancredi, a well-known abstract artist, gets to know air hostess Judy and is charmed by the young woman. When he asks her to pose for him Judy accepts. Following a few negative remarks on her part about his work Tancredi is driven to question himself artistically. Now, Judy has to leave but she promises to see Tancredi again, which they do. Their mutual attraction soon turns into a burning passion.
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Mosaïque (1976)
Character: Self
Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).
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Dalida, discographie (2017)
Character: N/A
On the thirtieth anniversary of the tragic death of singer Dalida on May 3, 1987, this musical documentary honors the memory of an artist whose career was punctuated by legendary hits that are now part of our collective memory. It paints a portrait of the destiny of a flamboyant and glamorous singer, capable of excelling in all genres and musical eras, from her debut with "Bambino" to "Laissez-moi danser," via "J'attendrai," "Besame Mucho," "The Lambeth Walk," and "Il faut danser reggae." But also in a more melancholic repertoire, reflecting her own life, with "Pour ne pas vivre seul," "A ma manière," "Il venait d'avoir 18 ans," and "Téléphonez-moi." The evocation of a rich, moving, and authentic journey.
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L'Âge d'or de la pub (2023)
Character: Self (archive footage)
55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.
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Dalida Forever! - Ihre größten Hits aus vier Jahrzehnten (2023)
Character: Self (archive footage)
Beyond her enormous stage presence, Dalida (1933-1987) was an exceptional musical phenomenon: she was convincing in the most diverse genres, from chanson to disco to world music and Schlager, and sang in a total of twelve languages. Like hardly any other artist, she adapted to her respective audience and was thus able to achieve worldwide popularity. This show revisits her greatest hits and thus becomes a musical border crossing and voyage of discovery that will bring us closer to Dalida in all her musical and linguistic facets for the first time.
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سيجارة و كاس (1955)
Character: Nurse Yolanda
Hoda is a famous dancer who gives up the spotlight to marry and start a family with Mamdouh, a handsome young doctor who is just beginning his career. When Mamdouh's scheming Italian head nurse Yolanda sets her sights on Mamdouh, Hoda's jealousy drives her to drink, ultimately endangering everything she holds dear.
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Un p'tit truc en plus (2024)
Character: Self (archive sound) (uncredited)
To escape the police, a father and his son are forced to find refuge in a summer camp for young adults with mental disabilities, taking on the role of an educator and a boarder. The beginning of troubles and a wonderful human experience that will change them forever.
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La TV des 70's : Quand Giscard était président (2022)
Character: Self (archive footage)
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
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