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Bhanu Pelo Lottery (1958)
Character: N/A
Bhanu Chitrakar is a village-based clay modellist who earns a living selling earthen toys and singing. One day, he is presented a ticket for the Luck Velky Lottery by his Kolkata-based friend Jahar, with the first prize for the lottery standing at Rs 395,000.
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মৃতের মর্ত্যে আগমণ (1959)
Character: N/A
Biswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.
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চলাচল (1956)
Character: N/A
Sarama develops a close bond with her sickly classmate, Abinash, but fate takes her to Bipin and they get married. However, things turn awry when Bipin commits suicide after an irrational suspicion.
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বধূ (1962)
Character: N/A
Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?
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রাত-ভোর (1955)
Character: N/A
Deeply influenced by leftist ideology, this film dealt with social and political themes: A poor village boy's hazardous experience in a rich urban family.
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বাঘিনী (1968)
Character: Durga's Father
Dugga joins Chiranjib in his liquor business and they end up falling in love with each other. Since he does not want her to be a part of his disturbed life, he decides to mend his ways. In order to protect her modesty, Dugga kills rapist Bhola.
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অসাধারণ (1977)
Character: N/A
Asadharan is the story of Jagabandhu, a man who is always eager to help people. He doesn't even think of his well-being in his efforts to do so. The district's magistrate asks him to help him and reveals the corrupt government officials. Jagabandhu falsely declares his death, hoping to get financial help and the support of the people. No one turns up for his funeral, and he is disheartened. He reveals the corrupt people and leaves his district forever.
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অঞ্জনগড় (1948)
Character: N/A
When a local mining company dares to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective.
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চৌরঙ্গী) (1968)
Character: Juno
Sata Bose, the receptionist of hotel Shahjahan and other crew members work hard to make the hotel first choice of the upper class for socializing in the city, just got the taste of freedom from British rule. The movie revolves around different characters - hotel employees to page 3 personalities dealing different human emotions. Although Sata Bose (played by Uttam Kumar) is the central character of the film, he is not the protagonist in many ways, rather the movie can be described as "hyperlink movie" made long ago than the term is coined.
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ছিন্নপত্র (1972)
Character: N/A
Starring Uttam Kumar in a double role. One is the unruly, rich and spoilt brat who is killed by his enemies, while the other, a good guy, reaches the dead man's house and is compelled to take his place
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কাঁচ কাটা হীরে (1965)
Character: N/A
Subrata joins his father's business that he quits due to ideological differences. What awaits his fate now?
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Devi Chaudhurani (1974)
Character: N/A
Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.
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আদর্শ হিন্দু হোটেল (1957)
Character: N/A
Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.
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আরোহী (1964)
Character: N/A
The romanticized story of a peasant who lives in a small village. He learns to read and is befriended by a doctor who helps him improve his status in the community. The film concentrates on the atmosphere and the character of the somewhat irascible peasant anxious that others should accept the knowledge he gained from his readings.
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Natun pata (1969)
Character: N/A
Forced by her guardian-aunt to marry the son of the stationmaster, she runs away from her marital home but finds herself unwelcome everywhere
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প্রতিনিধি (1964)
Character: N/A
A young engineer marries a young widow with a child by her previous husband. In a society where taboos play a dominant role, the marital life, despite the best intentions, grows increasingly difficult and finally collapses.
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সদানন্দের মেলা (1954)
Character: Darwan
Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.
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অতল জলের আহবান (1962)
Character: Gopal
Shreemonto, who raises his son Jayanta alone, finds solace in his friend Anuradha, but she soon leaves him. Years later, Jayanta falls in love with Anuradha's daughter.
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Moner Mayur (1954)
Character: N/A
Anu and Binay love each other and wish to get married but face opposition from her greedy uncle. They decide to elope but are caught and separated due to unforeseen circumstances.
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Mahashweta (1967)
Character: Menaka's Uncle
The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.
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যোগ বিয়োগ (1953)
Character: N/A
The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.
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প্রশ্ন (1955)
Character: N/A
With his hard-work and patience, a virtuous boy overcomes the harshness of the world.
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পূর্বরাগ (1947)
Character: N/A
Purbarag follows the journey of Indranath, a young man deeply influenced by his early childhood experiences. Orphaned at a young age, Indranath finds solace and guidance from his teacher, Jatileswar Chatterjee, and his family. After completing his education, Indranath returns to his hometown and encounters both familiar faces and new challenges. The film explores themes of loss, love, friendship, and the search for meaning in life. Indranath's experiences reflect the societal changes and cultural shifts of the time. Through his interactions with various characters, he grapples with the complexities of human nature and the importance of personal values.
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হ্রদ (1955)
Character: N/A
Uttam Kumar is in a mental asylum where he has forgotten slices of his life and behaves in a way that makes people feel he is mad. The doctor, however, disagrees and treats him with gentle kindness.
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না (1954)
Character: N/A
A film by Tarashankar Banerjee.
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কালামাটি (1958)
Character: N/A
The first film to deal with life in creches in coalmine areas.
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অঙ্কুশ (1954)
Character: N/A
Tapan Sinha's debut film is based on a Narayan Ganguly story SAINIK, which figured an elephant in the central character.
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বনপলাশির পদাবলী (1973)
Character: N/A
Tensions between two brothers arise when one of their daughters marries a government employee. Meanwhile, when Udas' first wife dies and his childhood sweetheart rejects him, he becomes an alcoholic, characterless bohemian kind of person. One day after a quarrel, when he hears baseless and incorrect news that Padma was having an affair with the doctor, he comes to murder the doctor with a knife. In the darkness, drunken Udas killed his old mate, Padma. As a result, he was convicted and sentenced to death.
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Ratrir Tapasya (1952)
Character: N/A
Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.
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অজানা শপথ (1967)
Character: Anil
It's a story based on friendship and love. In this movie, there are three friends Satya, Shankar, and Manimohan. Satya is in love with a girl named Srimoti. After a few years, Srimoti gets pregnant. Satya shoots himself after an argument with her. Manimohan reaches the spot and takes Srimoti away to a distant place and settles down with her. Shankar thinks that Manimohan killed Satya. But the police arrested Shankar for the crime. Srimoti gives birth to a girl named Niyoti. After Shankar is released from jail, he learns about Manimohan's whereabouts. He goes there to take revenge. But after he finds out the truth, he forgives them. (Source: Angel Digital)
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সহযাত্রী (1951)
Character: N/A
The first-ever collaboration of Uttam Kumar and Agradoot.
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কল্যাণী (1954)
Character: N/A
A 1954 Bengali Drama Film directed by Nirendranath Lahiri.
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দেবত্র (1955)
Character: N/A
A 1955 Bengali Drama Film directed by Haridas Bhattacharya.
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চিরকুমার সভা (1956)
Character: N/A
The story revolves around a group of hardened bachelors who meet regularly, and eventually settle for marriage. Purna is a newcomer to the group of bachelors at Professor Chandra Basu's house. Also attending are three other bachelors Akshay, Bipin, and Shirish. Akshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor's daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally, the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.
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পুনর্মিলন (1957)
Character: N/A
Ramesh is the eldest brother in a close-knit joint family. When his salary is doubled, he pays more attention to his wife and child's needs, making others jealous. The family disintegrates as members start moving out to live separate lives. Will they realize the shortcomings of living independently?
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তিন অধ্যায় (1968)
Character: N/A
An anthology of three different stories where a woman fights against a corrupt builder, a young female, Anupriya, pays a heavy price for loving a married man and a trio tries to bring about justice.
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কমললতা (1969)
Character: N/A
Being an unwed mother, Kamal Lata had no option but to abort the child and move on with life. The man who left her comes back into her life, but she decides to stay in Vrindavan.
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বিরাজ বৌ (1972)
Character: N/A
In this poignant tale, brothers Nilambar and Pitambar have contrasting personalities: Nilambar is kind but aimless, while Pitambar is responsible and practical. Nilambar's wife, Virajmohini, struggles as he mortgages their property to support his sister's marriage. When the village Zamindar, Rajendrakumar, becomes infatuated with Viraj, her life takes a tragic turn. Misunderstood by her husband, Viraj leaves home, faces numerous hardships, and eventually reunites with Nilambar in Tarakeswar. In her final moments, she finds peace, resting her head on her husband's lap, ending their story on a tender note.
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অপর্ণা (1972)
Character: President of Cultural Program
Aparna, the only daughter and the apple of her mother's eye is engaged at a young age to her childhood friend, Ajay. After her mother’s death, her father remarries, and her stepmother begins to mistreat her. Desperate, Aparna flees with the help of Baren, a local goon with a good heart. She stays with Baren for safety and becomes involved in his group, though she urges him to turn his life around. Baren vows to protect her. One day, Aparna meets a stranger who turns out to be Ajay, and they are reunited. Baren is eventually arrested for his crimes but ensures Aparna's safety.
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সঙ্গিনী (1974)
Character: N/A
This story concerns an honest police officer Amit Sen and his wife Seema. Seema has to kill a smuggler, Changez in self-defence, but she cannot tell anything to Amit. Changez's boss Shamsher Singh harasses her for the diamonds that Changez has accidentally dropped in her house, but she has no clue about. In due course, Seema is arrested. Finally, Amit catches Shamsher Singh and proves Seema's innocence in court.
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বাবু মশাই (1977)
Character: N/A
A 1977 Indian Bengali Drama Film directed by Salil Dutta.
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যমালয়ে জীবন্ত মানুষ (1958)
Character: Vichtragupta
A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.
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ব্রজবুলি (1979)
Character: N/A
The story is that Brajraaj Karforma is a veteran office clerk, who usually comes to the office very late and likes to chat with everyone. The main subject of his stories is his fictional heroic activities.
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মিস প্রিয়ংবদা (1967)
Character: N/A
Biltu and Dolly are in love with each other, but Dolly's orthodox uncle disapproves of their relationship. However, when her uncle decides to get her married to his friend's son, she pretends to be ill. After listening to this news, Biltu seeks for help from his friends. One of them eventually enters the house as a nurse (with false name Priyangbada, played by Bhanu Bandyopadhyay) to take care of Dolly and another friend is appointed as the house guard. Meanwhile, Dolly's uncle proposes Miss Priyangbada. After have some hilarious incidents, Biltu weds Dolly and lives happily together.
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টনসিল (1956)
Character: N/A
Tapan Sinha's first Comedy Film & Madhabi Mukherjee's Debut Film.
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আনন্দমঠ (1951)
Character: N/A
The lesser known 'Sannyasi Rebellion' of the 18th century forms the base of this film. Bankimchandra Chattopadhyay's 'Anandamath' is regarded as one of the most significant patriotic novels that fueled the national movement. India's national song 'Vande Mataram' was actually taken from this novel, which was once banned by the British rulers.
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রাজকুমারী (1970)
Character: N/A
Against all odds, love finds its voice in a tale of forbidden romance, resilience, and the power of truth. Manju's mother keeps her very strictly disciplined. What happens when she falls in love with Nirmal?
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শুন বরনারী (1960)
Character: N/A
Himangshu is a villageman who apart from practicing homeopathy helps the local people with their odds and ends. One day he gets a call from a rich man to escort his daughter Juthika to Patna. At first the rich and spoilt lady takes much disliking for the plain and simple young man but after having seen him from close quarters starts liking him. Soon her marriage is fixed to a bigshot. She confesses her feelings to Himangshu however he declines her love as he had a similar love failure in the past and did not want a broken heart again. He decides to leave the place and go away. Juthika breaks her engagement, leaves her family behind and chooses to come along with Himangshu, proving all his apprehensions wrong.
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হাত বাড়ালেই বন্ধু (1960)
Character: N/A
Running away from an early marriage Suresh elopes with his coy girlfriend Niru and stays away from his uncle Jagannath and lives in a rented house adding to it is a lot of chaos.
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Ekti Raat (1956)
Character: Paresh
This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.
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Bhanu Goenda Jahar Assistant (1971)
Character: Jahar Banerjee
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.
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এক যে ছিল দেশ (1977)
Character: N/A
A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.
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জীবন কাহিনী (1964)
Character: N/A
An insurance agent who's deeply in debt tries to commit suicide, but thinks better of it when he meets a young man who's even more desperate than he is.
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লাখ টাকা (1953)
Character: N/A
The movie tells the story of Fakkaram, a.k.a. Fakka, and his love, along with his family and his greedy relatives, who are in search of a valuable amount of money left by a millionaire.
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আনন্দমেলা (1976)
Character: Karalicharan
Anandamela is a comedy Bengali film directed by Mangal Chakraborty. The film was released in 1976 under the banner of Ananda Chitra
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মণিহার (1966)
Character: Drunk Man in the Party
Ajay is a musician by hobby and also runs a business. His younger brother Arun wants to become a doctor. After his mother’s death, Ajay becomes the head of the family however, he falls into debt. He decides to take singing lessons to earn money. Bandana is a good singer and she starts taking classes from Ajay. Ajay starts liking Bandana because she is a charming lady and sings well. Arun and Bandana meet and they fall in love. Ajay is forced to sell his inherited property to pay Arun’s fees. His poverty is only short-lived as his popularity spreads and he becomes wealthy. In the meantime, Arun comes to know that Ajay has sold their family property but does not know the reason behind the act. This creates a misunderstanding between the two brothers. However, it is soon cleared and Ajay transfers his wealth to his brother. Arun and Bandana got married.
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Surya Sikha (1963)
Character: Milk Seller
Dipto Roy (Uttam Kumar) returns to India after completion of his F.R.C.S. in London. He begins work at a village hospital, is an outstanding and devoted doctor and works hard to improve the hospital. He falls in love with the nurse, Achena (Supriya Devi) and they marry. His plan is that by working together they'll make the hospital well known for its excellence. But after marriage she wants to devote her time to the home and having children. This causes a bitter split between them and they separate.
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নিশি পদ্ম (1970)
Character: Natabar
Pushpa, thrown out of her house by her husband, is pushed into prostitution by someone she trusts, and has a complex relationship with an unhappily married businessman, but finally gets what she has always longed for.
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Har Mana Har (1972)
Character: N/A
The story revolves around Pratima who pledges to destroy the relationship between Neera and Binu, as she loves Binu.
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অগ্নিপরীক্ষা (1954)
Character: N/A
Love story of Tapasi and Kiriti in the backdrop of social and cultural conflict regarding marriages and progressiveness.
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সাথীহারা (1961)
Character: N/A
Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.
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নবরাগ (1971)
Character: N/A
Reena was a very honest/beautiful and tomboy type village girl who lived with her grandfather in East Bengal. She developed a very close relationship with her simple style of living. But Partition of India creates problems for them. Reena had to came to Kolkata in her maternal uncles home . But here she faced a totally different scenario. The lifestyles were too different. She was not able to adjust properly. In a social gathering a local Entrepreneur Mr. Bagchi observed it but he began to like Reena. After a while they got married together. Then they were blessed with a child . But Reena was not all comfortable with her child’s value system and psychology. So a complication was born between them. This is a story of different perspectives who forced to live life together bonded in a relationship.
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সূর্যতপা (1965)
Character: Panna Lal (Servant)
Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.
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গলি থেকে রাজপথ (1959)
Character: Kalu
Raja was a professional thief who went to jail for a crime. His very close assistant Bhola waited for him and when Raja returned from prison, they started planning a bigger one. One day a family came to their locality. Within a few days, Raja and Bhola became closer to that family. Mala was the only female earning member and she worked in theatre. Raja did not disclose his real identity and tried hard to impress her a lot. In the meantime, a tout Gobardhan nagged Mala a lot to join films. Raja and Bhola gave him a good punishment and saved Mala in several situations. Later Raja tried to cheat a businessperson, but an unavoidable situation changed his life. At last, Mala came to know everything about Raja and accepted him as her partner. Raja also decided to change his life and put his best effort into becoming a good man. He meets Mala and asks her to forgive Raja. Raja once again regains Mala's love and the film ends on a happy note.
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হঠাৎ দেখা (1967)
Character: N/A
Hathat Dekha is a 1967 Bengali comedy-drama film directed by Nityananda Datta. The film featured Soumitra Chatterjee, Sandhya Roy, and Jahor Roy in the lead roles.
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এই করেছো ভালো (1970)
Character: Ashish's Guru
A miser bequeaths his property to his two destitute nephews, provided they within a month marry girls who are well mannered, high family, beautiful and young (22-24 age) issue-less divorcees, divorced within 2 months of marriage.
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ধন্যি মেয়ে (1971)
Character: Gobardhan Choudhury
Bogola, the captain of a football team, travels to a village to play in a tournament. There, he meets and falls in love with Monosha. The president of the local football club tries to force Monosha and Bogola to marry to keep the tournament trophy in the family. However, their love prevails, and they can marry despite the opposition.
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নিয়তি (1951)
Character: N/A
A 1951 Bengali Thriller Film directed by Naresh Mitra.
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হংসরাজ (1976)
Character: Villager
Baul Hansa came to Kolkata with a dream in his eyes. He wanted to sing in "Akashvani" Radio, Donny promised him a lot, but later he turned down Hansha. Two poor boys Shyam & Basanta, along with Nupur helps Hansa a lot to achieve his goal.
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মেমসাহেব (1972)
Character: Gajanan
Kajal, a dark-skinned woman, falls in love with Amit, an unemployed journalist. She urges him to focus on his career and provides unconditional support but destiny has other plans for the couple.
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সবরমতী (1969)
Character: N/A
Yashomati runs away from home in search of freedom and travels to Ahmedabad, Gujarat. When her bags get stolen, Shankar helps her. However, when he takes her home to her parents, she feels betrayed.
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ছুটির ফাঁদে (1975)
Character: N/A
On their first honeymoon, newlyweds face an unexpected twist when the husband discovers his boss, whom he deceived to get time off, staying at the same hotel.
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বসু পরিবার (1952)
Character: Rampratap
A job in the jute mill drive Sitesh away from his brother Nitesh and sister-in-law and lands him into a stream of marriage proposals and attempts by colleagues to make him their son-in-law. What will happen when he falls in love and is not accepted by the father of the girl?
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কেরানির জীবন (1953)
Character: N/A
Bidhu, a family man, leads a content life with his two sons and four daughters. As the sole breadwinner of the family, Bidhu's life turns upside down when his son is diagnosed with tuberculosis.
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সংসার (1971)
Character: N/A
Sansar is a social drama that shows the story of a happy family. Though Shanti is the second daughter-in-law of the house, she is given the responsibility of the house. She helps her husband with money by selling her jewelry to make a machine. Subhas, Shanti’s brother-in-law helps her in this matter. One day in shortage Shanti with the help of Subhash kept her sister-in-law’s gold necklace in stake without informing her. Conspiring Subhas, Satyen, and Subodh were sent to jail by Ajit. Due to the shortage of money, Satyen had to sell the machine to evil Ajit. But in prime time, Ajit’s uncle came to know the matter and rescued Shanti’s family from danger. The film ends on a happy note where all the dangers are removed from the family and they live peacefully, clearing up all the misunderstandings against each other.
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মর্জিনা আবদুল্লা (1973)
Character: Baba Mustafa
Alibaba was a simple, hardworking, middle-class personality who once went to a forest for some purpose. When he entered that forest he found a deep secret, a formula to enter a cave. Actually, that cave was filled with robbed jewelry and gold coins. He took some with him and became very rich. But those robbers realized that something was missing from their hidden treasures. So, they began their investigation of the lost treasure. But in the meantime, a neighbor of Alibaba also tried for the same thing but he got caught and killed by the robbers. After that, the robbers successfully traced those hidden treasures, entered the city, and found Alibaba. But Marjina and Abdullah understand their plans and catch them by their sheer intelligence and wit.
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নিমন্ত্রণ (1971)
Character: Kabiraj (Village Doctor)
Hiru Ganguly is unable to marry Kumudini, his lover, after her father rejects his marriage proposal. Years later, although married to another woman, he once again desires to win her back. As old feelings are rekindled, will they take any steps to go against the social customs?
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ছদ্মবেশী (1971)
Character: Driver
A romantic comedy, where a newlywed couple and their friend pulls a prank on the bride's unsuspecting elder brother and his wife. The groom poses as the driver for the family and the friend poses as the groom. What ensues is an all-time classic of Bengali Cinema.
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৮০তে আসিওনা (1967)
Character: N/A
Ill-treated and disrespected by his sons, an octogenarian man wishes to go back to his youth. Things take a hilarious turn when he falls into a pond and is overjoyed to find his wish to have come true.
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মানময়ী গার্লস স্কুল (1958)
Character: N/A
Deciding to start a school for girls named after his wife, a zamindar looks for a married couple to manage the establishment. They apply for and get the job. The two are not actually married; they posed as a couple to obtain the job. After a series of complications and delicate situations, love blooms between the two and they marry.
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থানা থেকে আসছি (1965)
Character: N/A
Sub-Inspector Tinkari Haldar comes to the house of the Industrialist Chandra Madhab Sen to inquire about a Suicide and Mystery starts to Unfold.
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স্ত্রী (1972)
Character: Gobardhan Choudhury
During the liberation of India, an old-fashioned man must examine his priorities.
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সুবর্ণরেখা (1965)
Character: Mukherjee
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
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এখানে পিঞ্জর (1971)
Character: N/A
Amal Basu, who decides to visit his hometown, meets Lila on the train. When he goes to his friend Nabendu's home, he learns that Lila is his sister and a smuggler.
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গুপী গাইন বাঘা বাইন (1969)
Character: Prime Minister of Halla
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
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কখনো মেঘ (1968)
Character: (Special Appearence)
After her diamond-smuggling uncle is murdered, a woman is terrorized by the fortune-seeking former associates the uncle once double-crossed. She meets a charming stranger, but can he be trusted?
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একটুকু বাসা (1965)
Character: N/A
A 1965 Bengali Romantic Comedy Film directed by Tarun Majumdar, featuring Soumitra Chattopadhyay and Sandhya Ray.
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পরশ পাথর (1958)
Character: Bhajahari
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
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পলাতক (1963)
Character: N/A
A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.
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সাড়ে চুয়াত্তর (1953)
Character: Kamakhya
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
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বাড়ী থেকে পালিয়ে (1958)
Character: Non-Bengali man
Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
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যুক্তি তক্কো আর গপ্পো (1974)
Character: N/A
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.
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