|
বিলম্বিত লয় (1970)
Character: N/A
A promising artist and a singer fall in love in college and get married against their families' wishes. The singer soon begins performing to support her husband and becomes nationally renowned. On the other hand, the artist fails to earn a livelihood and becomes alcoholic.
|
|
|
|
|
দুটি মন (1970)
Character: N/A
A 1970 Bengali Drama Film directed by Pijush Bose.
|
|
|
অগ্নিভ্রমর (1973)
Character: N/A
A 1973 Bengali Drama Film directed by Ajit Gangopadhyay.
|
|
|
সজারুর কাঁটা (1974)
Character: Byomkesh Bakshi
A 1974 Byomkesh Bakshi film based on the novel of the same name by Sharadindu Bandyopadhyay.
|
|
|
রাতের রজনীগন্ধা (1973)
Character: N/A
After her father’s death, Anuradha Chowdhury became very upset. In such circumstances, Mr. Mallik, the general manager of Chowdhury Mines, tried to manage every property of their family. He convinced everyone that Anuradha was a mental patient. Suddenly she got a chance and flew away from Rachi to Kolkata. Accidentally Anuradha met Raja Banerjee, a journalist, and requested shelter. As a result, she started to stay at Raja’s house. In such a situation, Mr. Mallik came to Kolkata and asked for help from Raja. This complex situation really confused him and later Raja decided to help Anuradha. At the same time, Mr. Mallik requested a notorious criminal Rohanlal to find Anuradha. Just to save Anuradha Raja put her at his grandmother’s house in Tarakeshwar. Later Anuradha felt that she had a soft corner for Raja. Therefore, without hesitation, she decided to come back to Raja’s place and fixed him as his life partner.
|
|
|
কুহেলি (1971)
Character: N/A
A Middle-Aged Woman named Sheba comes to an Obscure town named Nijhumgarh to be the Governess of a Renowned Household called "Ray Kuthi". But little did she know about the Bungalow and the dwellers. She is startled to know that two murders took place there nearly seven years earlier. The Mist of the mysterious happenings get only thicker. Now Sheba could only pray for it to Go Away as incidents transcend the rules of our physical world.
|
|
|
যত কাণ্ড কাঠমাণ্ডুতে (1996)
Character: Mahim
Famous detective Feluda meets Som, who tells him about a notorious drug ring in Kathmandu. When Som is found murdered soon after, Feluda, along with Jatayu and Topshe, sets out to catch the culprits.
|
|
|
সুবর্ণরেখা (1965)
Character: Benimadhab
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
|
|
|
पार (1984)
Character: N/A
When a Dalit wins the elections for mayor in his small village in northeastern India, deadly rioting forces an impoverished couple to escape to Calcutta where they can hopefully find work. Instead, they end up sleeping on the streets until they have a chance at earning a little income -- a man has asked them to take his herd of pigs across a fast-moving river. The current is dangerous, and worse, the wife is pregnant and this would not be an easy task even if she were not. Undaunted and desperate, the couple accept the job and enter the river to face their destiny.
|
|
|
মহানগর (1963)
Character: Anupam
After her husband loses his job, a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.
|
|
|
চিড়িয়াখানা (1967)
Character: Dr. Bhujangadhar Das
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.
|
|
|
চারুলতা (1964)
Character: Umapada
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
|
|
|
যুক্তি তক্কো আর গপ্পো (1974)
Character: N/A
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.
|
|
