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Las soledades (1992)
Character: Narrator
"At that time (late 1992), I made a film for British television, Channel 4, called Las Soledades, the name of a long poem by Góngora. It was made in Chile, using many poetic elements of the country. Chile is seen through the eyes of a Chinese painter—a painter who uses the traditional 18th-century concepts of Shih-Tao. Once again, I am doing something that, apparently, is not meant to go hand in hand.
The landscape of my country, southern Chile, where I was born, initially provokes in me a feeling of fear. The landscape is madness. In these crazy landscapes, you can find very reasonable people, which makes the landscape seem even crazier."
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Epistolar (2012)
Character: Don Fernando (voice)
A coin and a cup of coffee on a table top. Raúl Ruiz gets the most from this minimal set-up, both visually and through the laconic soundtrack.
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Inner Sage / Outer King (2018)
Character: N/A
On Raúl Ruiz's missing Taiwanese film "La comédie des ombres" and the projection of Clark's "Double Ghost" at the Chin Pao Shan cemetery on 19 august 2018 (anniversary of Ruiz's death and Clark's birthday).
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Screen Pioneers No:3 Raul Ruiz (1985)
Character: N/A
This eccentric short directed by Keith Griffiths, outlines Ruiz’s work, biography and preoccupations and includes a rare interview with the director.
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Los Naúfragos del Liguria (1985)
Character: Marinero
A fire started by Harry Thompson destroys the Liguria, a legendary ship of the 19th century, and its treasure of gold and diamonds sinks in the sea. Thompson manages to escape unaware that Albizetti sleeps in the same lifeboat he uses. They manage to arrive at a deserted island, which has also been reached on the opposite shore– by the other survivors of the shipwreck: three children, a woman and three men.
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Les apprentis sorciers (1977)
Character: Chilean refugee
A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one
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L'Imprésario (2010)
Character: Self
In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !
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Ballet aquatique (2012)
Character: N/A
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)
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El otro día (2012)
Character: Self
The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
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7 faux raccords (1984)
Character: Self
Short film showing cinematographer Henri Alekan, director Raúl Ruiz and actress Olimpia Carlisi at work creating sublime visual effects of the sort seen in City of Pirates.
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Exote: La filmación de La telenovela errante (2017)
Character: Self
A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.
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Claves para el Nuevo Cine Latinoamericano, 1: Como Era Gostoso o Meu Francês (1984)
Character: himself
Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.
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La Victoria (1973)
Character: N/A
The young Marcela leaves her small Chilean village and travels to Santiago in order to find work as a secretary.
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Cofralandes, rapsodia Chilena (2002)
Character: Narrator
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
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Palombella rossa (1989)
Character: Santone di Simone
Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice. Over the course of a water polo match ahead of election day, he begins to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.
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Les Trois couronnes du matelot (1991)
Character: Small Role (uncredited)
Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.
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Colloque de chiens (1987)
Character: (uncredited)
A charming tale of murder, perversity and narrative echoes told through shots of barking dogs and a La jetée-like series of stills.
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E Agora? Lembra-me (2014)
Character: (archive footage)
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
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Chuquiago (1977)
Character: N/A
Racial, social and cultural aspects of La Paz (called Chuquiago by the Aymaras) seen through four stories.
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