|
Mr. Teddy (2012)
Character: N/A
Barbara, a waitress in a hotel, has the vice to remove objects from guests rooms. Francesco, a student, finally meets a girl known on internet who hides a secret to him. Fausto, a chemist, invented an unusual way to export drugs with the help of another man. Susanna, a woman marked by a deep pain, plans a revenge against the man who wasted her life. The vicissitudes of four characters cross each other in the Japan Hotel in 24 hours, the presentation day of Mr. Teddy, a new prototype of a speaking teddy bear.
|
|
|
Papa Giovanni - Ioannes XXIII (2002)
Character: Pio XII
This is a two-part Italian television mini-series directed by Giorgio Capitani and broadcasted in April 2002 on Rai Uno. It is the life story of Pope John XXIII, nicknamed "the good Pope".
|
|
|
Roberto Rossellini: Frammenti e Battute (2001)
Character: Narrator
Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.
|
|
|
Gli anni delle immagini perdute (2012)
Character: Self
A documentary about director Valerio Zurlini. The "lost images" of the title are the movies Zurlini was never able to shoot: between 1962, the year he won the Golden Lion with Family Diary, and 1982, the year of his death, he directed only four features. The documentary features interviews with close collaborators (celebrated screenwriters Enrico Medioli and Nicola Badalucco) and some of his actors (Jacques Perrin and Claudia Cardinale).
|
|
|
Non eravamo solo... Ladri di biciclette - Il neorealismo (2013)
Character: Narrator / Self
This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.
|
|
|
Luchino Visconti (2002)
Character: Self
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
|
|
|
|
|
Rêve de femmes (2011)
Character: Self
A new documentary film on Fellini's 'La Città del Donne' ('City of Women') directed by Dominique Maillet, featuring producer Renzo Rossellini, film historian Aldo Tassone, producer and film historian Carlo Lizzani, and Federico Fellini's assistant Dominique Delouche (1955-1960).
|
|
|
Il falso bugiardo (2008)
Character: Self
Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.
|
|
|
|
|
Behind Love and Anger (2005)
Character: Self - Director (segment "L'indifferenza")
Documentary about the anthology film Love and Anger (1969) with interviews with Carlo Lizzani (director of the segment "L'indifferenza"), Marco Bellocchio (director of the segment "Discutiamo, discussamo"), Maurizio Ponzi (assistant director of the segment " La sequenza del fiore di carta," by Pier Paolo Pasolini), and Roberto Perpignani (editor of the segment "Agonia," by Bernardo Bertolucci).
|
|
|
|
|
Rossellini (1990)
Character: Self
A profile of the film director Roberto Rossellini, looking at his life, personality and films, following his career and his relationship with Ingrid Bergman.
|
|
|
Pietro Germi - Il bravo, il bello, il cattivo (2009)
Character: Self
This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau
|
|
|
Western all'italiana (2004)
Character: N/A
"Western all'italiana" is a documentary produced and broadcast by the satellite broadcaster Studio Universal in 2004, on the occasion of the broadcasting of a selection of Italian western films, the so-called "spaghetti westerns". In the course of the video, the birth, evolution and conclusion of the Italian western trend is told.
|
|
|
Linee d'ombra (2007)
Character: Self
Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.
|
|
|
|
|
|
|
|
|
Ritratto di mio padre (2010)
Character: Self
A labor of love documentary, in which a daughter, with the help of various talking heads, looks back on the life work of her father.
|
|
|
Cinecittà Babilonia: sesso, droga e camicie nere (2017)
Character: Self - Filmmaker (archive footage)
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
|
|
|
Banditi a Milano (1968)
Character: Police official (uncredited)
A detective is assigned to head a manhunt for four violent bank robbers.
|
|
|
Uomini forti (2006)
Character: Self
The epic of Hercules and Maciste to the live voices of witnesses and through the images of the Italian film journals. And through interviews with Carlo Lizzani, Enrico Lucherini, Citto Maselli, Rosalba Neri, Mimmo Palmara, Carlo Verdone.
|
|
|
Sperduti nel buio (2014)
Character: Himself
Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.
|
|
|
|
|
Sergio Leone: cinema, cinema (2001)
Character: Self - Filmmaker
The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
|
|