Vera Yureneva

Personal Info

Known For

Acting

Known Credits

0.5168

Gender

Female

Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

NO INFO PROVIDED

Also Known As
  • NO INFO PROVIDED

Vera Yureneva

Biography

Actress. Wife of screenwriter and playwright Aleksandr Voznesensky.


Credits

Обрыв Обрыв (1913) Character: Vera
Based on the novel of the same name by Ivan Goncharov. Raisky falls in love with his second cousin Vera, but she coldly rejects his advances. He soon learns that Vera is having an affair with exiled official Mark Volokhov, with whom She is secretly dating. One day, Vera, in a fit of passion, gives herself to Volokhov, which she immediately regrets doing. Raisky and Tatyana Markovna suffer along with her having learned about Vera’s situation. Volokhov invites Vera to marry him but she refuses his proposal. After all these passions, calm comes and in the final frames of the picture, Raisky draws a portrait of Vera, and then sits down to write a long-planned novel.
Слёзы Слёзы (1914) Character: N/A
The play written down by Al. Voznesensky for the stage, not in vain called by the author "drama without words", because its plot, indeed, does not require "words", although they had to be introduced in small quantities when the play was adapted for the screen.
Товарищ Елена Товарищ Елена (1917) Character: Elena Chernetskaya, the revolutionary, daughter of general-governor
The movie has been preserved without inscriptions.
Синема в России Синема в России (1979) Character: Film footage
Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.
Женщина завтрашнего дня Женщина завтрашнего дня (1914) Character: Anna Betskaya, the doctor
A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.



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