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Jards Macalé - Um Morcego na Porta Principal (2008)
Character: Self
This film shines a light at the story of Jards Macalé, polemic artist and controversial character of Brazilian culture over the last four decades. Author of songs such as "Vapor Barato" and "Movimento dos Barcos", a partner in crime of poet Waly Salomão, guitar player and songwriter for Gal Costa and Caetano Veloso, actor and author of soundtracks in Nelson Pereira dos Santos' films, a personal friend of visual artists Lygia Clarke and Hélio Oiticica, but, first and foremost, someone who dreams of seeing the word "love" in the Brazilian flag.
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Como se Morre no Cinema (2002)
Character: Himself
Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.
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Tudo Por Amor ao Cinema (2015)
Character: Self
A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.
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Dib (1997)
Character: Self
Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.
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Nelson Filma (1971)
Character: N/A
The work of Nelson Pereira dos Santos guides the documentary, which traces the path taken by Cinema Novo and addresses the issues raised by the filmmaker during the filming of Brazilian Cinema classics.
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Referências (2006)
Character: Self
During a showing of rare Afro-Brazilian Cinema films at the Cinematheque of the Museum of Modern Art of Rio de Janeiro, actor/filmmaker Zózimo Bulbul gathered some of the most notorious Brazilian black directors to talk about their works, their lives and their perspectives on the future.
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Brasil em Cannes (1971)
Character: N/A
The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values
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Claves para el Nuevo Cine Latinoamericano, 1: Como Era Gostoso o Meu Francês (1984)
Character: himself
Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.
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Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes (1984)
Character: himself
Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.
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A Paz é Dourada (2008)
Character: N/A
The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.
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For All - O Trampolim da Vitória (1998)
Character: N/A
1943, World War II. The northeastern coast of Brazil is an strategic region for the Allies. Giancarlo, an Italian immigrant married to a Brazilian woman, lives nearby the Parnamirin Field, the largest military base built by the USA outside of their territory. In this new base, Brazilian recruits who speak English suddenly find themselves reaching privileged positions.
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Jardim de Guerra (1969)
Character: N/A
Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.
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Cinema Novo (2016)
Character: Self - Filmmaker (archive footage)
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
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O Bom Cinema (2021)
Character: Self
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
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Memórias do Grupo Opinião (2019)
Character: Self (archive footage)
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
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Onde a Terra Acaba (2002)
Character: Self
On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.
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Oscar Niemeyer: A Vida é Um Sopro (2007)
Character: Self
A documentary made to coincide with Niemeyer's 100th birthday. The renowned architect talks about his long life, his inspirations, and his aspirations towards a just Brazil, and the ways he tried to help that along in his spectacular and beautiful buildings.
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Crítico (2008)
Character: Self
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
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Sambando nas Brasas, Morô? (2007)
Character: Self
The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.
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Nelson Pereira dos Santos – Vida de Cinema (2023)
Character: Self (archive footage)
For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.
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Improvisiert und zielbewusst: Cinema Novo (1967)
Character: Self
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
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Mandacaru Vermelho (1961)
Character: Augusto
Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.
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O Cinema Brasileiro no Século XX (2017)
Character: Self
Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.
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Glauber o Filme, Labirinto do Brasil (2003)
Character: Self
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
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Já que Ninguém me Tira Para Dançar (2021)
Character: Self
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
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Candango: Memórias do Festival (2020)
Character: Self (archive footage)
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
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Nelson Filma o Rio (2021)
Character: Self (archive footage)
The city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.
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