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Suspiros Republicanos ao Crepúsculo de um Império Tropical (2002)
Character: N/A
The film tells a little of the history of Brazil immersed in the caricature of the conditions of making cinema in this country. Flora and Carlos Manoel fall in love. She, from a family linked to the Monarchy, and he, a republican activist, live their love in the last days of the monarchy, without knowing that the end of the empire would also mean the end of their romance.
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Jorge Amado no Cinema (1979)
Character: N/A
Jorjamado no Cinema foi feito para um programa de televisão consagrado ao escritor Jorge Amado. Nesse documentário, Jorge Amado é filmado em sua casa, rodeado por sua numerosa família; numa livraria, durante uma sessão de autógrafos de um de seus livros, em um cinema em Salvador, na avant-première do filme Tenda dos Milagres, de Nelson Pereira dos Santos, adaptação do livro homônimo de Jorge Amado. Glauber filma seu amigo com muito humor e carinho. A câmera vai evoluindo lentamente, sem cessar e com rapidez sobre o escritor, seus familiares, atores e atrizes do filme de Nelson, além de passar por objetos de rituais de candomblé que constituem o museu de Jorge Amado.
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Como se Morre no Cinema (2002)
Character: Himself
Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.
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Improvisiert und zielbewusst: Cinema Novo (1967)
Character: Self
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
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Depois do Transe (2006)
Character: Self
The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
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Milagrez (2008)
Character: Self
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
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3 Refeições (2018)
Character: Himself
This documentary shows a country that has lifted 36 million people out of extreme poverty in 12 years.
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Antena da Raça (2020)
Character: Self
In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.
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Cinema Novo (2016)
Character: Self - Film Producer (archive footage)
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
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Ademã – A Vida e as Notas de Ibrahim Sued (2022)
Character: Self
Discover the trajectory of Ibrahim Sued, a journalist who revolutionized the Brazilian press during his almost 50-year career, through interviews, photos and films from the personal archive of his daughter, Isabel Sued Perrin.
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Nelson Pereira dos Santos – Vida de Cinema (2023)
Character: Self (archive footage)
For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.
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Dossiê Jango (2013)
Character: Self
João Goulart (known as Jango) had been democratically elected president of Brazil, but was expelled from office after the coup of April 1, 1964. After that, Jango lived in exile in Argentina, where he died in 1976. The circumstances of his death in the neighboring country were not well explained today. His body was buried immediately after his death, raising the suspicions of premeditated murder. This documentary brings the issue back to the fore and tries to publicly clarify some obscure facts of the history of Brazil.
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Barretão (2019)
Character: Self
A story about how football, cinema, photojournalism and intimidation with power can come together in a protagonist figure in Brazilian history: Luiz Carlos Barreto, better known as "Barretão". Narrated in first person, the documentary explores Barreto's view of himself, recounting his artistic and political trajectory, which blends with the history of Brazilian cinema as a whole.
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Por onde anda Makunaíma? (2020)
Character: Himself
Searching for Makunaima is a cultural and historical account of the most Brazilian character there is in fiction. The film begins with Makunaima, one of the founding myths of the native people from the border between Brazil-Venezuela-Guiana, first captured in the writings of the German ethnographer Koch-Grünberg at the beginning of the 1910s. With interviews in Portuguese, German, Spanish, and in the indigenous languages Macuxi and Taurepang, Searching for Macunaima reclaims this amazing character who represents Brazil in many ways (from literature to cinema to theatre) and remains relevant to date.
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Roberto Farias - Memórias de um Cineasta (2023)
Character: Self
Filmmaker Roberto Farias' passion for cinema is revealed by his daughter Marise Farias through an intimate look, from childhood to his political, economic and cultural role in Brazilian Cinema. Through Roberto Farias himself and friends such as Luís Carlos Barreto, Cacá Diegues and Zelito Viana, the film tells the stories of the director who achieved a direct dialogue with the public through successes such as O Assalto ao Trem Pagador (1962), the trilogy with singer Roberto Carlos (1968 to 1971) and Pra Frente Brasil (1982). Texts from an unpublished book of memories are interpreted by his brother, actor Reginaldo Faria.
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Fotografação (2020)
Character: Self
A film about remarkable moments in the History of Brazilian Photography, built through the eyes of Lauro Escorel. It also reflects on the impact of digital photography on contemporary society.
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Pitanga (2016)
Character: Self
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
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Candango: Memórias do Festival (2020)
Character: Self
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
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José Aparecido de Oliveira – O Maior Mineiro do Mundo (2019)
Character: N/A
Documentary that chronicles the trajectory of the journalist, federal deputy, secretary of state, minister of state, governor and ambassador José Aparecido de Oliveira, who lived with the greatest authorities and personalities from the political, business and cultural circles in Brazil and the world.
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