|
Fruto Proibido (1976)
Character: N/A
Accused of raping and killing five women, Rodolfo is convicted of the crimes. The young man, however, pleads not guilty to all charges
|
|
|
Society em Baby-Doll (1965)
Character: N/A
Two women from Méier, a suburban neighborhood of Rio de Janeiro, marry wealthy men who suddenly become millionaires. Displaced from their original social background and unsuited to wealth, the two wives must devise a plan to, acting like socialites, win over high society and win back their husbands.
|
|
|
O Cravo e a Rosa (2017)
Character: Self
Documentary on Rosamaria Murtinho and Mauro Mendonça’s 60-year long career in Brazilian theater, film and television. The film not only runs through the career of these artists, but also paints a portrait of a generation that rose alongside them and that works with art till this day.
|
|
|
Sergio Britto – O Mestre dos Palcos (2016)
Character: Self
The documentary follows the many facets of actor and director Sérgio Britto, from behind the scenes at theater companies to his experiences in literature and opera. The actor was the creator of the "Grande Teatro Tupi," a program that produced over 450 play adaptations and featured actors such as Fernanda Montenegro and Ítalo Rossi.
|
|
|
Milton Gonçalves, Além do Espetáculo (2025)
Character: Self
This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.
|
|
|
America di notte (1957)
Character: N/A
Italian mondo featuring scenes of night life in North and South America, including Las Vegas, New Orleans, San Francisco, Buenos Aires and Rio de Janeiro.
|
|
|
Reveillon (1976)
Character: N/A
As the clock ticks away announcing the end of the year, the four members of a family reveal their inabilities and frustrations, their defeats and the monotony of a life that drags on in a solitary way, even as a group.
|
|
|
A Pata do Macaco (1983)
Character: N/A
After being evicted, a family in serious financial difficulties moves into a tenement next to a cemetery. As soon as they settle in, they meet the neighboring couple who, upon learning of the financial problems of the newcomers, offer them a pact to be made through a magical amulet: the monkey paw.
|
|
|
|
|
Vendo ou Alugo (2013)
Character: Maria Eudóxia
A once-rich family of women in Rio de Janeiro must sell their mansion in order to keep their high standard of living, but the proximity to the slums disrupts business.
|
|
|
Zimba (2021)
Character: Self
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
|
|
|
O Homem que Comprou o Mundo (1968)
Character: Rainha Louca
In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.
|
|
|
Condenado à Liberdade (2001)
Character: Irene
The murder of a wealthy couple shocks public opinion, with the eldest son accused of killing his parents. Condemned beforehand by the press, he needs to prove his innocence.
|
|
|
Velhos Bandidos (2026)
Character: Lucila
An elderly retired couple teams up with young partners to plan a daring bank robbery, while trying to outwit a detective determined to stop them.
|
|
|
Em Três Atos (2015)
Character: N/A
When an 80 year old intellectual is confronted with issues of old age and death, she reminisces the death of her mother that happened 30 years earlier. With dialogue inspired by Simone de Beauvoir mixed with contemporary dance, the cycle of life is exposed in a poetic manner.
|
|
|
Dedé Mamata (1988)
Character: N/A
Dede (Guilherne Fontes) is a Brazilian teen who lives with his middle-class grandparents who are members of the local communist party. When his grandmother dies, his grandfather's health soon fades to the point where he can't speak or walk. The local party officials ask Dede to continue to family tradition and take over his grandfather's position of social authority, but when Dede is introduced to cocaine by his best friend Alpino (Marcos Palmeira), the attraction to drugs is more appealing to him than political activism.
|
|
