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কলঙ্কিত নায়ক (1970)
Character: N/A
A renowned social worker of the old Bengali culture has been conspired against by the landlord of the village to create criticism against him before the public to hide his crimes.
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Amrita Kumbher Sandhaney (1982)
Character: N/A
The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)
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নায়িকার ভূমিকায় (1972)
Character: N/A
19 years after losing her child, Mrs. Roy still hasn’t stopped looking. In an attempt to usurp her wealth, her manager plants Seema to pose as the long-lost daughter. Udalok catches Seema red-handed and she tells him the truth. They fall in love and try to thwart the evil manager’s plans.
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শ্যাম সাহেব (1986)
Character: N/A
Chandra realizes her husband is having an affair with Modhu. She leaves home and is offered a job by the wealthy Shyam, who soon realises her good nature and makes her the heir to his property.
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অনন্যা (1992)
Character: N/A
Jamuna Bai is the daughter of a famous courtesan named Kamala Bai who was known in Benaras for dance. Although Jamuna had learnt music from her childhood, she was never willing to pursue her mother's profession. This led to the mother-daughter duo suffer from poverty and affront from commoners. Chandrakanta, a rich businessman sees Jamuna and falls in love with her. After a few meetings Jamuna starts liking him too. One day Jamuna finds a desolate boy child on the banks of the river and decides to raise him. Chandrakanta stands beside her when the society blames her for the act. They get married. However Jamuna stays back at Benaras and faces extreme hardships to raise the kid and is forced to step into her mother's shoes. This leads to a confront between her and Chandrakanta who leaves her and goes away. Jamuna leaves her kid with her guruji and starts living apart for the fear of her kid knowing her identity.
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দেবিকা (1987)
Character: N/A
The movie portrays the social stigma for widows in the late 17th century that was prevalent in India. The plot line runs through many layers of complications both in Devika's personal life and her place in society, as she fights with her family, quarrels and distances herself from Kishore, marries another man under social pressures and much more. The movie makes the point that instead of behaving like meek sheep under social influences, we must understand every individual's perspective from our own point of view. The movie ends on a happy note where Kishore and Devika both stand against the blind and illogical superstitious mentality and are finally reunited.
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বিষ বৃক্ষ (1984)
Character: N/A
A landlord develops feelings for Kunda but is unable to marry her since he is married to Suryamukhi. Eventually, Kunda marries Suryamukhi's brother, who turns out to be an alcoholic.
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Iti Mrinalini (2011)
Character: Mrinalini Mitra
An award-winning aging actress reflects on her life while writing a suicide note.
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উনিশে এপ্রিল (1994)
Character: Sarojini "Babli" Gupta
A female dancer becomes famous but loses her relationship with her daughter on the way.
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আকাশ কুসুম (1965)
Character: Monica Bose (Moni)
A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.
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মহাপৃথিবী (1991)
Character: Daughter-in-Law
When the elderly mother of a Kolkata middle-class family commits suicide, no one has the courage to read the old woman's diary. When the eldest son returns from Germany, his anxious questioning brings to light the disorientation experienced by the family and the way world history penetrates into the fabric of individual lives.
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অসতী (1974)
Character: Soma Chowdhary
A wealthy industrialist, despite his wealth, drinks alone at night. His wife, deprived of love, meets a past love interest, leading to unfortunate events.
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পারমিতার এক দিন (2000)
Character: Sanaka
Sanaka and Paromita are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. However when Paromita has a failed marriage and leaves the house, Sanaka is heartbroken.
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যদুবংশ (1974)
Character: N/A
A political film reflecting the turbulent times of the '60s and '70s.
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Sonata (2017)
Character: Aruna
Three single women, a professor, a banker, and a journalist, who are best friends, share their happy and joyous moments and support each other through hard times.
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এখানে পিঞ্জর (1971)
Character: Neela Chatterjee
Amal Basu, who decides to visit his hometown, meets Lila on the train. When he goes to his friend Nabendu's home, he learns that Lila is his sister and a smuggler.
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এখনই (1971)
Character: Urmi
Ekhonee depicts the lives and frustrations of a bunch of youth struggling to cope with the adversities of a bureaucratic society. There's a bunch of college students Arun, Tiklu, Shambhu, Biman, Sujit, Urmi whose lives undergo a change after the carefree days of college are over.
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অসুখ (1999)
Character: Recitation (voice)
Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.
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জীবন সৈকতে (1972)
Character: N/A
Jiban Saikate is a 1972 Bengali film based on the novel The Citadel by A. J. Cronin. It was directed by Swadesh Sarkar and stars Soumitra Chatterjee, Aparna Sen and Dilip Roy.
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ইন্দিরা (1983)
Character: N/A
Indira marries Upendranath Maitra at a young age, but as per her father's wish, she stays back with father for a period. She gets attacked by some robbers while returning to her husband's place.
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শ্বেত পাথরের থালা (1992)
Character: Bandana
After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.
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Spandan (1982)
Character: N/A
The story of a poverty-stricken family, one of the countless fringe dwellers in India's slums. A man tries to earn some money by selling aborted fetuses to medical institutes.
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অপরিচিত (1969)
Character: N/A
‘Aparichito’ is a multi-starrer featuring Uttam Kumar, Utpal Dutt, Sandhya Roy, Aparna Sen and Soumitra Chatterjee. The film was inspired by ‘The Idiot’ by the 19th-century Russian author Fyodor Dostoevsky.
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Naukadubi (1979)
Character: Kamala
A man survives a shipwreck and brings his wife home only to find out the woman he found unconscious on the shore was not his betrothed but a complete stranger.
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সোনার খাঁচা (1973)
Character: N/A
A renowned singer returns to his town that had forsaken him. He finds his true love but fate eludes him from a union.
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খুঁজে বেড়াই (1971)
Character: Seema
A 1971 Bengali Drama Film directed by Salil Dutta, featuring Soumitra Chattopadhyay & Aparna Sen in lead roles.
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বিজয়িনী (1982)
Character: Chiroshri Roychowdhury
Priyoranjan and Ratnakar are close friends, almost like brothers, until Priyo marries Chirosree against their parents' wishes. Though they start their family in poverty, Ratnakar is always there to help. However, as Chirosree and Ratnakar grow closer, Priyo becomes jealous, leading to conflict. Priyo's life spirals as he lands in jail, while Chirosree, with Ratnakar's support, starts a successful cosmetics business. After being released, Priyo reunites with his wife and son, and with Ratnakar's help, the family is brought back together, ending the film on a happy note.
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Bird of Dusk (2018)
Character: Herself
An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.
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Cinema Asia: India (2007)
Character: Self (archive footage)
While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.
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শেষের কবিতা (2015)
Character: Voice narrator female
The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.
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একান্ত আপন (1987)
Character: N/A
Sudipa falls in love with Rawnobir, a goon, and soon, they both get married. However, things take a turn when Rawnobir is arrested and gets imprisoned.
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যার যে প্রিয় (1989)
Character: N/A
A well-to-do married couple keeps bickering over minor issues though the pair love each other. With time, their love gets tested but they keep yearning for each other.
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কায়াহীনের কাহিনী (1973)
Character: N/A
Prabir, a rich and selfish man who does not realise the value of love and relationships, ruins the life of Mallika, a beautiful woman who loves him.
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পদাতিক (2024)
Character: file footage
The film follows Mrinal Sen in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.
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রাতের রজনীগন্ধা (1973)
Character: N/A
After her father’s death, Anuradha Chowdhury became very upset. In such circumstances, Mr. Mallik, the general manager of Chowdhury Mines, tried to manage every property of their family. He convinced everyone that Anuradha was a mental patient. Suddenly she got a chance and flew away from Rachi to Kolkata. Accidentally Anuradha met Raja Banerjee, a journalist, and requested shelter. As a result, she started to stay at Raja’s house. In such a situation, Mr. Mallik came to Kolkata and asked for help from Raja. This complex situation really confused him and later Raja decided to help Anuradha. At the same time, Mr. Mallik requested a notorious criminal Rohanlal to find Anuradha. Just to save Anuradha Raja put her at his grandmother’s house in Tarakeshwar. Later Anuradha felt that she had a soft corner for Raja. Therefore, without hesitation, she decided to come back to Raja’s place and fixed him as his life partner.
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Amodini (1994)
Character: N/A
Amodini is a rich landowner's daughter. Unable to face social stigma, her father arranges her marriage to a much older person, who fails to turn up on the wedding day. To save the situation, she is forced to marry a 15-year-old boy.
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বসন্ত বিলাপ (1973)
Character: Anuradha
A romantic comedy about a series of clashes between the female residents of a ladies' hostel Basanta Bilap, and four boys of the neighbourhood, aided and abetted by their boudi (sister-in-law).
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নিশিমৃগয়া (1975)
Character: N/A
A thrilling tale of crime and deception as Mr. Gonzales' criminal empire faces collapse, entwined with the mysterious Number Three's dangerous game of love and betrayal.
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Mem Saheb (1972)
Character: Mem Saheb
Kajal, a dark-skinned woman, falls in love with Amit, an unemployed journalist. She urges him to focus on his career and provides unconditional support but destiny has other plans for the couple.
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ছুটির ফাঁদে (1975)
Character: N/A
On their first honeymoon, newlyweds face an unexpected twist when the husband discovers his boss, whom he deceived to get time off, staying at the same hotel.
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জয় জয়ন্তী (1971)
Character: Jayanti Bose
Jayanti takes up a job of a governess in the Roy family. Sanjoy Roy, the uncle of the five kids, is an arrogant man. Soon, Jayanti wins the kids' hearts and Sanjoy's respect.
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আলোর ঠিকানা (1974)
Character: Deepika Ganguly
In a world of family ties and hidden secrets, one woman's quest for independence collides with dark desires. Love and vengeance intertwine, revealing the true cost of power. Discover the untold story of 'আলোর ঠিকানা.'
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বিলেত ফেরত (1972)
Character: N/A
A 1973 Bengali Comedy Film directed by Chidananda Dasgupta. The remake of the Silent Comedy Bengali Film Bilet Pherat (1921), directed by Nitish Chandra Lahari.
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পদ্মা গোলাপ (1970)
Character: Rita Mukherjee / Sharoma
Ramakanta is a businessman whose wife Lata dies under mysterious circumstances. Lata had adopted Rita, the daughter of Mamata, as she was childless. Lata writes a letter to Mamata before her death and Mamata comes to probe her death and prove that Ramakanta was behind it. Tapas Roy, an investigative officer joins Ramakanta’s office. Police are suspicious that Ramakanta deals in drugs. Ramakanta owns a deserted fort that is haunted and a mysterious woman figure is seen roaming there and singing. Mamata reaches Ramakanta’s town with her other daughter Sarama, Rita’s twin. Several twists and turns reveal that Ramakanta killed Lata and carried illegal business from the deserted mansion. Sarama gets killed by Ramakanta. But the police finally managed to catch him.
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নিধিরাম সর্দার (1976)
Character: Jamini
Suddenly a thief named "Nidhiram Sardar" totally changed the life of Kolkata police. He theft from the dishonest businessman and distributed them to the poor. Mr. Gangaram an importer-exporter also faced the same at Hotel Love Bird. The owner of the hotel Sitesh Pyne a whimsical, high profile criminal become very anxious about the incident. On the other side Jamini, a young, smart girl is the only earning member of a middle class family suddenly faces some problem. Some unknown antisocial follows her regularly. In such a situation, she asks for help from Ram Prasad Singha. Ram Prasad who is a reputed singer as well as a bold man with his own values tries to reveal the problem. He puts his every effort and solves the case with the help of his relative Mallik and old friend Sanjay.
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অন্তহীন (2009)
Character: Paro
Antaheen follows the lives of three couples in tumultous relationships, who lead different lives but are connected by the infinite struggles and pain each of them goes through.
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অরণ্যের দিনরাত্রি (1970)
Character: Hari's former lover
Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.
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Manik da: The Mystique of Pather Panchali (2021)
Character: Self
A biographical documentary film about the legendary Indian filmmaker Satyajit Ray, to commemorate Ray's centenary year. The film covers Ray's life and early works, focusing on the making of his first film Pather Panchali.
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Ghaath (2000)
Character: Suman Pandey
Krishna Patil is a poor, unemployed, unsuccessful and short tempered youth who stays in a chawl with his father Ramakant and elder sister Mansi. He tries to secure a job in the police department but fails. One day he happens to meet Kavita Choudhary, a young, rich, beautiful, intelligent lawyer. He falls for her instantly and begins wooing her. Kavita, having recently lost her father, stays alone and feels lonely and depressed. There is a certain void in her life. She is looking for someone to share her loneliness and an unemployed Krishna suits her requirements perfectly. Hence she accepts him as her boyfriend despite his mediocre looks, poor family background, jobless status and lack of personal hygiene.
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ईमान धर्म (1977)
Character: Shyamlee
Ahmed and Mohan Kumar Saxena are petty thieves, and con-men. They career is spent as false witnesses near the Bombay courts, where they get paid a set sum of rupees for false depositions. This changes when they meet and are influenced by Kabir Das, and decide to go straight. They find that it's virtually impossible to earn a living as honest citizens. Then Kabir Das is arrested and imprisoned by a murder he claims he did not commit, and the duo promise to help him, and find out who the real killer is, but they themselves end up getting in trouble.
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Hullabaloo Over Georgie and Bonnie's Pictures (1978)
Character: Bonnie
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.
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Bombay Talkie (1970)
Character: Mala
An English novelist travels to Bombay to watch one of her novels translated to film. She chases after the movie's leading man while the screenwriter chases after her.
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বাক্স বদল (1970)
Character: Minu
A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
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Pikoo (1981)
Character: Pikoo's Mother
A day in the life of a six-year-old child in Calcutta, who lives shut up in the family home, insulated from the city by a park. The father is away at work. The grandfather is alone in his room, ill and confined to his bed. The mother receives her lover.
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The Guru (1969)
Character: Ghazala
Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar from renowned maestro Ustad Zafar Khan.
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एक दिन अचानक (1989)
Character: Aparna Choudhary
Shasanka is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance.
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চতুষ্কোণ (2014)
Character: Trina
Four famous directors and old friends are reunited together by an unknown producer to make a film. They have to make four short story in this film with one common theme: Death.
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তিতলি (2002)
Character: Urmila Chatterjee
A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.
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তিন কন্যা (1961)
Character: Mrinmoyee "Pagli" (segment "The Conclusion")
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters". Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
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পরমা (1985)
Character: Sheila
The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.
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Bohomaan (2019)
Character: N/A
Salim Khan (Soumitra Chatterjee) and Madhuri (Aparna Sen) meet after a long separation. Their lives have changed a lot since they knew each other in college. Will they be able to relive the years gone by?
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বসু পরিবার (2019)
Character: N/A
As an elderly couple prepare to celebrate their 50th anniversary, their family begins to gather at their once magnificent mansion. Relatives, both young and old, reminisce about the family's history, bringing long-buried secrets to the surface.
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Sagina (1974)
Character: Secretary Vishaka Devi
Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.
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A Death in the Gunj (2017)
Character: Aparna Chatterjee
Life for a shy young Indian student slowly falls to pieces during a family road trip.
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এক যে ছিল রাজা (2018)
Character: Lawyer
Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate was affected by syphilis and was taken to Darjeeling for treatment. He apparently died in Darjeeling and was cremated there. After 12 years, a Sanyasi shows up at the estate, arousing people’s curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.
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জনঅরণ্য (1976)
Character: Somnath's ex-girlfriend
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals. Preserved by the Academy Film Archive, in partnership with The Film Foundation, in 1996.
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Vishwas (1969)
Character: Radha Bannerjee
Neena lives a poor lifestyle along with her parents. Her marriage is arranged with a wealthy male, but the marriage could not take place as her parents are unable to provide enough dowry. Ramnath Kapoor steps in, gets married to Neena and she re-locates to live a poor lifestyle with him. She is overly ambitious and superficial, and starts to live a parallel life. Even after the birth of a son, Ravi, she continues to enjoy her life, and neglects both her husband and son. Then one day she steals a necklace and lets Ramnath take the blame, and as a result he is arrested and imprisoned. When Ramnath returns, there is no trace of Neena, and he undertakes to look after Ravi on his own. 15 years later Ravi has grown up, and is a Forest Ranger in Uttar Pradesh.
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