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America Goes Over (1918)
Character: N/A
A film produced and distributed by the US Army Signal Corps during World War I to inform and "educate" the US population about the reasons for fighting the war. Featured are scenes with Gen. John Pershing, commander of US forces in Europe, and views of US soldiers in combat and resting up between battles.
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The Golden Twenties (1950)
Character: Self (archive footage)
Feature-length compilation of 1920s newsreel footage, with commentary about news, sports, lifestyles, and historical figures.
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The Guns of August (1964)
Character: Self (archive footage)
Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.
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Woodrow Wilson (2002)
Character: Self (voice)
A gifted orator, Woodrow Wilson was supremely confident before crowds, yet uneasy in small groups. An intellectual with inflexible moral principles, he led America into World War I, threatening all that he cherished. This film recalls the transformation of a history professor into one of America's greatest presidents, brought down by his stubborn search for peace and an incapacitating stroke.
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1917 - Jahr der Entscheidung (1973)
Character: Self (archive footage) (uncredited)
Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.
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President Wilson arrives in New York to lead fourth Liberty Loan parade [1918] (1918)
Character: N/A
Views of fourth Liberty Loan ceremonies in New York City and Washington, Sept. 1918. Inaugurating a national drive for the sale of liberty bonds, President Wilson, his wife Edith, and mother-in-law, Mrs. W. H. Bolling, arrive in New York on Sept. 27, 1918. At Pennsylvania Railroad Station they are greeted by crowds and joined by the President's two daughters, Margaret Wilson and Eleanor McAdoo, as they enter a touring car en route to the Waldorf-Astoria. Views of flag-lined Fifth Avenue on the following day, with flags of the twenty-two Allied nations and banners supporting liberty bonds filling the Avenue.
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Death of a Dream (1950)
Character: Self (Archive Footage)
Cautionary documentary warning of the perils of Communism and nuclear war, forcefully written and narrated by Quentin Reynolds, it was one of the earliest to depict Communism as an immediate threat to "peace, democracy and security."
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United We Stand (1942)
Character: Self (archive footage)
Using newsreel footage, this film reviews world events from the end of World War I to the American entry into World War II and, according to the narration, shows "how, through their disunity, democracies were led, some to destruction and others to the verge of destruction."]
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The Fight For Peace (1939)
Character: Self (archive footage)
A documentary about the threat of war breaking out in Europe, focusing on Hitler, Stalin and Mussolini.
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Fighting for Respect: African American Soldiers in WWI (2021)
Character: Self (archive footage)
Fighting for Respect captures the plight of African American soldiers who fought in WWI, receiving the Croix de Guerre military decoration from France, while still fighting discrimination and hatred at home in America.
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Արշալույսի լուսաբացը (2023)
Character: Self - Politician (archive footage)
The story of how Aurora Mardiganian (1901-94), a survivor of the Armenian genocide perpetrated by the Ottoman Empire (1915-17), became a Hollywood silent film star.
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Grierson (1973)
Character: Self (archive footage)
A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.
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I Am an American (1944)
Character: Self (archive footage) (uncredited)
The history of a Polish family and its contributions to the war effort throughout American history.
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Johnny Got His Gun (1971)
Character: Self - Opening Credits (archive footage) (uncredited)
A young American soldier, rendered in pseudocoma from an artillery shell from WWI, recalls his life leading up to that point.
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The Fog of War (2003)
Character: Self (archive footage) (uncredited)
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
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Propaganda : la fabrique du consentement (2018)
Character: Self - Politician (archive footage)
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
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И всё-таки я верю... (1974)
Character: (archive footage)
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."
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Womanhood, the Glory of the Nation (1917)
Character: Self
When the nation of Ruthania declares war on the United States, an army of enemy soldiers invades the U.S. and captures New York. But the American forces have prepared adequately for such an event, and hidden booby traps, trick fortifications, and remote-controlled bombs...
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For Me and My Gal (1942)
Character: President Woodrow Wilson (archive footage) (uncredited)
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
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L'Homme a mangé la Terre (2019)
Character: Self (archive footage)
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
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L'Amérique en Guerre (2025)
Character: Self (archive footage)
An examination of the United States’ involvement in war, focusing on its impact on political decisions, national identity, and the lives of its people.
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Why Be Good?: Sexuality & Censorship in Early Cinema (2007)
Character: Self (archive footage)
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
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The Wet Parade (1932)
Character: Self (archive footage) (uncredited)
The evils of alcohol before and during prohibition become evident as we see its effects on the rich Chilcote family and the hard working Tarleton family.
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