|
Vždy možno začať (1962)
Character: N/A
A dramatic story from the environment of young actors, students of the Bratislava theatre school. Betka Šimanová, a young acting adept, is a diligent student, but diligence, perseverance and hard work cannot make up for her lack of talent. She comes to this realization only after experiencing many disappointments and setbacks.
|
|
|
Páni sa zabávajú (1972)
Character: N/A
The story of a rural landowner and his struggle with "friends" who try to deprive him of his advantageous position and beautiful wife.
|
|
|
Smrť prichádza v daždi (1966)
Character: N/A
A Slovak detective story set in contemporary Bratislava and featuring ordinary people with their own everyday problems. The violent death of Olga Holešová places them under heavy suspicion of murder. A series of strange coincidences and circumstances complicate the investigators' work. Her husband's infidelity, the loss of a large sum of money that the treasurer Fiala is supposed to replace, a lawyer earning extra money by doing various odd jobs - all these are confusing clues, among which investigator Jakubec eventually finds a thread that will lead him to the correct solution to the case.
|
|
|
Posledná bosorka (1957)
Character: N/A
This dramatic story is situated in the town of Trnava of the 18th century. Painter Peter paints an altar-piece of the Martyrdom of St. Juliet and his model is a young girl. This is much disliked by the clergy who unjustly accuse the girl of witchcraft. She is saved from being burnt at a stake by the students of the Trnava University.
|
|
|
|
Stopy na Sitne (1969)
Character: Judita (voice)
Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.
|
|
|
Smrt si říká Engelchen (1963)
Character: Marta
Pavel is a Czech partisan fighter in the waning days of the war. Just as peace is declared, Pavel is shot in the spine and sent to the hospital emergency ward. As he fades in and out of consciousness, he recalls the events that led to his participation in the underground. Holding German occupation commander Engelchen responsible for all the horrors and deprivations heaped upon his comrades, Pavel is kept alive by the possibility of recovering and exacting vengeance upon the Nazi officer - no matter how long it takes.
|
|
|
Námestie svätej Alžbety (1966)
Character: Erna Holderová
Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.
|
|
