Gianfranco De Grassi

Personal Info

Known For

Acting

Known Credits

0.5655

Gender

Male

Birthday

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Age

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Place of Birth

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Also Known As
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Gianfranco De Grassi

Biography

NO BIOGRAPHY AVAILABLE


Credits

Noa Noa Noa Noa (1974) Character: Matthew Quintal
The Survivors of the Bounty
Non ho tempo Non ho tempo (1973) Character: N/A
This Italian black-and-white film, based on a true story, was originally made for television. It concerns the life and sad end of Evariste Gallois (Mario Barriba), a brilliant student mathematician whose republican politics and hot-bloodedness resulted in his death; it is unclear whether he died by political assassination or as a result of a duel.
Ritornano quelli della calibro 38 Ritornano quelli della calibro 38 (1977) Character: Antonio Rotunno
A man gets caught up in a criminal organization and finds that once in, you can't get out.
L'ultimo treno della notte L'ultimo treno della notte (1975) Character: Curly
Two young women, Margaret and Lisa, are set to take the overnight train from Munich in Germany to stay with Lisa's parents in Italy for Christmas. Unfortunately a pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize the pair.
L'ultima volta L'ultima volta (1976) Character: N/A
A young man whose passions are money, beautiful women and racing motorcycles comes up with a scheme that will allow him to combine all three, all while committing the "perfect" crime.
La chiesa La chiesa (1989) Character: The Accuser
In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence, and demonic vengeance.
Fango bollente Fango bollente (1975) Character: Giacomo Boatta
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.



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