Noa Noa (1974)
Character: Matthew Quintal
The Survivors of the Bounty
Non ho tempo (1973)
Character: N/A
This Italian black-and-white film, based on a true story, was originally made for television. It concerns the life and sad end of Evariste Gallois (Mario Barriba), a brilliant student mathematician whose republican politics and hot-bloodedness resulted in his death; it is unclear whether he died by political assassination or as a result of a duel.
L'enigma delle due sorelle (1980)
Character: Rocco Domenico
Rome, Nora Mariani, an established photographer at an advertising agency, Signal, is haunted by strange phone calls in which a female voice tells her that she is her sister Claudia, who died following a road accident that occurred two years earlier in Germany, in which Nora, who was driving the car, and a German hitchhiker, to whom the two had given a lift, had also been involved; Because of that trauma, Nora was no longer able to drive. The phone calls are increasingly frequent and insistent, so much so that Nora becomes convinced that her sister is still alive.
L'ultimo treno della notte (1975)
Character: Curly
Two young women, Margaret and Lisa, are set to take the overnight train from Munich in Germany to stay with Lisa's parents in Italy for Christmas. Unfortunately a pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize the pair.
L'ultima volta (1976)
Character: N/A
A young man whose passions are money, beautiful women and racing motorcycles comes up with a scheme that will allow him to combine all three, all while committing the "perfect" crime.
La chiesa (1989)
Character: The Accuser
In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence and demonic vengeance.
Fango bollente (1975)
Character: Giacomo Boatta
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.
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