|
Il gallo canta a mezzanotte (1958)
Character: La signora De Manni
Three shady-looking men arrive at a small mountain inn in an attempt to recover the treasure hidden in the hotel by the old owner and her grandson, who was killed by the three crooks. During dinner, the waitress recounts the legend of the mountain rooster. If the rooster crows at midnight, it warns that the angel of death is coming for one of the inhabitants of the house.
|
|
|
Œil pour œil (1957)
Character: N/A
In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.
|
|
|
Rivalità (1953)
Character: La madre di Franca
A melodrama supervised by Roberto Rossellini.
|
|
|
El Alamein (1957)
Character: Madre di Antonio
Italian move on the battle of El Alamein
|
|
|
|
|
|
|
Il nido di falasco (1950)
Character: N/A
A young cabaret trainer, Viola, who has just compromised herself in a case, flees. On the train, she meets Dominique, who lives in a cabin in Tuscany, on the edge of the marshes. Dominique and Viola settle in the hut and soon the young woman is expecting a baby...
|
|
|
The Barefoot Contessa (1954)
Character: Maria's Mother
A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.
|
|
|
Appassionatamente (1954)
Character: N/A
"Elena" cannot marry the man she loves, so enters into a loveless marriage with the wealthy "Andrea". Gradually she falls in love with him, but he never reciprocates. Things become further complicated when a letter from her first love "Carlo" is discovered.
|
|
|
Barabbas (1961)
Character: Beggar Woman
Epic account of the thief Barabbas, who was pardoned for his crimes and spared crucifixion when Pilate offered the Israelites a choice to pardon Barabbas or Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.
|
|
|
Incantesimo tragico (1951)
Character: La bruja
Some peasants are excited to marry their first-born with a beautiful young woman, but they are unaware of her ambitious personality. When the father-in-law finds a treasure, everything gets complicated.
|
|
|
Canzone d'amore (1954)
Character: N/A
An aspiring singer is torn between the love for a devious ex-flame, the affection of a simple girl and the loyalty to his paralyzed best friend.
|
|
|
Addio, mia bella signora! (1953)
Character: governante
Guido and Cristina fall in love, but she is betrothed to a solider. When he is reported killed they hope to marry, but his reappearance without his limbs makes matters difficult for all concerned.
|
|
|
Quo Vadis (1951)
Character: Woman (uncredited)
After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
|
|
|
Fermi tutti... arrivo io! (1953)
Character: signora coi cagnolini
A private detective and a girl obsessed with thriller novels investigate the murder of a rich entrepreneur.
|
|
|
|
Il sentiero dell'odio (1950)
Character: Rosa Pietramala
A love story along the lines of Romeo and Juliet, set in Calabria: two young lovers belong to two families who have always been enemies of each other.
|
|
|
Sensualità (1952)
Character: Cameriera
Refugee Franca Gabre comes to the Po Valley with intent to use her obvious attributes and man-swaying talents to gain some security. She targets farm-owning brothers Riccardo and Carlo Sartori and uses the latter in an attempt to reach Riccardo, the older brother.
|
|
|
Le notti bianche (1957)
Character: La Domestica
A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.
|
|
|
L'età dell'amore (1953)
Character: (uncredited)
In a small provincial Italian town, a fifteen-year-old boy meets and falls in love with a girl.
|
|
|
Le Dossier noir (1955)
Character: Marthe
In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.
|
|
|
L'ultimo amante (1955)
Character: Una sorvegliante (uncredited)
Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.
|
|
|
La venganza (1958)
Character: Mother
After spending ten years in prison for a crime he did not commit, Juan is released.
|
|
|
Avant le déluge (1954)
Character: Madame Dutoit
The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.
|
|
|
Noi peccatori (1953)
Character: Un' altra guardiana del carcere (uncredited)
A man and a woman love each other, but they can’t marry because he’s ashamed of his unjustly incarcerated mother. What’s more, he loses his eyesight in an accident.
|
|
|
Il bidone (1955)
Character: Stella Florina
Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.
|
|
|
Le signorine dello 04 (1955)
Character: N/A
The lives and loves of five Italian telephone operators. One is betrayed by her husband, one helps a student who wants to take his life, one changes her boyfriend every other day, one is a single mother and the last one tries to inflame a recent-widower accountant.
|
|
|
Le Printemps, l'Automne et l'Amour (1955)
Character: Anaïs, gossip
Fernand Sarrazin, who runs a nougat factory to perfection, is a happy bachelor, notwithstanding the acrimonious presence of his sister-in-law Julie. Love enters his life in the form of a young orphan, Cécilia, whom he saves from drowning, falls in love with and marries. The treacherous Julie uses a young pianist to lead Cecilia astray. She returns, however, repentant, after a short stay in Paris. Good Fernand forgives her, but when he learns of his sister-in-law's actions, he chases her out of his house.
|
|
|
|
|
Amore e guai... (1958)
Character: madre di Liliana
Three vignettes about couples trying to get together and the problems that continue to keep them apart.
|
|
|
Europa '51 (1952)
Character: Mrs. Galli
A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
|
|
