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人喰海女 (1958)
Character: Aki
The film marked Yōko Mihara's debut as the star of Shintoho's series of ama films, a role she took over from Michiko Maeda.
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東京の夜は泣いている (1961)
Character: Sayuri, the hostess
Kazuko Matsuo sings the theme song to this drama film.
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新日本珍道中(西日本の巻) (1958)
Character: N/A
Japanese comedy film released to commemorate the 10th anniversary of Shintoho's founding.
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暴力五人娘 (1960)
Character: N/A
The All Girl's Rugby Team try to keep their private college from falling into the hands of Yakuza and unscrupulous businessmen.
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怪談鏡ケ淵 (1959)
Character: N/A
A store manager named Kinbei becomes enraged when the owners of the store decide to hand it down to an adopted son instead of him. He hatches a plot to murder them all, but as it turns out he has done this sort of thing before. As bodies pile up in the nearby Kagami Pond, a ghostly vengeance is about to be unleashed.
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女死刑囚の脱獄 (1960)
Character: N/A
Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.
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女奴隷船 (1960)
Character: N/A
The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?
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肉体の野獣 (1960)
Character: Sanae
A young obstetrician-gynecologist, who was betrayed by his beloved, out of hatred for women, turns into a vengeful demon and rapes women one by one.
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太平洋戦争と姫ゆり部隊 (1962)
Character: N/A
The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.
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黒線地帯 (1960)
Character: Singapore (waitress)
Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.
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九十九本目の生娘 (1959)
Character: N/A
In the northern province, two waitresses Mieko and Hanako from Tokyo, are missing somewhere near the River Kitakami. At night, the villagers of Shirayama gather round a blazing fire, and utter incantations while an old headman tempers a sword...
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