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பக்த மார்க்கண்டேயா (1957)
Character: N/A
Pleased with Mrukanda Maharishi's penance, Lord Shiva blesses him with Markandeya, a gifted child who is destined to die when he turns 16.
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Kalasi Unte Kaladu Sukham (1961)
Character: Anarkali
Pattabhi Ramayya, who does not have any children, dotes on his younger brother and his two sons. However, trouble starts in their happy joint family with the entry of Rangoon Raja, a relative of Pattbhi Ramayya's wife.
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மோட்டார் சுந்தரம் பிள்ளை (1966)
Character: Self - Dancer
A man runs a successful business and visits his large family only on weekends. When the marriages of his 2 children and his nephew are about to be fixed, a secret about his life threatens to ruin all.
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Baghdadh Thirudan (1960)
Character: N/A
Baghdad Thirudan is a 1960 Indian Tamil-language swashbuckler film produced and directed by T. P. Sundaram.
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பாகப்பிரிவினை (1959)
Character: Annarkali
Vaidyalingam Moopanar and his younger brother Sundaralingam live together along with their family. It is one big happy joint family. Vaidyalingam does not have any children while Sundaralingam has two sons. His older son's left hand is paralysed since childhood, while his younger son is studying in college in the city. Vaidyalingam's wife is bitter and keeps cursing Sundaralingam and his family, while Vaidyalingam is very affectionate towards them and is unhappy with his wife for her bad behaviour.
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அன்னையின் ஆணை (1958)
Character: Self - Dancer
Ganesh's father is falsely accused of a crime and murdered in prison. Years later, his mother asks him to exact revenge against the culprit.
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Sahodari (1959)
Character: Milkmaid
Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.
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நெஞ்சம் மறப்பதில்லை (1963)
Character: N/A
A college sophomore, on a visit to his friend's village, explores a dilapidated and haunted villa, falls unconscious and learns completely about his past life of love and sorrow.
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Do Behnen (1959)
Character: Self - Dancer
A truant twin is compelled to take over the life of her married deceased sister.
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ಜಗಜ್ಯೋತಿ ಬಸವೇಶ್ವರ (1959)
Character: N/A
The life of Basava, a philosopher and social reformer from Karnataka who lived in the 12th century A.D.
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மாலையிட்ட மங்கை (1958)
Character: N/A
Chandru completes his education in London and comes back to India. While Kamalam loves Chandru a lot, he falls in love with Sarasu, a poor girl, and marries her.
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விடிவெள்ளி (1960)
Character: Rosie
Chandru steals a diamond necklace to help his sister unite with her husband but things do not go well when he decides to replace the stolen one with a new necklace.
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Life of Pi (2012)
Character: Dance Master
The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.
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இருவர் உள்ளம் (1963)
Character: N/A
The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.
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பாத காணிக்கை (1962)
Character: N/A
Paadha Kaanikkai (English: Offering to the feet) is a 1962 Tamil-language drama film directed by K. Shankar. The film features Gemini Ganesan, Savitri, M. R. Radha and Kamal Haasan in lead roles. The film, produced by G. N. Velumani, had musical score by Viswanathan–Ramamoorthy and was released on 28 September 1962.
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Dil Hi To Hai (1963)
Character: N/A
Children are exchanged by greedy aunt and uncle in childhood and they live undeserved lives.
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Rayara Sose (1957)
Character: N/A
The movie revolves around a social issue, specifically the dowry system, and aims to create awareness against it.
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నర్తనశాల (1963)
Character: Urvashi
The Pandavas have to finish 13-year exile and hide their real identities until Vijayadashmi. Arjun's son, Abhimanyu, falls in love with Virata's daughter Uttaraa, but does not reveal his identity.
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