|
An Old Man's Love Story (1913)
Character: Mrs. Marsham
Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
|
|
|
The House of Discord (1913)
Character: The Sister
In her youth the mother was saved from the fatal mistake by an accident, but it caused her years of separation from child and husband. It had occurred primarily through her self-righteous sister-in-law's domination and interference. A like fate and downfall threatened the daughter, now reaching maturity. The mother's insistence separated the child from her environment. Love and understanding did the rest.
|
|
|
The Blue Envelope Mystery (1916)
Character: Mrs. Davis
Leslie Brennan, an heiress, suddenly discovers that she is almost penniless, and faces the ordeal of making her own living.
|
|
|
The Chattel (1916)
Character: Maid
Blake Waring, a financier, whose life code is to have the best of everything at any cost, is surrounded with every conceivable luxury, but he wants a wife to complete his happiness. He is desirous of obtaining a beautiful picture, "The Chattel," owned by Roger Carvin, another financier, who cannot be induced to sell it.
|
|
|
A Lady and Her Maid (1913)
Character: Miss Ophelia Sweet
The photographer sends miss Ophelia a dozen photographs of her in different poses. Selecting the best one, she presents it to her favorite boarder, Billy, who does not think much of it and who gets very indignant when it is compared with the photo of his sweetheart. Miss Ophelia goes up to her room in tears and tells her faithful maid, Belinda, that her heart is broken. Belinda goes down and forcibly tells Billy what she thinks of him. Miss Ophelia resolves on suicide, because no one seems to love her. Belinda gets back in time to prevent this and, to divert her mistress, she suggests that they go together to a beauty specialist. Arriving there, both receive attention. Miss Ophelia gets a new complexion, while Belinda gets new teeth. Both invest in new gowns and dresses and the transformation is complete. At supper time, the boarders are all astounded.
|
|
|
|
Three Black Bags (1913)
Character: The Old Spinster
"Slick-Fingered Mag must he captured, or I will know the reason why!" These are the proud words of Detective Brown, as he prepares to go in search of the elusive "Mag." He packs his traveling bag and leaves it open upon the sofa in his room; then goes downstairs to eat his breakfast. "Slick-Fingered Mag," seeing the front door of Brown's home ajar, enters and makes a sneak upstairs. She carries a bag of the same character as Brown's. She gathers up all the valuables she finds handy, not overlooking some of Mrs. Brown's choicest jewels. Hearing sounds of approaching footsteps, she becomes excited and empties the "swag" into Brown's bag, supposing it to he her own, and with it, escapes from the house, leaving her own bag behind her. Mrs. Brown, placing some clean linen in her husband's grip, sees the female apparel.
|
|
|
|
Wild Beasts at Large (1913)
Character: Mrs. Seeley - Leading Townswoman
The train carrying all the cages filled with wild animals of the circus is wrecked, and bears, lions, leopards, elephants, kangaroos and monkeys escape down the track toward the village.
|
|
|
|
Omens and Oracles (1913)
Character: Miss Ophelia Sweet
Housemaid Belinda finds a pin on the doorstep, taking it as a sign of good luck, just before a young man arrives looking for a room. The landlady, Ophelia, falls for the boarder at first sight. A policeman finds a fortune-teller's card, which Belinda takes to Ophelia. The two women visit Madam Miriam, who tells Ophelia a young blond man will fall in love with her. Both Ophelia and Belinda assume this refers to their new boarder, Sidney. Sidney, short on cash, tries to stay in Ophelia's good graces by taking her out for ice cream. While they are out, Belinda searches his room and finds a photograph of Sidney's wife, who is none other than the fortune-teller, Madam Miriam. Belinda is shocked by the discovery, revealing that the "omens and oracles" that fueled Ophelia's romantic hopes were part of a deception orchestrated by the boarder and his wife.
|
|
|
|
He Fell in Love with His Mother-in-Law (1913)
Character: The Mother-In-Law
That the way to a man's heart is by means of his appetite, is strikingly shown. Mother-in-law comes to visit the newly wedded couple and finds the young man somewhat discontented. It is no wonder, for his wife is so engrossed in her "art," although only an amateur, that she forgets all about cooking dinner and such like trivialities.
|
|
