Diego Trerotola

Personal Info

Known For

Acting

Known Credits

0.4891

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Birthday

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Age

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Also Known As
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Diego Trerotola

Biography

NO BIOGRAPHY AVAILABLE


Credits

Safo Safo (2003) Character: N/A
A remake of the 1943 film of the same name.
Muere, monstruo, muere Muere, monstruo, muere (2019) Character: El Gigante
A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.
Dear Renzo Dear Renzo (2016) Character: N/A
Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.
Locaciones: buscando a Rusty James Locaciones: buscando a Rusty James (2013) Character: Self (voice)
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.
Ronda nocturna Ronda nocturna (2005) Character: Primer cliente de droga
A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?
Zombies en el cañaveral: el documental Zombies en el cañaveral: el documental (2019) Character: Self - Film Critic
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.



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