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好女十八嫁 (1954)
Character: N/A
Eighteen Marriages of a Smart Girl
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小康之家 (1966)
Character: N/A
Comedy directed by Chor Yuen
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秋 (1954)
Character: Chun Lan
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
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七重天 (1956)
Character: Chan Siu-Hung
Chan Siu-hung is forced to become a prostitute, with the police following hot on her heels. Ching Chi-ko comes to her defence by claiming to be her husband. Chan is put up at Ching's roof hut named the 'Seventh Heaven' and the two gradually fall in love. Soon the war breaks out. Ching is drafted to do hard labour by the Japanese army. When the war is over, the crippled Ching returns and lies to Chan that he is already a married man, hoping to persvade Chan to marry someone else. Nonetheless, Chan's devotion overwhelms Ching.
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春殘花未落 (1965)
Character: Lee Dan-hung
Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.
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杀人花 (1966)
Character: N/A
Hong Kong horror movie from 1966.
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鐵金剛海空奪寶 (1965)
Character: N/A
Yuen is a reformed criminal who rescues Mei from an attempted assault on a boat and then marries her. A year later, Big brother (Sek Kin) comes looking for Yuen to return to his criminal past. Yuen refuses and chooses the straight path. Big brother doesn’t like this, so he stages a gambling den robbery and frames Yuen.
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女殺手 (1966)
Character: Lee Ping
Connie Chan Po-chu's character's father was killed by the triads, leaving behind two daughters. The elder sister makes a living as a singer at a nightclub, and is sometimes threatened by triad members. The younger sister (Connie Chan Po-chu), who knows karate, becomes an assassin who punishes villains.
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紅色響尾蛇 (1965)
Character: N/A
'Agent Number Two' Lee Kwok-wai of the resistance troops Red Rattlesnake sets off for Guangzhou to assist Agent Number One in rescuing their comrade Pang Yau-lan from the puppet army. Lee approaches his former lover Lam Ying-tsi, the mistress and trusted aide of the puppet commander Wong Tai-wai, who has fallen prey to the lip service of the beautiful and smart songstress Pak Lai. Following the vandalism of the arsenal, Pak is quick to point the finger of blame at a spy at work. Lam combs their home for clues and finds Lee's recording devices. Furnishing Lee with misleading information, Lam has Lee and associates arrested. Pak appears to their rescue, revealing herself as Agent Number One. The dauntless spy sabotages the enemy's ammunition and communication network, captures the commander before joining her comrades to celebrate a successful withdrawal. (Synopsis based on audiovisual materials)
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奇人奇遇 (1956)
Character: N/A
Comedy from Hong Kong directed by Ng Wui.
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聰明太太笨丈夫 (1969)
Character: Ching Wan's Wife
Wise Wives and Foolish Husbands
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化身情人 (1965)
Character: Tse Mei-chen
Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.
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大丈夫日記（下集） (1964)
Character: Hui Suet-Sun
In this 1960s family comedy though, marriage is attached with a string of feudal obligations. Shun (Cheung Ying-choi) and Sum (Nam Hung) are happily married with a son. Shun's childless uncle from the US proposes to take away their son as his own and, when the couple refuse, demands that Shun marry a second wife to bear him an offspring. The couple in distress team up with their naughty friends in playing a game of bluff, which sets off a series of whimsical and side-splitting sequences. Director Chor Yuen tied the knot with actress Nam Hung three years after the film's release, leading to one of the most celebrated marriages in Hong Kong cinema.
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含淚的玫瑰 (1963)
Character: Kong Ji-ping / Kong Ji-ching
The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.
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神童捉賊記 (1958)
Character: Mrs. Ching
Young shoeshine boy Shing is a mischievous yet kind-hearted child. When he notices that his neighbour, the unemployed Fung, is struggling to make ends meet with a pregnant wife about to give birth, he secretly delivers food to help them. Out of desperation, Fung takes a risk and attempts to steal from their neighbour, dancer Lily, only to stumble upon a crime scene—Lily has just been murdered by the ruthless villain Robert. Fung immediately becomes the primary suspect of the case. Having witnessed everything, Shing reports the truth to the police inspector, but is ignored due to his reputation for lying. Fung flees to the outskirts of the city, where Shing continues to provide him with food in secret. Wracked by guilt and fear, Robert, seeks to silence both Shing and Fung for good, but fortunately, Shing’s quick thinking allows them to escape. His actions raise suspicion from the inspector, leading to a tense battle of wits and strength between Shing, Fung, Robert, and the police.
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紫色風雨夜 (1968)
Character: N/A
One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.
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湖畔草 (1959)
Character: Fong Man-wai
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
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冷暖青春 (1969)
Character: N/A
Rich heir Tommy Wu has a circle of friends at university: Chow Hoi-kit and Kong Fan who both come from a poor background, Wong Ying whom Chow secretly admires, and Mary who goes out with Kong over the protests of her rich father. Tommy hangs out with the gangster Ah Kam, gambling and dancing days and nights away.
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黑玫瑰 (1965)
Character: Chan Mei-Yi
Chan sisters Chan Meiling and Chan Meiyu are respected high class, women in Hong Kong's more upscale neighborhoods. However, they both share an alter-ego called the Black Rose, a notorious cat burglar who dresses in a black leotard, and steals from the rich to give to the poor - taking on a Robin Hood-style mission. Even with their antihero status, the Black Rose has created uneasiness and tension in the high society; therefore, an insurance detective investigates the crimes and tries to unmask the woman behind the cat mask.
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願嫁鬼新郎 (1966)
Character: N/A
Revolutionary youth Xie Jian Ming is killed by corrupt officials near the lighthouse, leading to rumors of his ghost haunting the town. Ming’s fiancée, He Mingzhu, hides his death from his mother. When Ming’s “ghost” appears, Zhu vows to marry him, holding a midnight wedding to fulfill his mother’s wish. Suspecting Ming is alive, the Police Chief arrests Zhu and Ming’s mother. Ming’s friend, Law Sagull, rescues Zhu, convincing her to join the underground movement. They disguise themselves to help Ming’s mother escape, but Ming fails to free her. Later, Ming appears at a celebration to perform, as the underground group surrounds the officials. Ming confronts and kills the Police Chief, revealing he survived and that another comrade was tortured in his place. Reunited, Ming and Zhu join the revolutionary cause.
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黑玫瑰與黑玫瑰 (1966)
Character: Chan Mei-yu
Continuing from the first Jane Bond film, Black Rose (1965), Mei-yu and Mei-yu infiltrate the underground group of Golden Yanluo (Chinese: Judge of the Underworld) to save Man-fu and Nanny back.
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椰林月 (1957)
Character: N/A
Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.
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Li Xiao Long di Sheng yu si (1973)
Character: Self
This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.
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七十二家房客 (1973)
Character: Fook's Wife
Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.
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偶然 (1986)
Character: Chin Mei
Louie (Leslie Cheung), a spoiled pop star, has a one-night stand with beautiful dancer, Anita (Anita Mui). When Anita tells Louie that she dreamed of becoming a singer, he brings her to the stage and becomes a star. Anita has fallen in love with Louie, but Louie loves Julia (Joey Wong). However, Louie later finds out that Julia is dating his father, Kent (Paul Chu). Louie then leaves Hong Kong and heads to Paris leaving his career behind. Then he meets, Yuan Yu-shih (Cecilia Yip), a Vietnamese refugee that suffers from a war wound. In Paris, Louie lives his new life happily as a dishwasher with his new lover. However, his past life starts to come back when Anita comes to pay a visit.
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情人知己 (1993)
Character: Billy's mom
Two of a Kind is a Hong Kong Romance-Comedy starring Tony Leung Chiu-Wai
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差人·大佬·搏命仔 (1979)
Character: Mother Zhang
Liu Yung is the brother whose destiny is to become a top mobster. Danny Lee is the brother fated to become a cop.
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難兄難弟 (1960)
Character: Tang Sau-Ying 邓秀莹
Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.
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唐山阿嫂 (1957)
Character: Sou Jing
Ah-gau (Keung Chung-ping) leaves his wife Sou Jing, and son in Macau for Nanyang to join his cousin (Patrick Tse Yin) in search of employment. A series of events propel Ah-gau into high society and he falls in love with a tycoon’s daughter, Ming-zyu, (Patsy Kar Ling). Abandoned by Ah-gau, Sou Jing suffers in utter poverty and journeys to Singapore in search of her husband.
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打工皇帝 (1985)
Character: Maria
Yam, Sunny and Ah Hing are buddies and all dismissed creating havoc in their jobs. The trio is employed by a noodle factory, which has a very poor labor relationship. The manager, supervisor and foreman are always picking on their subordinates. Finally the workers decide to take an united front to oppose their superiors.
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