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Aus erster Ehe (1940)
Character: 1. Kundin im Hutsalon
Movie based on the novel by Christel Broehl-Delhaes
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Die Geliebte (1939)
Character: N/A
A love story between officer von Warp coming from a wealthy family and salesgirl Therese. When the social rules of the time would force the officer to resign from service in order to marry Therese the situation becomes tense.
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Gefährliches Spiel (1937)
Character: Freundin der Gastgeberin
The formerly wealthy Baron Carl Erich von Wenden is desperate. His debts are out of control and he is forced to give up everything he owns. Since he doesn’t want to burden his daughter Rosy with all of this, he tells her he’ll take a pleasure trip with her … in truth, however, he has to work as an assistant waiter in the evenings, while Rosy stays in the hotel. He constantly fears his daughter will discover the truth; and this is a shame he cannot bear.
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Das Schloß in Flandern (1936)
Character: N/A
Officers stationed in a castle in Flandes during WWI are comforted by Gloria Delamare's recorded voice. One of them even writes her a letter that will never be sent. When the war is over Miss Delamare takes a tour in Belgium and spends a night in that castle. Most unexpectedly her former admirer appears and they dine and dance together. In the morning he has disappeared and she finds the letter. She tries to find him, only to discover he is presumably dead and involved in a family secret.
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Ich für dich, du für mich (1934)
Character: Frau Höpfner
Nazi propaganda film in which German girls from differing walks of life come together to serve the Fatherland in the 'Bund deutscher Maedl,' by harvesting crops, doing housework, acting as midwives, helping with handicrafts, and singing songs.
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Lillis Ehe (1919)
Character: Mrs. Stein
Lilli marries Dr. Friese, but when she realizes that he was her mother's lover, tragedy ensues.
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Kein Platz für Liebe (1947)
Character: N/A
While on leave in Berlin during the Second World War, a soldier named Hans meets a young woman named Monika. They fall in love and make plans for a future together after the war. Yet their later attempts to find an apartment and get married are hindered by the housing shortage and they have to stay separately with relatives.
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Moral (1936)
Character: Frau Kobler
The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.
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Seinerzeit zu meiner Zeit (1944)
Character: N/A
Inge Peters has a guilty conscience. She told her mother, that she’d be going to the weekend house at the lake with her friend Barbara, but in reality, the horny girl is taking Peter with her. She’s afraid, that if mom finds out, she’s gonna lecture her again, starting with the slogan, “In your time as it once was in mine …” So Inge spends her nights in bed dreaming dreams of young ladies breaking moral taboos … just like she did and about which she now has to deceive her mother. The next morning, she runs to the shore of the lake to spend time with her Peter, only to see mom standing before the two young teens.
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Der mutige Seefahrer (1935)
Character: N/A
A young man plans to emigrate to the United States with his fiancee but becomes extremely fearful about the ocean crossing due to a local superstition. Eventually he decides to stay at home and marry his girl.
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Das Konzert (1931)
Character: Frau Pollinger
A concert pianist, the romantic idol of many women, is seduced away from his wife. The seductress's husband takes in the pianist's wife, and all four pretend to be happy with the new arrangement.
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Meine Freundin Barbara (1937)
Character: Eine ältere Dame mit Lorgnon bei der Modenschau
Barbara's family is poor and she needs to come up with a way to pay the gas bill. At her job in a cinema she listens to the conversation of a cheating wife and her affair. Barbara offers the husband of the cheating wife, a wealthy chemist, to help him get his wife back. Her plan is a bizarre sharade in which Barbara plays the role of the chemist's affair to make his wife jealous. Of course, this backfires in every way imaginable.
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Kopf hoch, Charly! (1927)
Character: Fr. Zangenberg
Heads Up, Charley is a 1927 German silent comedy film directed by Willi Wolff and starring Ellen Richter, Anton Pointner, and Michael Bohnen. Marlene Dietrich appears in a supporting role.
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Liebeskleeblatt (1930)
Character: N/A
A comedy about love and winter sports. A funny game of confusion from the beauty of a winter paradise and the romantic amorous adventures of four young people who were brought together by whim and chance and united by happiness.
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Gräfin Plättmamsell (1926)
Character: N/A
The fun-loving laundress Mieze spends a romantic evening with the womanizer and fashion designer Max, who, however, wants nothing to do with her the next day. This only changes when Mieze appears to be the daughter of a count and "Countess Radebeul" moves into the elegant Hotel Bristol. After all sorts of complications and embarrassments, the countess turns out to be a misunderstanding, and Mieze and Max find each other after all.
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Liebe kann lügen (1937)
Character: N/A
Dr. Ivar Andersson, introduced by his colleague, Sigrid Mall, is the new German teacher for the underclassmen in a girl’s high school. As is to be expected, there’s soon a whole swarm of girls vying for his attention, but none as much as Kerstin Dahlberg, who lives with her Aunt Betty. Andersson is more than aware of the girl’s feelings for him and it pains his conscience to discover, he’s as hot for her as she is for him. He tells Sigrid about the situation, who strongly recommends separation, but Andersson rejects this as desertion.
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Sein größter Bluff (1927)
Character: Madame Andersson
His Greatest Bluff is a German silent comedy film. Today, the film is best known for the early role it offered to Marlene Dietrich who was only cast after great effort by her agents.
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Träumerei (1944)
Character: Konzertbesucherin
A musical film based on biographical facts about Clara Wieck's love for composer Robert Schumann (1810-1856), her marriage against her will, Schumann's triumph, and his tragic end due to mental illness. The film is beautiful and entertaining, full of noble spirit and beautiful words about art and love, which only conflict in a theoretical context; not least thanks to its solid cast, this film is quite serious and far from kitsch. Completed in 1944, during World War II, the film was rejected by the Nazi leadership, but was eventually released and enjoyed success with an audience already weary of war.
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Serenade (1937)
Character: N/A
The violin virtuoso Ferdinand Lohner is lonely and depressed after the death of his wife. But then he gets to know the much younger Irene and forgets all about his dead wife, marrying the young tart soon after. Irene moves into the house in the mountains, where Ferdinand, his son Heinz and his former mother-in-law Mrs. Leuthoff live. The bitter Mrs. Leuthoff makes life difficult for Irene, since she had no way of preventing Ferdinand from re-marrying after her daughter bit the dust. When Ferdinand conveniently goes out on tour once again, Irene has to sit at home with the bitter woman. One day, Irene’s cousin Gustl comes on a visit and Mrs. Leuthoff takes the opportunity to “accidentally” let slip to Ferdinand, that his current wife is a whore. As if living with your current mother-in-law isn’t enough to deal with!
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Mazurka (1935)
Character: N/A
A woman is put on trial for murdering a musician who ruined her marriage.
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Hans in allen Gassen (1930)
Character: Frau Steindecker, Mother
A bold crime caper about muckraking journalist Hans Steindecker, who happens to witness a spectacular murder. Shortly afterwards, he makes the acquaintance of Nelly who desperately wants to leave the country and asks for Steindecker′s assistance. Without giving a second thought, he agrees, and only after Nelly has disappeared does he realize that the young woman duped him.
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Das Hofkonzert (1936)
Character: N/A
Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.
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Allotria (1936)
Character: N/A
Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.
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So endete eine Liebe (1934)
Character: N/A
The political advisor to the French emperor Napoleon, and the Austrian emperor Franz I, arrange a marriage between Napoleon and the Austrian archduchess Marie-Luise in order to prevent another war.
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