Aliona van der Horst

Personal Info

Known For

Directing

Known Credits

0.6079

Gender

Female

Birthday

10-Jan-1970

Age

(56 years old)

Place of Birth

Moscow, USSR (Russia)

Also Known As
  • Алена ван дер Хорст

Aliona van der Horst

Biography

In her 20 years of filmmaking Aliona van der Horst (born in in Russia, raised in the Netherlands) has received multiple international awards for her films, which were screened at film festivals around the world. Because of her personal, poetic and cinematic vision, her films are profoundly compelling and touching. Her most recent film, Love is Potatoes, won a number of awards, including the Golden Calf Award (Dutch Oscar) in 2018. Her films revolve around the question of how ordinary people's lives are shaped by historical events. By zooming in to a very intimate level she tells a universal story full of compassion. Most of her work deals with Russia, a country with which she has a love/hate relationship. Retrospectives of her work were held in Barcelona, Kiev and Belgrade. She is a member of the Documentary branch of AMPAS.


Credits

Liefde is aardappelen Liefde is aardappelen (2017) Character: Herself
One day, Dutch film maker van der Horst was given her inheritance: 6 square meters, one sixth of a small, wooden house in the Russian countryside where her mother grew up. It was as if life had handed her a card she felt forced to play. She began a journey into the past, back into the childhood of her Russian mother and her five sisters, all of whom struggled with fear, famine and war in Stalin’s Russia; experiences that left them scarred to their very soul. Aliona’s quest into the lives and fate of her family becomes a loving, poignant, and poetic film with Chekhovian characters. Accompanied by the magical animation of acclaimed Italian artist Simone Massi, unimaginable events in the Soviet past are given an immediate charge. Along with the stories of ordinary people living in the small farmhouse, the film maker tells the tale of Soviet terror, immense bravery and a fear that has never left those four walls.



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