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Yidl mitn fidl (1936)
Character: Itke/Judel
A young woman poses as a man in a group of klezmer musicians in Poland.
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Mamele (1938)
Character: N/A
Mamele embraces the entire gamut of interwar Jewish life in Lodz--tenements and unemployed Jews, nightclubs and gangsters, religious Jews celebrating sukkot--but the film belongs to Molly Picon who romps undaunted through her dutiful daughter role saving siblings, keeping the family intact, singing and acting her way through the stages of a woman's life from childhood to old age.
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Ost und West (1923)
Character: Mollie
Morris Brown, a New York gambler acquainted more with his checkbook than his prayer book, returns to Galicia with his very American daughter, Mollie (Molly Picon) for a family wedding. But Mollie, whose exuberant antics fill the film, unexpectedly meets her match--an engaging young yeshiva scholar who forsake tradition and joins the secular world to win her heart.
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The Great Yiddish Love (2002)
Character: Self - Narrator (voice) (archive footage)
Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.
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Making Trouble: Three Generations of Funny Jewish Women (2007)
Character: Self (archive footage)
A documentary film about three generations of female Jewish comedians and the complexity and challenges of their relationship to comedy, Judaism, and gender. The film profiles Molly Picon, Fanny Brice, Sophie Tucker, Joan Rivers, Gilda Radner, and Wendy Wasserstein, as well as contemporary comedians Judy Gold and Jackie Hoffman.
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The Jazz Singer (1959)
Character: Sarah Rabinowitz
The conflict between the Rabbi father and the son who disappoints him by seeking a secular career instead of a religious touches a Jewish cord, although it has a universal aspect.
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Come Blow Your Horn (1963)
Character: Mrs. Sophie Baker
The story of a young man's decision to leave the home of his parents for the bachelor pad of his older brother who leads a swinging '60s lifestyle.
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The Cannonball Run (1981)
Character: Mom Goldfarb
A cross-country road race is based on an actual event, the Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, organized by Brock Yates to protest the 55 mph speed limit then in effect in the U.S. The Cannonball was named for Erwin G. "Cannonball" Baker, who in the roaring 20's rode his motorcycle across the country. Many of the characters are based on ruses developed by real Cannonball racers over the several years that the event was run.
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For Pete's Sake (1974)
Character: Mrs. Cherry
Henrietta Robbins borrows money from a loan shark to finance her husband's investment in the stock market. However, when their stock plummets, she scrambles to find a way to pay the money back.
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Let's Make a Night of It (1937)
Character: Specialty Act
Unbeknown to each other, a husband and wife acquire separate nightclubs in the same London street; however, both clubs are on the brink of bankruptcy.
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Fiddler on the Roof (1971)
Character: Yente
In a pre-revolutionary Russia, a poor Jewish milkman struggles with the challenges of a changing world as his daughters fall in love and antisemitism grows.
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Cannonball Run II (1984)
Character: Mrs. Goldfarb
When a wealthy sheikh puts up $1 million in prize money for a cross-country car race, there is one person crazy enough to hit the road hard with wheels spinning fast. Legendary driver J.J. McClure enters the competition along with his friend Victor and together they set off across the American landscape in a madcap action-adventure destined to test their wits and automobile skills.
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Murder on Flight 502 (1975)
Character: Ida Goldman
On a flight to London, a note is found stating that there will be murders taking place on the airliner before it lands.
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Norman Jewison, Film Maker (1971)
Character: Self (uncredited)
Toronto-born Norman Jewison first gained prominence producing for Canadian television, then went on to greater success making Hollywood theatrical features. In this film he is seen directing a large international cast and crew in the film version of the musical hit 'Fiddler on the Roof'. Between scenes, Jewison talks freely about many aspects of the film industry and some of his experiences in it. A candid study of a director in action.
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