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Mode d’Emploi, Les Nouveaux Réalistes (1970)
Character: N/A
Filmed in the 1970s with the art critic Otto Hahn, this film is the only visual document which brings together the thirteen Nouveaux Réalistes who participated in the artistic movement created by critic Pierre Restany in 1960 and including the text of the declaration collective was signed by Yves Klein in nine copies. Each of the artists appropriates a piece of land from the civilization of waste: from Arman the accumulations, from César the compressions of scrap metal, from Jean Tinguely the rusty machines, from Raymond Hains the torn posters.
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Andy Warhol Screen Tests (1965)
Character: Self
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
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Screen Test [ST292]: Niki de Saint Phalle (1964)
Character: Herself
The artist and sculptor Niki de Saint Phalle is filmed against the sparkly background of the Factory. She looks elegant, solemn, and slightly sad. Her large-eyed gaze seems to avoid direct engagement with the camera; towards the end of the roll, she strokes her chin pensively.
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HON (1966)
Character: N/A
Filmic portrait of Niki de Saint Phalle's HON, a temporary indoor sculpture installation for the Moderna Museet of Stockholm.
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Niki de Saint Phalle (1982)
Character: N/A
François de Menil and Monique Alexandre's short portrait of artist Niki de Saint Phalle, shot in 16mm, 1982.
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Un rêve plus long que la nuit (1976)
Character: La Madame / La mère
In this heady, phantasmagoric fairy tale, a young girl comes face to face with a friendly dragon and a magnanimous witch. Upon the witch granting the girl’s wish to become a young woman, this surrealist chronicle follows the precocious Camélia on a series of quests in pursuit of love.
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Daddy (1973)
Character: Daughter / Narrator
Daddy, filmed in cooperation with movie director Peter Whitehead, discovers the connection between a father and little girl. Like the majority of Niki De Saint Phalle’s films, the flick combines autobiography with imagination, mixing erotic scenes of incest with a reverse of energy as the female character humors the daddy figure. Saint Phalle narrates the film, offering an almost psycho-analytical explanation of its content and explains the different inexplicable.
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Gaumont, l'étrange anthologie (2024)
Character: Self (archive footage)
To mark the 30th anniversary of L'Étrange Festival, Gaumont is opening up its archives to offer the best of its most secret, bizarre and crazy images, digitized for the first time. A unique program featuring black magic, surrealistic happenings, world records, the evolution of feminism, wild bets, vanished places, forgotten inventions and other delights.
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Viva Niki タロット・ガーデンへの道 (2024)
Character: Self
The late French American artist Niki de Saint Phalle is remembered today for her Nanas, a highly spirited force of colorful female sculptures. These figures, as with all of Niki’s works, possess an unbridled creativity that hums with the very energy of life. Through unpublished stills and recent footage shot in Europe, America, and Japan, this documentary recalls the life and legacy of the multidisciplinary artist, whose portraits and artworks japanese director Michiko Matsumoto photographed from 1981. It introduces in intimate detail such masterworks as the Tarot Garden in Tuscany, Italy, a vast collection of large-scale works more than 20 years in the making.
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Das Prinzip Dada (2016)
Character: Self
One hundred years ago, Dadaism challenged ideological, aesthetic and political conventions. Like David Bowie or Terry Gilliam, many artists have been influenced or fascinated by this anti-conformist movement.
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Niki de Saint Phalle: Wer ist das Monster - du oder ich? (1995)
Character: herself
In the sixties the painter and sculptor Niki de Saint Phalle started her career with shooting paintings, reliefs that were fired at with paint bags. She became famous and popular for her Nanas, colorful sculptures of big and cheerful women, and for the cooperation with Jean Tinguely. The frame of this film is a tour through her tarot garden in Tuscany.
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