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Luz en el páramo (1953)
Character: N/A
Luz en el páramo is a 1953 Venezuelan film directed by Víctor Urruchúa. It was entered into the 1953 Cannes Film Festival.
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El cocinero de mi mujer (1947)
Character: N/A
Bored rich guy takes a job serving as chef to a show-biz couple on a lark... in spite of the fact that he doesn't know how to cook.
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El charro y la dama (1949)
Character: N/A
Bratty rich girl plays practical jokes on the man that she'll obviously end up marrying.
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Las 5 noches de Adán (1942)
Character: N/A
Globe-hopping playboy bachelor is getting on in years, so he invites his five international children to come live with him.
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¡Ay qué rechula es Puebla! (1946)
Character: Federico
Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.
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Esa mujer es la mía (1942)
Character: N/A
Two pen-pals decide to get married, but the groom cooks up a scheme to test his fiancee's moral fibr before they tie the knt.
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Conozco a los dos (1949)
Character: N/A
Twin brothers separated at birth accidentally meet each other 25 years later. Girlfriends and coworkers are confounded, wacky hijinks!
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Bésame mucho (1945)
Character: N/A
A cluster of young performers will do just about anything to get their show produced.
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El despertar del lobo (1970)
Character: Sr. Salcido (Che)
Young woman looking for a rich husband, sets her sights on a very pious and old-fashioned neighbor.
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Martes 13 (1954)
Character: N/A
A guy threatens suicide when the woman he loves gets engaged to another man, then he enters into an arrangement with her whereby she will nurse him back to mental health during the six months until her fiancé comes back from Europe
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Nuestros maridos (1946)
Character: N/A
Three sisters discover that the men in their lives are philandering trash and band together to build new lives for themselves instead of continuing to enable their unworthy partners.
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Soy un golfo (1955)
Character: N/A
Slacker decides to work and create a career for himself after he falls in love with an ambitious woman.
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Toros, amor y gloria (1944)
Character: N/A
Farmhand moves to the city to be with his mother. He falls in love with the daughter of the rich family for whom she works as housekeeper, and decides to take advantage of his skill as a bullfighter to earn money and status enough to be able to court her.
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María Eugenia (1943)
Character: Ricardo
Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.
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Amanecer a la vida (1950)
Character: N/A
A shoeshine boy and his mother, a cabaret employee, fight against life's adversities. Venezuelan drama directed by Fernando Cortés.
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Fruto prohibido (1953)
Character: Ramón
A writer is given custody of his editor's daughter after she is orphaned. Once she grows up, they become romantically involved.
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Yo bailé con Don Porfirio (1942)
Character: Rodolfo
Light comedy in which Joaquin Cortes and Mapy Pardavé join their talents, written and directed by Gilberto Martinez Solares. It deals with the life of a pair of twins from a provincial family who emigrated to the city, then one begins to work in a music magazine and occasionally is confused with her sister, which causes problems with their respective boyfriends.
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La niña popoff (1952)
Character: N/A
Malicious gossip drives a wedge between a rising star in musical comedy and her songwriter boyfriend.
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Variedades de medianoche (1960)
Character: N/A
Two unknown performers try to break into television. Meanwhile, a guy that calls himself 'El Vengador' is doing a Phantom of the Opera number on the studio executives...
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La Muerte Enamorada (1951)
Character: Jorge
A man's life changes forever when death -- in the form of a female grim reaper -- moves in with him and his family, all so that he can buy a bit more time on earth. The only catch is, his family has no idea that their houseguest, a woman their father says is a foreign relative, is there to take their daddy away. Miroslava Stern, Fernando Fernandez and Jorge Reyes star in this inventive Spanish-language comedy.
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Los Tres Mosqueteros (1942)
Character: Julio / Duque de Buckingham
Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.
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María Montecristo (1951)
Character: Miguelito
Rich woman manouevres in secret to restore her dead father's good reputation.
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¡Ay, amor... cómo me has puesto! (1951)
Character: Dr. Esteban
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
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Romeo y Julieta (1943)
Character: (uncredited)
Verona's peace is disturbed by the rivalry between noble families: the Montesco and the Capuleto, irreconcilable enemies. The two families have continued fighting to make life unbearable in the Italian town. The Prince of Verona informs the chiefs that the two families respond with their lives if there are new struggles. At a ball in honor of Juliet, the daughter of Capuleto, incidentally meets Romeo, son of Montesco. Both fall in love immediately, not knowing that their love is impossible.
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: Reyes
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan. Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer.
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Escándalo de estrellas (1944)
Character: Alberto
The story of the adventures and entanglements of the son of a famous film producer who is forced to study law.
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Dos criados malcriados (1960)
Character: N/A
Don Antonio quiere casar a una de sus dos hijas Tere o Lorena con un conde. Para eso alquila una mansión y contrata a los criados Viruta y Capulina, para atender al conde y a sus invitados. Pero los criados descubren que el conde y sus invitados son unos rateros.
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