Vasco Creti

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Vasco Creti

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Credits

Terra madre Terra madre (1931) Character: Nunzio il massaro, padre di Emilia
The Duke Marco visits to his country side estate after many years absence. His farmers wants him to stay and run the place while his lover wants him to sell it. All while a farmers daughter also enters his life.
Sole! Sole! (1929) Character: Marco
Sole is the first film by the great Alessandro Blasetti and bears a complex relationship to the reclamation of the Pontine Marshes, a seminal event in Fascist political history.
La tavola dei poveri La tavola dei poveri (1932) Character: il cameriere di casa Fusaro
A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.
Gatta ci cova Gatta ci cova (1937) Character: L'usciere del tribunale
Italian film from 1937 directed by Gennaro Righelli.
Il cavaliere di Kruja Il cavaliere di Kruja (1940) Character: Haidar
Venice Film Festival 1940
1860 - I mille di Garibaldi 1860 - I mille di Garibaldi (1934) Character: l'autonomista
The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.
Palio Palio (1932) Character: Brandano
It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a cafe' chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci).
L'onestà del peccato L'onestà del peccato (1918) Character: N/A
A businessman marries Maria, the daughter of the rich professor, not for love but for personal gain. He betrays and humiliates her but she hides his despicable character from both her father and society at large and takes comfort in the company of a ship’s lieutenant. They fall in love but agree to interrupt their impossible relationship. Pregnant with her lover’s child, Maria decides to follow her heart and join him at sea but a series of dramatic events awaits them.
La compagnia dei matti La compagnia dei matti (1928) Character: Momi Tamberlan
Momi Tamberlan, Bortolo Cioci and Piero Scavezza are the last three old survivors of a club founded at the time of their student life by their partner Giuseppe Bardonazzi. The rules of the Club establish that who cannot be a member of the Club he has no reputation as a pleasure-loving, gluttonous.
La fuga di Socrate La fuga di Socrate (1923) Character: Liliana's father
Ajax accidentily startles Socrates, the pet parrot of his fiancé Annita, causing him to fly away through an open window. Annita says she will not marry Ajax until he returns Socrates to her. In his international search for the parrot, Ajax accidentally becomes a wanted man everywhere he goes.
L'Uomo dall'Artiglio L'Uomo dall'Artiglio (1931) Character: commissario
A killer is on the loose, murdering people with an iron claw.
Brivido Brivido (1941) Character: N/A
A crime novel writer is experiencing writer's block while writing his latest book. Then a woman is murdered in his home, and this crime gives him inspiration to finish his novel. Without noticing, he even founds the real culprit.
La Leggenda di Pierrette La Leggenda di Pierrette (1916) Character: Pierrot
Pierrot and Pierrette fall in love. But soon, Pierrette meets another man... Only the first part of the movie (282m, 16min) is preserved.
Non ti pago! Non ti pago! (1942) Character: Don Raffaele, il parroco
The owner of a lottery store refuses to pay a large sum won by one of his workers that he hates, because that man received the winning numbers in a dream.
I bambini ci guardano I bambini ci guardano (1943) Character: N/A
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
La vecchia signora La vecchia signora (1932) Character: N/A
An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.
Fiat voluntas dei Fiat voluntas dei (1936) Character: Don Matteo
Everyone burdens their troubles in a little Italian village on the local pastor.
Corte d'Assise Corte d'Assise (1931) Character: Giovanni, il cameriere di casa Astorri
During a reception in a villa, wealthy banker Calandri is killed in the park with a gunshot. The gamekeeper Barra is immediately arrested, but he declares himself innocent. During the trial it turns out that the defendant had threatened the victim, guilty of courting his sister-in-law. But the deposition of a journalist present at the party soon leads to discover the existence of a dense network of equivocal relations between the victim, the guests and the servants. This judicial setting drama is allegedly the second Italian sound film after "The Song of Love", made using the RCA Photophone recording technique, and is also considered to be the first Italian detective film, a precursor to the later genre of Giallo films.
La damigella di Bard La damigella di Bard (1936) Character: Papà Ponzetti
Venice Film Festival 1936
Il Fauno Il Fauno (1917) Character: The Sculptor
The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.



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