Sofia Roubou

Personal Info

Known For

Acting

Known Credits

0.6174

Gender

Female

Birthday

01-Jan-1947

Age

(79 years old)

Place of Birth

Athens, Greece

Also Known As
  • Sofia Roumbou
  • Sofia Roumpou

Sofia Roubou

Biography

Sofia Roumbou (Greek: Σοφία Ρούμπου, 1947–1 October 2016) was a Greek film, stage and television actress. Roumbou was born in Athens and studied acting at the Drama School of the National Theatre and dance at the Sonia Morianova School. She began taking part in theatrical performances in 1965, when she was still a student at the drama school. Her first roles were in Aristophanes' "The Ecclesiastes" and Sophocles' "Antigone", opposite Anna Synodinou. Her film debut took place in 1969 with the film "The Girl of "17"" directed by Petros Lykas, alongside Kostas Kazakos and Christos Politis, playing a mentally ill young woman, for which she was awarded the Best Actress award at the Thessaloniki Film Festival. She made her television debut in 1977 with the ERT comedy series "Thomas at Colonus" directed by Dimitris Nikolaidis and Vasilis Vlachodimitropoulos alongside Nikos Papanastasiou, Elena Nathanael and Vasilis Tsivilikas, while in the same year she appeared in another ERT social series "The Pantheons" directed by Vasilis Georgiadis alongside Katia Dandoulaki, Angelos Antonopoulos, Lykourgos Kallergis and Phaedonas Georgitsis. She also appeared in television theatrical performances, as part of the show "Monday's Theatre" that aired on ERT in the 1970s and 1980s. Sofia Roumbou was the wife of cinematographer and editor Nikos Kavoukidis, with whom she had a daughter, also an actress, Maria Kavoukidou. She died in the early hours of the morning in hospital at the age of 69, where she had been hospitalized for a long time. She was buried at the "Athens 1st Cemetery" on 3 October 2016.


Credits

Το στραβόξυλο Το στραβόξυλο (1969) Character: Kaiti
Nikos, a grumpy and clumsy man, is the manager at a shoe factory and he's living with his wife and his niece. Everyone regards him as a curmudgeon, especially his niece who maintains a parallel relationship with Nikos' partner and a client and doesn't want to get married.
Αγάπησα μια άγνωστη Αγάπησα μια άγνωστη (1970) Character: N/A
A rich young woman loves a poor singer, and her mother, who wants to prevent their marriage at all costs, confesses to her that he is her brother.
Μαρτυρίες Μαρτυρίες (1975) Character: Self - Narrator (voice)
A documentary presenting people and events connected with the most important political developments from the student uprising at the Athens Polytechnic in 1973 until the first year of democratic rule after the dictatorship collapsed in 1974.
Το Αγκίστρι Το Αγκίστρι (1976) Character: Nelly
An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.
Η Μεσόγειος φλέγεται Η Μεσόγειος φλέγεται (1972) Character: Olga
A volunteer from a World War II-era Greek resistance group agrees to seduce a German officer in order to gain secrets
Πανικός Πανικός (1969) Character: Elena Mara
Returning from a business trip to Rhodes, Markos finds out that his sick son has been kidnapped. He agrees to pay the ransom that the kidnappers demand but the police officer Makridis sees that the money used is marked so they can track them down.
Παραγγελιά! Παραγγελιά! (1980) Character: Kaiti Antoniou
The true story of Nikos Koemtzis, a man who stabbed three men to death in 1973 Athens for disrespecting his brother Demos' zeibekiko, a traditional Greek dance.
Ηλεκτρικός Άγγελος Ηλεκτρικός Άγγελος (1981) Character: N/A
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
Γυμνοί Στο Δρόμο Γυμνοί Στο Δρόμο (1969) Character: Anna
Against the backdrop of social prejudice, a torrid affair between a rich heiress and a proud worker starts to bloom, against all odds. Are the star-crossed lovers meant to be together? Is there a future when you're naked in the street?
Ένα Αστείο Κορίτσι Ένα Αστείο Κορίτσι (1970) Character: Μόνικα
The son of a shipping magnate finds himself increasingly drawn to a lively circus clown, unaware of her profession. This doesn't sit well with his companion, and a war in the name of love begins. Is he capable of loving the funny girl?



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