|
Perdona nuestras ofensas (2013)
Character: Irene
Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.
|
|
|
A Fuego Lento (1980)
Character: N/A
In the film "A fuego lento," Guadalupe Palma, a dancer and part-time prostitute, finds herself at the center of a suspenseful and enigmatic story, inadvertently setting off a chaotic pursuit by various factions, including ruthless gangsters. Her impoverished musician boyfriend, Óscar, becomes entangled in the intrigue, resulting in a unique cinematic experience with minimal dialogue.
|
|
|
Masacre nocturna (1990)
Character: The Countess
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
|
|
|
El vergonzoso (1988)
Character: N/A
Softcore sex-farce about a guy with a really big lump in his underpants...and all the women who flock to him.
|
|
|
El Macho Biónico (1981)
Character: Party Guest
A well-known playboy (Andrés García), and his gay assistant (Roberto 'Flaco' Guzmán), are victims of a plane accident when their private jet crashes. In the accident, the millionaire suffers the mutilation of his penis, forcing him to travel to the United States and invest his fortune in a technological reconstruction of his male organ, thus becoming the first Bionic Male of Mexico.
|
|
|
Escuela de Placer (1984)
Character: La Bicicleta
Heirs of a bankrupt relative decide that the only way they can avoid sacrificing their inherited property to pay debts is by opening a brothel.
|
|
|
|
|
|
|
Fausto en la oscuridad (2017)
Character: N/A
Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.
|
|
|
Dejar la piel (2017)
Character: N/A
Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.
|
|
|
La golfa del barrio (1982)
Character: N/A
Left grief-stricken when his bride dies unexpectedly on their wedding night, desperate newlywed Juan Pablo jumps into a relationship with a sexy pickpocket in this romantic Mexican drama. At first, Juan Pablo desires only the touch of a woman, but things change when he begins to have strong feelings for Rosa. Sasha Montenegro, Susana Cabrera, Roberto Montiel, Eduardo de la Peña, Anaís de Melo and Delia Magaña star.
|
|
|
La pulquería 3: Entre ficheras anda el diablo (1984)
Character: N/A
After regaining his manliness, he escapes from hell Satan for embezzling Secretary of infernal hacienda, being chased by a couple of poor devils good for nothing, and took refuge in the cabaret ends up working as a transvestite.
|
|
|
La hora del jaguar (1978)
Character: Amante rubia de Saldaña
Police officer dismissed from the force for excessive use of force, is hired as a hitman for some unnamed shadow organization.
|
|
|
Buenas y con... movidas (1983)
Character: La Bicicleta
Sex-worker tries to pose as a society matron long enough to receive a visit from her daughter, the daughter's fiancé and his family.
|
|
|
Paradas Contínuas (2009)
Character: Wanda
Perico and Emilio, almost good looking teenagers, enterprising bums and lovers of the seamy side of student life, have the same problem: they have no place to take their girlfriends to give free rein to their baser passions: they can't go to their homes or those of the girls, and only sluts go to hourly hotels. Faced with this need (and a great deal of pent up testosterone), they decide to become entrepreneurs, thanks to Perico's father's old VW van, that, as well as a possible solution for their lust, can also be turned into the business of a lifetime, as Professor Carranco would say: Today, whoever finds a niche in the market can become a millionaire.
|
|
|
El Arracadas (1978)
Character: N/A
Mariano Landeros is sworn by his mother to look for the murderer of his father at all costs, the proof would bring that Doroteo Carrillo earring snatched his mother when it happened the asesinato.Mariano part unstoppably to find the murderer finding in the way love, hate and violence.
|
|
|
Bellas de noche (2016)
Character: As Self
What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.
|
|
