|
Naya Sansar (1941)
Character: Premchand
Premchand, an idealistic newspaper editor, is in love with Asha, an orphan he raised. Asha, however, falls for Puran, Premchand's radical star reporter. When Premchand compromises his journalistic ideals by making a deal with a corrupt businessman, Puran, true to his principles, quits and starts his own newspaper, "Naya Sansar." This act prompts Premchand to realize his error, return to his progressive stance, and ultimately bless the union of Asha and Puran.
|
|
|
Pannadai (1945)
Character: Humayun
Set four hundred years ago, Pannadai is an epic tale from Rajasthan centered on the loyal nurse Pannadai. After Rana Sang of Chittorgarh dies, his Queen Karunavati is besieged by Bahadursingh. Pannadai cleverly secures help from Emperor Humayun, but after the Queen's death, she is entrusted with safeguarding the child-king Udai Singh. Pannadai then faces the treacherous schemes of Banbir, Rana Sang's illegitimate son, who seeks to usurp the throne, leading to the ultimate sacrifice of her own son to protect the rightful heir.
|
|
|
Sitara (1939)
Character: Eureka
A fiery rivalry across two generations of gypsies sparks when a scorned love leads to tragedy. Decades later, a free-spirited young woman, unknowingly caught in the ancestral feud, must reconcile her wild heritage with bourgeois life when a passionate abduction reveals her true lineage and destiny.
|
|
|
Ek Raat (1942)
Character: N/A
A thriller centered on Ravi, who arrives at Heera Mahal on a stormy night. He finds the bungalow now owned by Balraj Sharma, a crippled ex-police officer, and his daughter Rekha. Ravi takes a job with Balraj and learns of Balraj's fear of Jaggi, a man seeking revenge. Ravi and Rekha fall in love and try to help Balraj. The plot thickens when Ravi is accused of two murders, leading to more suspense and revelations.
|
|
|
Mata (1942)
Character: N/A
A heartfelt social drama that centers on the unwavering love and immense sacrifices of a mother for her children. Faced with myriad hardships—be it poverty, societal challenges, or the ingratitude of her own offspring—the film follow her journey of enduring immense personal struggle to ensure the well-being and future of her family.
|
|
|
Fariyaad (1942)
Character: N/A
An early Indian drama centered on a grievance or plea for justice
|
|
|
Hamari Betiyan (1936)
Character: Lalsingh
An epic drama idealising Indian wornanhood. Prince Madan (Kumar) loves university colleague Radha (Rose). The villain Lalsingh (Mubarak) and his sister Vasanthi (Pramila) get him banned from the realm by the king (Vyas), but he marries his beloved anyway. Radha's estranged mother (Jilloo) becomes a priestess distributing free grain. When Radha goes blind, she is abandoned by her husband and unknowingly meets her mother. An earthquake restores Radha's sight and allows her to find a buried treasure. Masquerading as the wealthy Princess Chandni, Radha teaches a lesson to all her tormentors, including the king, the prince and the villain.
|
|
|
Stage (1951)
Character: N/A
When a man is framed for murder, a young hero must plunge into the dazzling, dangerous world behind the stage lights to reveal the criminal truth lurking in the shadows of the spotlight.
|
|
|
Anban (1944)
Character: Yadav
An ego clash between two friends, Madhav Pandit and Pande, over cultural differences shatters their families' happiness, leading to broken engagements, forced marriages, and a daughter's disappearance, all designed to teach Pandit a crucial lesson.
|
|
|
सवंगडी (1938)
Character: N/A
A Marathi film directed by P. Y. Altekar.
|
|
|
Ujala (1942)
Character: N/A
An idealistic theatre owner discovers a captivating dancer, sparking a passionate romance destined for the stage and beyond. But when tragedy strikes on their wedding day, can their love endure the harsh realities that follow, transforming them and the very soul of the theatre?
|
|
|
तानसेन (1943)
Character: Badshah Mohamed Jalaudin Akbar
Renowned, talent singer Tansen is settled in a small village. He has a lover whom he loves madly namely Tani. His singing talent pampers everyone in his village namely the animals, the Maharaja's and other living organisms.
|
|
|
Noorjahan (1931)
Character: N/A
This silent historical drama chronicles the life of Mehr-un-Nissa, who rises from humble beginnings to become the powerful and influential Empress Noor Jahan, wife of Mughal Emperor Jehangir. The film explores her intelligence, beauty, and significant role in shaping the Mughal Empire.
|
|
|
माया (1961)
Character: Seth Shyam Narain
Disillusioned with his wealthy friends, a man pretends to be poor and goes to live in the slums where he falls in love with a burglar's sister.
|
|
|
जब प्यार किसी से होता है (1961)
Character: Sardar Roop Singh
About to be married, Nisha learns that Sunder had already been married to another woman, whom he is accused of murdering. And Sunder scrambles to come up with an explanation and absolve himself.
|
|
|
Bahurani (1940)
Character: Diwanji
In pre-independence India, a wealthy young zamindar brings a village girl of illegitimate birth into his household after her mother’s death. As she grows up, their bond deepens into love—challenging family expectations and deep-rooted societal prejudices.
|
|
|
अबे हयात (1955)
Character: Samree
Saamri, an evil magician, causes trouble in the lives of Prince Jalal and his princess. As the situation worsens, the prince sets out to destroy the magician.
|
|
|
अनारकली (1953)
Character: Shahenshah Jalaudin Akbar
Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
|
|
|
Night Club (1958)
Character: Pran
When Bindu's brother is murdered by a night club owner, she decides to take things in her own hands to avenge his death. The film offers a rare window into how and whether she will succeed when she is dealing with an omnipotent villain.
|
|
|
वक़्त (1965)
Character: Judge
A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.
|
|
|
Phir Subha Hogi (1958)
Character: Police Inspector
Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?
|
|
|
समाधि (1950)
Character: Boss
Shekhar falls in love with Lilly D'Souza, a performer, only to discover she is a British spy. He hands over Lilly and her sister, Dolly, to the INA, which sentences both to death.
|
|
|
Shola Aur Shabnam (1960)
Character: Akash's Father
Ravi or "Bunnu" as he's called at home and Sandhya (Chandrakala) are childhood sweethearts despite Ravi being poor, and Sandhya being rich. Sandhya's father, who is a senior official in the Railways is posted to a distant location; Ravi and Sandhya are separated and out of contact. Many years later, Ravi has matured into a strapping young man. Not being rich or influential, Ravi finds it hard to find a job and decides to approach his friend Prakash (played by M. Rajan). Prakash is a happy-go-luck rich kid, whose family runs a large timber factory amid lush jungles, and is only too happy to hire Ravi at a generous salary (Rs.300 per month, although Ravi asks for only Rs.100).
|
|
|
Main Nashe Mein Hoon (1959)
Character: Kundan Lal Khanna
Belonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.
|
|
|
चम्पाकली (1957)
Character: N/A
A tale of sublime love and love's supreme sacrifice.
|
|
|
झांसी की रानी (1953)
Character: Raja of Jhansi (Raja Gangadhar Rao)
Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.
|
|
|
Tadbir (1945)
Character: N/A
A man's birth is foretold by an astrologer: he will follow a prostitute, wield a knife, and face the gallows. These prophecies come true in unexpected ways, as he finds salvation through a sacrificing prostitute, becomes a surgeon, and battles personal demons, all while grappling with destiny.
|
|