|
|
|
|
|
An Old Fashioned Young Man (1917)
Character: N/A
Frank Trent, raised by his father with an old-fashioned reverence for women, goes to the city where he obtains a job as an aide to corrupt politician Senator Briggs. Learning that Briggs, who is supporting the incumbent mayor, plans to smear his opponent, Mrs. Burke, by stirring up charges that her adopted daughter Margaret is actually her illegitimate child, Frank quits his job and determines to prove Mrs. Burke's innocence. A lost film
|
|
|
|
|
The Ghost Flower (1918)
Character: N/A
Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.
|
|
|
|
A Woman's Faith (1925)
Character: Nerée Caron
Donovan Steele returns to Quebec to be married and finds his fiancée in the arms of another man. This shatters his faith in God and woman alike, and he takes to the wilderness, becoming known as 'the man who denies God."
|
|
|
The World and His Wife (1920)
Character: Teodora
Elderly Spanish nobleman Don Julian is happily married to Teodora, a beautiful young girl, when his protégé, young poet Ernesto, comes to live with them. Vicious gossip spreads false rumors of a love affair between the two young people and the evil Don Alvarez, the most bitter slanderer of all, goads Ernesto into challenging him to a duel. Don Julian, realizing that the youth is no match for one of the best swordsmen in Spain, forces the slanderer into a fight in which Don Alvarez is slain and Don Julian gravely wounded. Ernesto calls upon the dying Don Julian to convince him of his wife's innocence. Misled by his brother Severo, Don Julian believes the youth has come to visit Teodora, denouncing them both before dying, ironically driving Ernesto and Teodora from the house to face the world together.
|
|
|
Is Love Everything? (1924)
Character: Virginia Carter
Virginia Carter accedes to her family's pressures and marries Jordan Southwick, who comes from a wealthy and socially prominent family. However, she soon regrets her actions because she still loves her ex-boyfriend, Robert Whitney. Due to the instigation of his jealous brother Boyd, Jordan suspects Virginia of being unfaithful with Whitney.
|
|
|
Master of His Home (1917)
Character: Millicent Drake
Unhappy with her daughter's choice to marry a miner instead of her choice, a man of wealth, a mother tries to convince her daughter to get an abortion.
|
|
|
The Answer (1918)
Character: Lorraine Van Allen
Social worker John Warfield meets socialist radical Guido Garcia, and together they establish a refuge in San Francisco for life's unfortunates.
|
|
|
She Wolves (1925)
Character: Germaine D'Artois
In France, a romantic young woman named Germaine is shocked and disheartened to discover that, for financial reasons, her parents have arranged a marriage for her with Lucien D'Artois, a wealthy man of rough manners who loves his horses and dogs more than evening clothes. Germaine makes her distaste known to her new husband, and Lucien goes to Paris to make himself over. Before Lucien can return to Germaine, however, she writes him a letter saying they can never be happy together. Lucien becomes despondent and dissipates his entire fortune in reckless living. André Delandal ingratiates himself with Germaine and leads her to falsely believe that Lucien has been unfaithful. Germaine goes to Paris to ask Lucien for her freedom, then discovers that he has become a polished gentleman. She belatedly declares her love for Lucien.
|
|
|
Gerald Cranston's Lady (1924)
Character: Hermione, Lady Gerald Cranston
Gerald Cranston, a successful financier and industrialist who worked his way up through the ranks, enters into a marriage of convenience with Lady Hermione, from which he hopes to gain social prestige; Hermione, for her part, desires financial independence. Gordon Ibbotsleigh attempts to win Hermione's affection, while Hermione's cousin Angela directs her wiles toward Gerald. Both efforts fail, however, and the threat of financial ruin finally and firmly unites the Cranstons.
|
|
|
Week End Husbands (1924)
Character: Barbara Belden
William Randall becomes a bootlegger to provide his wife with the luxuries she demands. As a consequence, he is free only on weekends while Barbara is influenced by a jazz set and spends most of her time at fashionable resorts. Although Barbara remains faithful to her husband, she goes canoeing with another man and nearly drowns when their canoe is hit by a yacht. Gossipers at the resort convince William that Barbara was cheating and he should leave her. She goes to Paris, France, while Federal agents arrest Randall and release him under bail. Meanwhile Barbara, left alone, sends for her husband, who, instead of replying, catches the first plane to Paris. Barbara has already taken poison, but she recovers when Randall arrives and they return to America together.
|
|
|
Madame Sphinx (1918)
Character: Celeste
Disgusted when the police department fails to apprehend the murderer of her guardian, Henri Du Bois, Celeste decides to track down the criminal herself. Her only clue is a cuff link dropped near the scene of the crime on which a sphinx is engraved, and with it, she wanders through Paris' tough Moulin Noir district. When she notices a young man wearing a tie pin of identical design, she cultivates his acquaintance and eventually asks him to visit her in her home. His suspicious behavior there convinces Celeste that he is the guilty party, and although she has fallen in love with him, she has him arrested, whereupon she learns that he is Du Bois' missing son, Andre. Further detective work reveals that the real murderer is Celeste's rejected suitor, Raoul Laverne. Upon his confession, Andre is released and eventually marries Celeste.
|
|
|
The Price She Paid (1924)
Character: Mildred Gower
In order to save her extravagant mother from bankruptcy, shame and scandal, young society girl Mildred Gower is forced to accept the proposal of Lemuel Siddall, a wealthy man she loathes.
|
|
|
The Gilded Butterfly (1926)
Character: Linda Haverhill
Left penniless after the death of her reprobate father Linda Haverhill procures a loan from John Converse, who is smitten with her. She squanders the money in an attempt to maintain her social position by going abroad. During the journey Linda falls in love with Army Captain Brian Anestry of the United States Army, but foolishly burns her possessions planning to file an insurance claim to tide her over. Arrested, she is involved in a wreck which just might provide an escape for both Linda and Brian from their troubles.
|
|
|
The Gown Of Destiny (1917)
Character: Natalie Drew
Rejected by the army because of his petite size, French dress designer Andre Leriche conceives the idea of designing a gown that will aid his country. His employer, Madame Felice, sells the gown to Mrs. Mortimer Reyton, a middle-aged woman who is gradually losing the love of her husband. The gown so transforms her that, in honor of their wedding anniversary, Reyton buys three ambulances for France. Mrs. Reyton then sends the gown to her cousin Natalie. The garment so inspires Englishman Neil Cunningham that, to win Natalie's love, he returns home to enlist. In France, Neil proves himself a hero and, while leading an attack on a German stronghold, saves Andre's father, the mayor of the town, from death. Thus, the gown made a reality of Andre's dream to serve his country.
|
|
|
The Gangsters and the Girl (1914)
Character: N/A
Molly Ashley, a child of the slums, is charged with being an accomplice to a shoplifter. Although innocent, she is convicted of shoplifting and sentenced to two years' imprisonment. Jim Tracy, the leader of a band of gangsters, rescues Molly. The following morning Detective Stone is assigned the task of locating and running down Jim Tracy's gang. In order to secure evidence against the gang, he disguises himself as one of the gangsters, runs into their place and pretends that the "cops" are after him. Tracy and the gang take him in. Molly falls in love with Stone and discovers his true identity. One of the crooks gets sore at Jim Tracy and betrays them to the police. Jim accuses Molly of betraying them. Stone resents his accusation.
|
|
|
Reggie Mixes In (1916)
Character: Lemona Reighley
Reggie, a wealthy young man about town, is eager for excitement, so he takes to visiting the rougher sections of the city in search of thrills. He meets and falls for a cabaret singer, but she turns out to be the inamorata of the local gang boss. The gangster sends his men after Reggie, but eventually it comes down to a duel between the two men themselves.
|
|
|
|
|
She Goes to War (1929)
Character: Rosie
A young woman disguises herself as a man and follows her fiancéé into the trenches during World War I to find out what war is really like.
|
|
|
The Cold Deck (1917)
Character: Coralie
Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!
|
|
|
The Birth of a Nation (1915)
Character: Belle of 1861 (uncredited)
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
|
|
|
Show Boat (1929)
Character: Julie Dozier
This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel
|
|
|
|
|
The Children Pay (1916)
Character: Editha, the Girls' Stepmother
Two sisters are separated when their parents divorce.
|
|
|
The Masks of the Devil (1928)
Character: Countess Zellner
Baron Reiner, a charming though unscrupulous Viennese aristocrat, becomes infatuated with Virginia, an innocent schoolgirl who is engaged to his best friend, Manfred. In order to seduce the girl, Reiner finances an oceanographic expedition for Manfred that takes him away for months (TCM).
|
|
|
East Lynne (1925)
Character: Lady Isabel
This most famous of Victorian melodramas was more than half a century old, and had already been filmed several times when it came to the screen once again in 1925. Director Emmett J. Flynn had an all-star cast and kept close to the original story.
|
|
|
Fine Clothes (1925)
Character: Paula
The owner of a London clothing store is driven out of business, but later makes a triumphant return.
|
|
|
Enemies of Women (1923)
Character: The Duchess de Lille
The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)
|
|
|
The Half-Breed (1916)
Character: Teresa
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
|
|
|
Under the Red Robe (1923)
Character: Renee de Cocheforet
A young man is tasked by the powerful Cardinal Richelieu to capture one of the cardinal's enemies but falls in love with his target's sister. The film marks the last motion picture appearance by stage actor Robert B. Mantell who plays Cardinal Richelieu and the only silent screen performance of opera singer John Charles Thomas.
|
|
|
The Winding Stair (1925)
Character: Marguerite
Paul is a fearless French Foreign Legion officer. Ordered to quell a native uprising at a far-away outpost, he discovers that the revolt is actually a subterfuge hatched by the Arabs, so that the city under Paul's command will be left unguarded and defenseless.
|
|
|
The Americano (1916)
Character: Juana de Castalar
Doug is an American mining engineer. Pres. Valdez of Paragonia wants him to reopen the country's mines. Doug is not interested ... until he sees the President's beautiful daughter, Juana. Valdez returns to Paragonia, but is deposed by Generals Sanchez and Garcia and locked in San Mateo Prison. The Americano arrives...
|
|
|
Siberia (1926)
Character: Sonia Vronsky
Officer in the Imperial Russian Army, Petroff, is in love with Sonia, a schoolteacher who casts her lot with revolutionaries. During a time of suppression, she is exiled with her brother to Siberia. There Petroff is sent in the discharge of his official duties and secretly renews their romance. When the Bolsheviki overthrow the government, Sonia is freed and aids in the escape of Petroff, who incurs the enmity of Egor, the revolutionary leader, because he is a royalist. Together they escape across the frozen wastes in a sledge, pursued by wolves and Egor, who has used patriotism as a cloak to conceal personal ambitions.
|
|
|
A Man's Country (1919)
Character: Kate Carewe
Dance-hall queen Kate Carewe is the toast of the gold-mining camp of Huxley's Gulch. One day a minister, Ralph Bowen, arrives to "clean up" the town. He is scorned by the miners, gamblers and "loose women" of the place, especially Kate, who resents that Bowen calls her a "scarlet woman".
|
|
|
The Rejected Woman (1924)
Character: Diane Du Prez
Diane Duprez falls in love with Leslie in the snows of a Canadian village. And when they are trapped by a blizzard, her father thinks wrong of her...
|
|
|
The Dancers (1925)
Character: Maxine
Young Tony, unable to make a living in crowded and fast-paced London, goes to South America in search of his fortune. He soon becomes the owner of a saloon and dance hall. One of the dancers in his place, Maxine, falls in love with him, but Tony is still in love with his childhood sweetheart Una, although Una is now a "party girl" back in London and has forgotten about Tony. However, Tony comes into an unexpected inheritance, along with a title, and returns to London for Una. Although disappointed with Una's current lifestyle, he asks her to marry him despite her "indiscretions". However, the night before they are to be married Una confesses a deep, dark secret to Tony that could change their lives forever.
|
|
|
Truthful Tulliver (1917)
Character: Grace Burton
Truthful Tulliver, a Westerner and a journeying newspaperman, followed by Silver Lode Thompson, printer and compositor, arrives in Glory Hole to start a newspaper.
|
|
|
The Mystery of the Leaping Fish (1916)
Character: Wealthy Gent's Female Confederate
Coke Ennyday, the scientific detective, divides his time into periods of "Sleep", "Eat", "Dope" and "Drinks". In fact, he overcomes every situation with drugs: consuming cocaine to increase his energy or injecting it in his opponents to incapacitate them. To help the police, he tracks down a contraband of opium (which he eagerly tastes) transported within "leaping fishes", saving a "fish-blower" girl from blackmail along the way.
|
|
|
Cytherea (1924)
Character: Savina Grove
Lee Randon, weary of business duties and a conventional home life, acquires a long-lost sense of excitement and romance with young flapper Claire Morris. When he meets her married aunt, Savina Grove, she appears to be the woman he imagines whenever he gazes at a doll he has christened Cytherea, goddess of love -----Cytherea features two dream sequences filmed in an early version of the Technicolor color film process.
|
|
|
Humoresque (1920)
Character: Gina Berg (formerly Minnie Ginsberg)
Young Leon Kanter dreams of being a great violinist. His parents scrape up the money for a violin and for lessons, and Leon rewards them by becoming a great player. But as an adult, Leon finds that people want more from him than just music.
|
|
|
Marriage License? (1926)
Character: Wanda Heriot
When English nobleman Marcus Heriot marries the young Canadian Wanda his family, especially his mother, reject her because of her outsider status. Lady Heriot engineers a scandal that ruins their marriage and after has Wanda’s child declared illegitimate. Years pass during which Wanda and her son Robin rebuild their lives through toil. Now grown Robin enters the military, and Marcus reenters their lives wanting to give the young man his name.
|
|
|
The Valley of Silent Men (1922)
Character: N/A
The hunter becomes the hunted, an officer of the Royal Mounted, fleeing, fighting for his life. Guided to a secret valley in the frozen North by a hot-blooded French-Canadian beauty, with a secret of her own...
|
|
|
Find the Woman (1922)
Character: Sophie Carey
This whodunit bears no relation to the 1918 picture of the same name, but both films coincidentally had the same director, Tom Terriss. When sleazy theatrical agent Maurice Beiner (Arthur Donaldson) is found stabbed to death in his office, just about everybody is a suspect -- there's aspiring actress Clancy Deane (Eileen Huban), who was one of the last people to see him alive, and Sophie Carey (Alma Rubens) who knows he has some love letters she wrote to Judge Walbrough (George MacQuarrie) before she married her alcoholic husband, Don (Henry Sedley). Or is it Marc Weber (Norman Kerry), who had a falling out with Beiner, or Weber's devoted wife, Fay (Ethel Duray)?
|
|
